In a fantasy world of opposing kingdoms, a fifteen-year-old girl must find the fabled MirrorMask in order to save the kingdom and get home.In a fantasy world of opposing kingdoms, a fifteen-year-old girl must find the fabled MirrorMask in order to save the kingdom and get home.In a fantasy world of opposing kingdoms, a fifteen-year-old girl must find the fabled MirrorMask in order to save the kingdom and get home.
- Awards
- 5 wins & 2 nominations
Nik Robson
- Pingo
- (as Nik Robinson)
- …
Storyline
Did you know
- TriviaAccording to an interview with Neil Gaiman, the original computers used to do all of the CG were named after The Beatles (John, Paul, Ringo, George). Later a fifth computer was required, so it was named Yoko. Soon after the fifth computer was introduced, the network crashed and could not be restored properly ("the computers refused to talk to each other"). A new server and computers were purchased and named after The Ramones (Joey, Jonny, DeeDee and Tommy). Gaiman said "I wish I knew more about the history of The Ramones; the computers performed brilliantly, vibrantly and died an untimely - and early - death"
- GoofsActor Peter Burroughs (Red Troll) is misspelled in the end credits. His official biographies confirm it is the same person.
Featured review
This is my first review, so pardon me for any clumsiness in its composition. As such I am nervously avoiding any discussion of the plot, lest I spoil anything.
This is a continuation of the tradition of fantastical films about the adolescent transition of young women. Other films in this vein are "Alice in Wonderland", "Paperhouse",and "Labrynth." The film was produced by Henson Studios, and is presented like their other features, but rather than puppets and elaborate sets, animation replaces those elements.
Visually I found it stunning. I am familiar with McKean's work, and I found this to be amongst his best. It was distinctly McKean's style. The use of color was phenomenal, as well as surreal composition. I was enthralled seeing his creations in literal motion, rather than the usual implied motion. I personally thought there were a number of visual references to other great films, but I'll leave that to your opinion. I thought the direction clearly demonstrated his grasp of composition.
The writing was true to Gaiman's tradition of off-beat fairy tales. The pacing was dreamlike, flowing between slow moments of beauty and exposition to frenetic moments of fierce action. Humor, dark and otherwise, punctuated the film. The dialogue was very strong.
I was also very fond of the use of sound. One scene is a frightening and beautiful music video, that can be lifted out of the film completely and carry itself. It fits better in the film, but doesn't need to.
The film fits extremely well with all of the previous Henson Productions. I suggest having seen "Dark Crystal", "Labrynth", and "Jim Henson's The Storyteller" before viewing this. The piece fits very well with these.
This is a continuation of the tradition of fantastical films about the adolescent transition of young women. Other films in this vein are "Alice in Wonderland", "Paperhouse",and "Labrynth." The film was produced by Henson Studios, and is presented like their other features, but rather than puppets and elaborate sets, animation replaces those elements.
Visually I found it stunning. I am familiar with McKean's work, and I found this to be amongst his best. It was distinctly McKean's style. The use of color was phenomenal, as well as surreal composition. I was enthralled seeing his creations in literal motion, rather than the usual implied motion. I personally thought there were a number of visual references to other great films, but I'll leave that to your opinion. I thought the direction clearly demonstrated his grasp of composition.
The writing was true to Gaiman's tradition of off-beat fairy tales. The pacing was dreamlike, flowing between slow moments of beauty and exposition to frenetic moments of fierce action. Humor, dark and otherwise, punctuated the film. The dialogue was very strong.
I was also very fond of the use of sound. One scene is a frightening and beautiful music video, that can be lifted out of the film completely and carry itself. It fits better in the film, but doesn't need to.
The film fits extremely well with all of the previous Henson Productions. I suggest having seen "Dark Crystal", "Labrynth", and "Jim Henson's The Storyteller" before viewing this. The piece fits very well with these.
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Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Дзеркальна маска
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $4,000,000 (estimated)
- Gross US & Canada
- $866,999
- Opening weekend US & Canada
- $126,449
- Oct 2, 2005
- Gross worldwide
- $866,999
- Runtime1 hour 41 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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