Writer Ben Mears returns to his childhood home of Jerusalem's Lot and discovers that it is being terrorized by vampires.Writer Ben Mears returns to his childhood home of Jerusalem's Lot and discovers that it is being terrorized by vampires.Writer Ben Mears returns to his childhood home of Jerusalem's Lot and discovers that it is being terrorized by vampires.
- Nominated for 1 Primetime Emmy
- 2 wins & 8 nominations total
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aside from the fact that the writers tried to ham handedly bring the story into the 21st century with allusions to the internet, the gulf war, et al. (which seem stuck in there more than anything else) this simply wasn't scary. in fact, it wasn't even creepy. the original movie, while flawed, at least was creepy. in this one, the character of straker is turned from an elegant older gentleman who generates an aura of menace into a crazy wild haired old man that just as well may wear a sign around his neck saying "haha, i'm a bad guy!" there is no chemistry between ben mears and sue norton. the marston house doesn't seem to project the image of a "sounding board for evil" that king described in the novel.
rutger hauer was somewhat effective as barlow, but was largely a disappointment because he was underutilized. while barlow may have not had a lot of appearances in the book, the ones that he did have were memorable.
finally, the special effects were just far too cliché'd. all the business of vampires climbing walls and ceilings...what is that supposed to be? scary it isn't.
i long for someone to take a steven king story and be genuinely creepy with it. all of these horror genre directors are so "in your face" with the supernatural and with their effects that they seem to forget that the most terrifying things are the things that you can't see or see dimly for most of the time, and when they are seen full face, they must project the appropriate menace in order to answer the buildup.
thus, another bad vampire movie bites the dust. trust me, you're better off with buffy the vampire slayer. the writing is certainly better!
rutger hauer was somewhat effective as barlow, but was largely a disappointment because he was underutilized. while barlow may have not had a lot of appearances in the book, the ones that he did have were memorable.
finally, the special effects were just far too cliché'd. all the business of vampires climbing walls and ceilings...what is that supposed to be? scary it isn't.
i long for someone to take a steven king story and be genuinely creepy with it. all of these horror genre directors are so "in your face" with the supernatural and with their effects that they seem to forget that the most terrifying things are the things that you can't see or see dimly for most of the time, and when they are seen full face, they must project the appropriate menace in order to answer the buildup.
thus, another bad vampire movie bites the dust. trust me, you're better off with buffy the vampire slayer. the writing is certainly better!
Just watched the DVD and was gripped from beginning to end. Why all these bad comments? King's book reaches into the well worn bag of Vampire clichés and recreates the myth. Instead of a wild, exotic location, his vampire tale happens in our own back yard - small town USA. The movie, like the book, details characters - typical types, but uniquely drawn to perk our interest - setting up ordinary and recognizable patterns of action and behavior. Enter the vampire; strange things happen, the patterns shake and change; the town goes from sunlit Americana to moonlit nightmare. This movie changes many of King's original notions, but maintains the heart and soul of his book. The first fifteen or twenty minutes, introduced by the Lowe character with a steady and pointed commentary,
brilliantly introduces the story's characters while it's signaling the movie's main conflict. For me, this was seamless storytelling; convincing, entertaining, and, with the overall dark mood reflected in the words and Lowe's voice, a foreshadowing that's all the more ironic because what we're looking at is so ordinary. Being a TV mini series, the film makers didn't have to cram the book into a two hour box. Time is taken to develop characters, relationships; action unfolds at a pace that seems steadily natural - nothing is pushed. Knowing more about the characters means we feel more for them when bad things happen. At least, I did. Rob Lowe's measured, low key performance anchors the movie. I believed he was a writer, who's guarded, repressed nature was rigidly calculated as if all things in life progressed like words in a well written sentence. I found all the Vampire stuff genuinely spooky - mainly because it all seemed so sad. With only a few misguided gestures along the way (the incest bit, for one, seemed unnecessary), this director focused the movie with care and respect. Even when "bad" characters are "changed" we feel a kind of empathy that is all but nonexistent in Horror movies these days. Maybe watching it in one sitting, as I did, with no interruptions, is why I could follow and appreciate things that others (based on the majority of these comments) seemed to miss. My opinion is firm: this is a great movie.
brilliantly introduces the story's characters while it's signaling the movie's main conflict. For me, this was seamless storytelling; convincing, entertaining, and, with the overall dark mood reflected in the words and Lowe's voice, a foreshadowing that's all the more ironic because what we're looking at is so ordinary. Being a TV mini series, the film makers didn't have to cram the book into a two hour box. Time is taken to develop characters, relationships; action unfolds at a pace that seems steadily natural - nothing is pushed. Knowing more about the characters means we feel more for them when bad things happen. At least, I did. Rob Lowe's measured, low key performance anchors the movie. I believed he was a writer, who's guarded, repressed nature was rigidly calculated as if all things in life progressed like words in a well written sentence. I found all the Vampire stuff genuinely spooky - mainly because it all seemed so sad. With only a few misguided gestures along the way (the incest bit, for one, seemed unnecessary), this director focused the movie with care and respect. Even when "bad" characters are "changed" we feel a kind of empathy that is all but nonexistent in Horror movies these days. Maybe watching it in one sitting, as I did, with no interruptions, is why I could follow and appreciate things that others (based on the majority of these comments) seemed to miss. My opinion is firm: this is a great movie.
Salem's Lot, the miniseries SUCKED big time...and not just in a vampire sort of way.
When is TV going to get this book right?
Where should I start with what is wrong with this series? So little of it was good or done properly.
First of all, the series is TOTALLY different from the book, even more so than the '79 miniseries. I really enjoyed the book and was disappointed by this series.
The characters and story line are different from the book, and unfortunately not nearly as interesting or engaging.
Also this miniseries is NOT scary. They screwed up the two most scary parts of the book; when Matt Burke finds Mike Ryerson in his bedroom, and when Sue Norton and Mark Petrie go into the Marsten house.
Also why did they make Matt Burke a gay black? In the book he's an elderly White heterosexual. Changing this character hurt the story IMO.
I'd give this miniseries a "D" , which is a shame because it could have, and SHOULD have been so much better.
When is TV going to get this book right?
Where should I start with what is wrong with this series? So little of it was good or done properly.
First of all, the series is TOTALLY different from the book, even more so than the '79 miniseries. I really enjoyed the book and was disappointed by this series.
The characters and story line are different from the book, and unfortunately not nearly as interesting or engaging.
Also this miniseries is NOT scary. They screwed up the two most scary parts of the book; when Matt Burke finds Mike Ryerson in his bedroom, and when Sue Norton and Mark Petrie go into the Marsten house.
Also why did they make Matt Burke a gay black? In the book he's an elderly White heterosexual. Changing this character hurt the story IMO.
I'd give this miniseries a "D" , which is a shame because it could have, and SHOULD have been so much better.
THIS is why. As much as I enjoyed the '79 version(having gobbled the novel down in one, rather creepy afternoon in Maine of all places!) and I continue to enjoy the miniseries although I do have some arguments about Tobe Hooper's handling of the material (For instance,The Marston House is in effect, another character in the tale and all it does in this one is sort of sit there and look creepy. Not so,in this,intelligent,well-done remake,brought sharply up to date and with a more adult bent (although some of the characters,Eva Miller for one,didn't deserve to be messed with so much) but that aside, it was well done and I'm surprised at the nay-saying,but then again,to each his own taste. The atmosphere of a sleepy New England town slowly rotting from the inside was well handled as were the specially effects which I found worlds away from the original. Here, the house itself is a character in every respect and some of the changes rung on the novel were not too diverse (except for the incest angle which was unnecessary). But all in all, I waited for it to be offered on DVD to add it to my collection and would recommend it (as I have often)to those unfamiliar with King's work (yes, I'm a shill)
I'm just gonna tell it like I feel it is: This re-make of Stephen King's well-known tale of vampires deserves the same rating as the original '79 made-for TV version. A lot of people say stuff like "It's not as scary as the original...", but they forget that they saw the original when they were kids. I'm pretty sure that when you show the scene were Rutger Hauer (with fangs & contact lenses) is crawling around on the ceiling (in this new version) to any kid, it will scare the living daylights out of it. The story moves at an okay pace and is actually constructed like one big flashback. Decent performances from the whole cast (Donald Shutterland is pretty evil in this one) and characters with enough background to make them interesting. I also had the feeling that near the end, there were a lot more vampires than in the original '79 version. The whole town seemed to be infected. A solid three-hour movie, worthy of your time.
Did you know
- TriviaAccording to Rob Lowe, during the filming of the final confrontation with Kurt Barlow, Rutger Hauer went off script, but remained in-character, and launched into a bizarre non-sequitur soliloquy about wanting to be a cowboy. Director Mikael Salomon was not impressed, quickly yelled "Cut!" and asked Hauer what he was doing. After a very tense negotiation, Hauer agreed to stick to the original script, but had not bothered to learn the original two-page speech he gave, so had to read it off cue cards.
- GoofsIn some outdoor night scenes crickets and other insects can be heard clearly yet the ground is covered in snow. During Maine winters there are no insects audible at night.
- Quotes
Ben Mears: You're a vampire hunter now.
Dr. James Cody: We'll be home by midnight?
Ben Mears: No, that's Cinderella.
- ConnectionsFeatured in Cinemania: Stephen King: O vasilias tou tromou (2009)
- How many seasons does Salem's Lot have?Powered by Alexa
Details
- Runtime1 hour 31 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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