In a small Korean province in 1986, two detectives struggle with the case of multiple young women being found raped and murdered by an unknown culprit.In a small Korean province in 1986, two detectives struggle with the case of multiple young women being found raped and murdered by an unknown culprit.In a small Korean province in 1986, two detectives struggle with the case of multiple young women being found raped and murdered by an unknown culprit.
- Awards
- 33 wins & 10 nominations
Kim Roe-ha
- Detective Cho Yong-koo
- (as Roe-ha Kim)
Song Jae-ho
- Sergeant Shin Dong-chul
- (as Jae-ho Song)
Byun Hee-Bong
- Sergeant Koo Hee-bong
- (as Hie-bong Byeon)
Ko Seo-hie
- Officer Kwon Kwi-ok
- (as Seo-hie Ko)
Park No-shik
- Baek Gwang-ho
- (as Park No-sik)
Jeon Mi-seon
- Kwok Seol-yung
- (as Mi-seon Jeon)
Seo Young-hwa
- Eon Deok-nyeo
- (as Young-hwa Seo)
Choi Jong-ryol
- Gwang-ho's father
- (as Jong-ryol Choi)
Yoo Seung-mok
- Journalist
- (as Seung-mok Yoo)
Lee Jae-eung
- Boy in Opening Scene
- (as Jae-eung Lee)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaBeginning in June 2000, it took Bong Joon Ho a year to write the script for Memories of Murder (2003), yet he has stated that: "For the first six months, I didn't write a line of the script. I just did research."
- GoofsIn the letter received from the FBI written in English, there are four spelling mistakes - 'examnation' instead of 'examination', 'insrumental' instead of 'instrumental', 'dateed' instead of 'dated' and 'Octorber' instead of 'October'.
- Quotes
[last lines]
Detective Park Doo-Man: Did you see his face?
[Girl Nods]
Detective Park Doo-Man: What did he look like?
Schoolgirl: Well... kind of plain.
Detective Park Doo-Man: In what way?
Schoolgirl: Just... ordinary
- Alternate versionsThe British DVD by Optimum Releasing has 5 minutes cut omitting the whole part of the film between the release of the last suspect and Detective Seo Tae-Yoon shadowing him. Therefore important scenes for the development of the story are missing, such as when the detectives are informed about the possibility of a DNA analysis of sperm found on one of the victim's clothes and that the sample has to be sent abroad because the required equipment is not in Korea. Also missing is the sequence where Detective Cho Yong-koo loses his leg and a scene with Kwok Seol-yung asking Detective Park Doo-Man to quit the police.
- ConnectionsFeatured in Anasuya (2007)
Featured review
This is probably the best crime thriller I've seen since "Insomnia," and contains the most haunting climax of any serial killer flick since "Seven." But like most films reaching for greatness, this is most admirable for its striking details.
The filmmakers here craft a taut, careful, and delicately strung together motion picture that relishes in its amazing development of mood, place, and character.
First, the mood: Haunting cinematography (rain falling on a small village at night, shadows darting across a thick field of grass, figures lurking in the woods, a masterfully choreographed hot pursuit scene on foot), a poignant music score (aided by the creepy use of a Korean pop song that accompanies each murder), and no-nonsense direction (peppered with fabulous doses of comic relief--how Shakespearan!) keep the film more and more intriguing at each turn and fascinating to watch.
Second, the place: South Korea, circa the late 1980's, and apparently under some sort of militia rule. This is inspired by the true story of Korea's first publicized (and still unsolved) serial killer case. This unique time and place serves as a wonderful respite from the typical American big-city setting of so many other films of this ilk.
Finally, the character development: The small details revealing the haunted souls of the detectives on the case is nothing short of brilliant. Witness the tiny executions of minutae: The cloth one rogue cop wraps around his boot so as not to leave scars when he kick-boxes suspects into submission, the harried chief of police checking his own blood pressure while trying to keep his off-the-cuff detectives in line or fighting to keep headline-starved reporters at bay, the young female officer desperately trying to showcase her abilities in crime solving between serving the chauvinistic detectives cups of fresh coffee, the outsider detective from Seoul's insistence that documents never lie (and the brutal irony at the climax that challenges his entire sense of being), and the main village detective's scathing speech on the difference between American FBI agents and Koren policemen. The beauty is in the details, and this film, like all the great ones, revels in their uncovering.
One flaw is that some might find the film a bit long in the tooth, but this is not to be missed for fans of serial killer thrillers and police procedural movies. For the Korean filmmakers, and the amazing cast...this is their master stroke.
The filmmakers here craft a taut, careful, and delicately strung together motion picture that relishes in its amazing development of mood, place, and character.
First, the mood: Haunting cinematography (rain falling on a small village at night, shadows darting across a thick field of grass, figures lurking in the woods, a masterfully choreographed hot pursuit scene on foot), a poignant music score (aided by the creepy use of a Korean pop song that accompanies each murder), and no-nonsense direction (peppered with fabulous doses of comic relief--how Shakespearan!) keep the film more and more intriguing at each turn and fascinating to watch.
Second, the place: South Korea, circa the late 1980's, and apparently under some sort of militia rule. This is inspired by the true story of Korea's first publicized (and still unsolved) serial killer case. This unique time and place serves as a wonderful respite from the typical American big-city setting of so many other films of this ilk.
Finally, the character development: The small details revealing the haunted souls of the detectives on the case is nothing short of brilliant. Witness the tiny executions of minutae: The cloth one rogue cop wraps around his boot so as not to leave scars when he kick-boxes suspects into submission, the harried chief of police checking his own blood pressure while trying to keep his off-the-cuff detectives in line or fighting to keep headline-starved reporters at bay, the young female officer desperately trying to showcase her abilities in crime solving between serving the chauvinistic detectives cups of fresh coffee, the outsider detective from Seoul's insistence that documents never lie (and the brutal irony at the climax that challenges his entire sense of being), and the main village detective's scathing speech on the difference between American FBI agents and Koren policemen. The beauty is in the details, and this film, like all the great ones, revels in their uncovering.
One flaw is that some might find the film a bit long in the tooth, but this is not to be missed for fans of serial killer thrillers and police procedural movies. For the Korean filmmakers, and the amazing cast...this is their master stroke.
- WriterDave
- Jul 14, 2005
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Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Salinui chueok
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $2,800,000 (estimated)
- Gross US & Canada
- $15,357
- Opening weekend US & Canada
- $4,487
- Jul 17, 2005
- Gross worldwide
- $1,210,156
- Runtime2 hours 12 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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