German biopic loosely based on the World War I fighter ace Manfred Von Richthofen, nicknamed the Red Baron by friend and foe alike.German biopic loosely based on the World War I fighter ace Manfred Von Richthofen, nicknamed the Red Baron by friend and foe alike.German biopic loosely based on the World War I fighter ace Manfred Von Richthofen, nicknamed the Red Baron by friend and foe alike.
- Awards
- 2 nominations total
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe nurse Käte Otersdorf in the film was a real person and she was the nurse who attended to Richthofen after he received the head wound. There were several photographs (probably taken for propaganda purposes) in which she was shown with Richthofen, often together with a large group of other people. There was, however, never any evidence or even suggestion that there was a love affair between them.
- GoofsRoy Brown is shown in a Royal Flying Corps uniform, and describes himself as being in the nonexistent "Royal Canadian Flying Corps". He was in fact a Canadian serving in the British Royal Naval Air Service, and would have worn a naval officer's uniform.
- Quotes
Emperor Wilhelm: We need men like him. I supposed we'll have to give you another promotion, Richthofen. You are a real hero. I take it the ladies are all over you.
Manfred von Richthofen: There aren't many ladies at 10,000 feet, your Majesty.
- SoundtracksOpen Skies
performed by Reamonn
composed by Reamonn
published by b612 publishing / Reamonn Publishing
Featured review
Despite an ending that can't help but make the viewer feel a little cheated, this film is a success on many levels. Only a little historical inaccuracy, which while certainly not a problem for most films but is almost demanded in a biopic, is a noticeable flaw.
Also, while perhaps not as "gritty" as one would like to see in a modern film, the ambiance of the film feels very "right." The viewer is seldom distracted by the realization that one is seeing CGI. The set decoration and costuming are rich and look accurate. The photography is excellent, although there is some mixing of exposure which is sometimes distracting. There is quite a bit of "floating" camera-work in establishing shots, which adds a little playful interest, almost as if one is watching from a small biplane buzzing through the scene.
The performances are understated, although the dialog does feel a little sparse at times.
Viewers who are hoping to experience another version of the exuberant athleticism of "Flyboys" from the German perspective may be underwhelmed by this film, but I found it most satisfying, especially in its restraint in delivering its anti-war message.
Also, while perhaps not as "gritty" as one would like to see in a modern film, the ambiance of the film feels very "right." The viewer is seldom distracted by the realization that one is seeing CGI. The set decoration and costuming are rich and look accurate. The photography is excellent, although there is some mixing of exposure which is sometimes distracting. There is quite a bit of "floating" camera-work in establishing shots, which adds a little playful interest, almost as if one is watching from a small biplane buzzing through the scene.
The performances are understated, although the dialog does feel a little sparse at times.
Viewers who are hoping to experience another version of the exuberant athleticism of "Flyboys" from the German perspective may be underwhelmed by this film, but I found it most satisfying, especially in its restraint in delivering its anti-war message.
- PrivateBox2
- Jul 20, 2009
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Details
Box office
- Budget
- €18,000,000 (estimated)
- Gross US & Canada
- $37,189
- Opening weekend US & Canada
- $13,931
- Mar 21, 2010
- Gross worldwide
- $2,783,332
- Runtime1 hour 46 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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