64
Metascore
38 reviews · Provided by Metacritic.com
- 90The Hollywood ReporterThe Hollywood ReporterThose who thought "Shakespeare In Love" was as good as it gets in intelligent costume romantic comedy will find that director Richard Eyre and writer Jeffrey Hatcher have taken the form to a higher level.
- 80VarietyDavid RooneyVarietyDavid RooneyThis skillfully acted, handsomely crafted frock piece toys cleverly with gender confusion and sexual identity.
- 80EmpireAlan MorrisonEmpireAlan MorrisonA film that, despite being about theatre itself, is remarkably cinematic and entirely unafraid to revel in the English language.
- 75Rolling StonePeter TraversRolling StonePeter TraversExpertly directed by Richard Eyre (Iris) from Jeffrey Hatcher's play, the film is bawdy fun.
- 70NewsweekDavid AnsenNewsweekDavid AnsenIt's a marvelous premise, and Crudup's serpentine performance has a venomous grace. But Jeffrey Hatcher's screenplay too often sacrifices psychological insight for bogus theatricality.
- 70New York Magazine (Vulture)Peter RainerNew York Magazine (Vulture)Peter RainerCrudup, whose features have the appropriate delicacy, plays Ned with complete conviction; it’s difficult to imagine anyone else succeeding as well.
- 63ReelViewsJames BerardinelliReelViewsJames BerardinelliFor every thing that Stage Beauty does right, it fumbles at least one other element, resulting in a movie-going experience that is of the glass half-full/half-empty variety.
- 58Entertainment WeeklyOwen GleibermanEntertainment WeeklyOwen GleibermanA celebration of the theater that tends to drag the moment it's out of drag.
- 40The New YorkerDavid DenbyThe New YorkerDavid DenbySecond-rate bawdiness--that is, bawdiness without the wit of Boccaccio or Shakespeare or even Tom Stoppard--is more infantile than funny, and I’m not sure that the American playwright Jeffrey Hatcher, who concocted this piece for the stage and then adapted it into a movie, is even second-rate.
- 40Village VoiceJessica WinterVillage VoiceJessica WinterMost frustrating, Stage Beauty fumbles XX/XY politics at every turn.