Based on the true events surrounding Frank Sinatra's tour of Australia. When Sinatra calls a local reporter a "two-bit hooker", every union in the country black-bans the star until he issues... Read allBased on the true events surrounding Frank Sinatra's tour of Australia. When Sinatra calls a local reporter a "two-bit hooker", every union in the country black-bans the star until he issues an apology.Based on the true events surrounding Frank Sinatra's tour of Australia. When Sinatra calls a local reporter a "two-bit hooker", every union in the country black-bans the star until he issues an apology.
- Awards
- 1 win & 3 nominations
Photos
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- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe voice of Frank Sinatra is dubbed by Australian actor Tom Burlinson, whose major debut was "The Man From Snowy River", 1982.
- GoofsThere are a number of anachronisms in the Sydney backdrops, ostensibly set in the 1970s. The most obvious is the catamaran harbour ferry that crosses the screen, in an early night-time shot of the harbour bridge. These were not introduced until 15 years later in 1988.
- Quotes
Frank Sinatra: I have an apology to make. I called this woman a $2 whore, I was wrong. She's not worth a buck and a half.
- ConnectionsFeatured in Getaway: Episode #18.3 (2009)
- SoundtracksOne For My Baby (And One More For The Road)
Composed by Johnny Mercer and Harold Arlen
Performed by Tom Burlinson
Used by permission of Harwin Music Co
Featured review
This is loosely based on events that occurred during Frank Sinatra's tour of Australia where, after referring to a female reporter as a "two-bit hooker" he was black-banned by the local unions.
Sadly, what could have been an interesting look at a clash of cultures, values and strong-willed individuals descends into something resembling a comedy sketch put on by a country repertory company.
Dennis Hopper does a stirling job as Sinatra, with very little directorial support. After a while you start to believe he is Ol' Blue Eyes. But virtually all the other characters are painted in the broad brush strokes of low farce.
Joel Edgerton plays the hapless promoter as a dim-witted surfer with a tendency to fall over or get beaten up in every second scene. Portia de Rossi is so loathsome in her role as the maligned journalist that I found myself cheering for Sinatra and the mob for most of the movie.
And, in a masterstroke of bizarre casting and makeup, David Field blithely appears on screen looking about as much like Bob Hawke as my mum. Moreover, he seems to have made a conscious decision not to even attempt Hawke's accent, nor any of his well known mannerisms. The overall effect is as if the producers had decided to cast Dame Edna Everage in the role and hope that no-one would notice.
Almost every Australian character in the film comes across as either a bumbling half-wit or a self-serving thug. I'm surprised Tourism Australia didn't try to have it banned. The sole exception is the delightful Rose Byrne who, as the love interest/voice of sanity, seems to have been beamed in from a parallel universe.
Lamenting the state of the Australian film industry is a national pastime. I think much of it stems from the industry's long love affair with 'daggyness' for its own sake. Who finds this quirky and endearing any more? It's just embarrassing, and the rest of the world obviously thinks so too. This film, with its woeful dialogue, wooden 'school play level' direction, zero character motivation and absurd plot, admirably demonstrates the problem.
Sadly, what could have been an interesting look at a clash of cultures, values and strong-willed individuals descends into something resembling a comedy sketch put on by a country repertory company.
Dennis Hopper does a stirling job as Sinatra, with very little directorial support. After a while you start to believe he is Ol' Blue Eyes. But virtually all the other characters are painted in the broad brush strokes of low farce.
Joel Edgerton plays the hapless promoter as a dim-witted surfer with a tendency to fall over or get beaten up in every second scene. Portia de Rossi is so loathsome in her role as the maligned journalist that I found myself cheering for Sinatra and the mob for most of the movie.
And, in a masterstroke of bizarre casting and makeup, David Field blithely appears on screen looking about as much like Bob Hawke as my mum. Moreover, he seems to have made a conscious decision not to even attempt Hawke's accent, nor any of his well known mannerisms. The overall effect is as if the producers had decided to cast Dame Edna Everage in the role and hope that no-one would notice.
Almost every Australian character in the film comes across as either a bumbling half-wit or a self-serving thug. I'm surprised Tourism Australia didn't try to have it banned. The sole exception is the delightful Rose Byrne who, as the love interest/voice of sanity, seems to have been beamed in from a parallel universe.
Lamenting the state of the Australian film industry is a national pastime. I think much of it stems from the industry's long love affair with 'daggyness' for its own sake. Who finds this quirky and endearing any more? It's just embarrassing, and the rest of the world obviously thinks so too. This film, with its woeful dialogue, wooden 'school play level' direction, zero character motivation and absurd plot, admirably demonstrates the problem.
- How long is All the Way?Powered by Alexa
Details
- Release date
- Countries of origin
- Language
- Also known as
- All the Way: The Kidnapping of a Music Legend
- Filming locations
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- See more company credits at IMDbPro
Box office
- Gross worldwide
- $277,428
- Runtime1 hour 37 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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