Rating: * 1/2 out of ****
Here it is for your viewing enjoyment, the second straight-to-video sequel to a box office release nobody remembers. For anyone who's not tired of the formula flogged out over the last two films or hasn't seen them, The Skulls III should make for a perfect Friday night rental. In the end, it's still a simple rehash, only with a nominal twist; the lead character is a hot chick, not a bland-looking blonde pretty boy.
Clare Kramer stars as Taylor Brooks, a college co-ed trying to initiate into the elite, secret society known as the Skulls. The members are all male, but an exception is made in her case because of her father's connections. Despite passing the required tests and rituals, Taylor finds herself in a tight jam; she wakes up one morning to find blood all over her clothes and her boyfriend dead. No points for guessing the Skulls are setting her up to blackmail her father. As expected, she's not going to take this treatment lying down, and with the help of a few friends, she searches for any evidence that can clear her name.
If the original Skulls was an overwrought thriller with horrific leads (Joshua Jackson, Paul Walker, and Leslie Bibb), then the sequels are at least a step above thanks to more likable and charismatic actors. The Skulls II benefited from solid performances from Robin Dunne and the super-hot Lindy Booth (who's fast becoming my current favorite hottie actress); this second sequel stars the delectably hot Clare Kramer, whose presence alone is enough to sustain the movie even when you know it's all routine.
The first half of the movie is structured rather awkwardly, there's a police interrogation that leads to a flashback, but this segment is interrupted before going to the flashback again in a different location, even though the new guy asking the questions already knows as much as the person supplying them. This is truly dumbing down for the audience.
The second half is more traditional to the series formula, though a lower budget puts things on a smaller scale. There's some tip-toeing around and some close call, near encounters with the villains, hardly anything you haven't seen before and done better, even in its predecessors. The expected chase scene is more perfunctory than ever, it's basically a middle-aged guy chasing after a fit, young woman down a few steps before she kicks his ass.
And while this has always been a thriller cliché, ever since Pitch Black, it's become more popular than ever for a movie to present us with characters who turn out not to be whom they initially appeared to be (PB and Unbreakable are the only movies in recent memory to pull this kind of twist off perfectly). Let's just say it won't take a genius to guess which of the male leads turns out to be the surprise villain and which turns out to be the surprise hero.
For all my complaints, I knew perfectly well what to expect from this movie and I can at least say it's always watchable. There may be no first-rate thrills or suspense, but the plot moves at a fast clip and doesn't waste much time getting from Point A to Point B. Best of all is the charming Clare Kramer, who's immensely appealing and a total delight to stare at.
It's rather a pity that she's mostly appeared in supporting roles below high-profile young actresses like Kirsten Dunst, Kate Bosworth, and Jessica Biel. There's no question in my mind she deserves to be a bigger star than all of them combined. The Skulls is a series that looks like it's going nowhere fast, but here's hoping it'll at least serve as a stepping stone for a few talented young actors.
