49
Metascore
15 reviews · Provided by Metacritic.com
- 75Christian Science MonitorDavid SterrittChristian Science MonitorDavid SterrittFurtado's comic thriller is a telling commentary on modern avarice in Brazil and elsewhere, which touches on everything from "The Simpsons" to "Rear Window" along the way. Too bad it runs out of ideas before the overlong story is over.
- 75New York Daily NewsElizabeth WeitzmanNew York Daily NewsElizabeth WeitzmanManages to tackle some serious issues without sacrificing its inherently sweet nature.
- 70L.A. WeeklyErnest HardyL.A. WeeklyErnest HardyAn enjoyable ride.
- 63New York PostV.A. MusettoNew York PostV.A. MusettoAn unassuming love comedy with plot problems.
- 60TV Guide MagazineMaitland McDonaghTV Guide MagazineMaitland McDonaghIt's too fundamentally light-hearted to wallow in grinding poverty and despair.
- 50Los Angeles TimesKevin ThomasLos Angeles TimesKevin ThomasTwo movies in one, but it's no bargain. A charming romantic comedy... transforms awkwardly into a hedonistic crime thriller, with the two genres violently butting heads.
- 50San Francisco ChronicleWalter AddiegoSan Francisco ChronicleWalter AddiegoThis ambitious and sometimes entertaining Brazilian feature tries to pull off a tricky maneuver but doesn't quite get it done.
- 40VarietyDeborah YoungVarietyDeborah YoungIntermittently amusing.
- 40The New York TimesStephen HoldenThe New York TimesStephen HoldenThe movie never recovers from its jarring turn into a rushed, unconvincing caper movie with a blasé, Robin Hood attitude.
- 30Village VoiceVillage VoiceIn spite of some genuinely charming performances, The Man Who Copied is about as engaging as a paper jam.