A young boy in a nameless, timeless American town establishes a gang of youthful misfits united in their love of guns and their code of honor.A young boy in a nameless, timeless American town establishes a gang of youthful misfits united in their love of guns and their code of honor.A young boy in a nameless, timeless American town establishes a gang of youthful misfits united in their love of guns and their code of honor.
- Awards
- 1 win & 5 nominations total
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIn Lars von Trier's script, the main characters were in their 20s. Director Thomas Vinterberg decided to change it, so they became children instead. Lars von Trier later stated that he thought the age change was a brilliant idea.
- GoofsThe plan of Electric Square labels "CENTRE POLE" using the British rather than the American spelling. The film was shot in Denmark and Germany rather than in West Virginia, USA.
- ConnectionsFeatured in Letters to Dear Wendy (2005)
- SoundtracksShe's Not There
Written and Performed by The Zombies
Zombies Heaven, "Begin Here & Singles" (c)
Courtesy of Marquis Enterprises
Featured review
I liked "Dear Wendy". It was well photographed, had good cast and the rocking soundtrack provided the light icing on a film that is both sad and happy from the inside.
It is a bit puzzling that this film has been seen as anti-American propaganda. It does criticise the American values - but so do many American films that are hardly described as anti-American. The message is even softened by placing the film in surreal, small mining town that is so detached geographically that you can almost feel the fiction. In some sense it bears resemblance to the village set on Brechtian stage in "Dogville" (compare for example the "stageness" of main street) by Lars von Trier, whose touch can be seen in "Dear Wendy", too.
It can be also seen as an anti-gun lecture - but that is just one perspective to it and in my opinion also possible to ignore.
The only turnoff is the somewhat annoying narration by the main character, that explains too much and leaves less for the viewer to ponder. I might be also giving one star too much, because the end scene, where the film picks up the pace left such a strong impression on me, and not just because of being so well shot action.
It is a bit puzzling that this film has been seen as anti-American propaganda. It does criticise the American values - but so do many American films that are hardly described as anti-American. The message is even softened by placing the film in surreal, small mining town that is so detached geographically that you can almost feel the fiction. In some sense it bears resemblance to the village set on Brechtian stage in "Dogville" (compare for example the "stageness" of main street) by Lars von Trier, whose touch can be seen in "Dear Wendy", too.
It can be also seen as an anti-gun lecture - but that is just one perspective to it and in my opinion also possible to ignore.
The only turnoff is the somewhat annoying narration by the main character, that explains too much and leaves less for the viewer to ponder. I might be also giving one star too much, because the end scene, where the film picks up the pace left such a strong impression on me, and not just because of being so well shot action.
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Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Calles peligrosas
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- DKK 50,000,000 (estimated)
- Gross US & Canada
- $23,106
- Opening weekend US & Canada
- $8,222
- Sep 25, 2005
- Gross worldwide
- $607,229
- Runtime1 hour 45 minutes
- Color
- Sound mix
- Aspect ratio
- 1.66 : 1
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