73
Metascore
8 reviews · Provided by Metacritic.com
- 100Christian Science MonitorDavid SterrittChristian Science MonitorDavid SterrittThis is a riveting treatment of a fascinating subject.
- 75Boston GlobeWesley MorrisBoston GlobeWesley MorrisThe film spends its first half explaining the song -- famously and vividly about the cycle of Southern lynching. Its better second half-hour unmasks its composer as a compassionate Jewish guy from the Bronx.
- 75New York PostLou LumenickNew York PostLou LumenickAn absorbing documentary.
- 75San Francisco ChronicleEdward GuthmannSan Francisco ChronicleEdward GuthmannTakes a fascinating look at the origins and impact of a ballad that's been called "one of ten songs that changed the world."
- 70The New York TimesDave KehrThe New York TimesDave KehrPolished, well-structured film.
- 70Village VoiceVillage VoiceMining the song's associative richness, Katz's film works as jazz genealogy, Meerpol bio, Jewish-leftist puzzle piece, performance homage, and exegetic history of lynching.
- 70VarietyVarietyWhere pic excels is in the depiction of a rich leftist movement, with several cultures interacting expressively in the 1930s and '40s.
- 60TV Guide MagazineMaitland McDonaghTV Guide MagazineMaitland McDonaghMichael Meeropol provides a far more eloquent statement of the song's enduring impact: "Until the last racist is dead, 'Strange Fruit' is relevant."