A cockney womanizer learns the hard way about the dangers of his actions.A cockney womanizer learns the hard way about the dangers of his actions.A cockney womanizer learns the hard way about the dangers of his actions.
- Awards
- 7 wins & 8 nominations
Renée Taylor
- Lu Schnitman
- (as Renee Taylor)
Storyline
Did you know
- TriviaSusan Sarandon gave pictures of herself in the 1970s to British artist Russell Oxley, who used them to paint an acrylic portrait of her character, supposedly from that era. After filming, the canvas went home with Sarandon.
- GoofsRight after the flower shop scene, Alfie rides his scooter to Liz's place. Only the flowers are not in the basket or anywhere on the scooter. Yet as he comes around the corner of the stairs towards the apartment, he has the flowers in his hand.
- Quotes
[last lines]
Alfie: What have I got? Really? Some money in my pocket. Some nice threads, fancy car at my disposal, and I'm single. Yeah... unattached, free as a bird... I don't depend on nobody. Nobody depends on me. My life's my own. But I don't have peace of mind. And if you don't have that, you've got nothing. So... So what's the answer? That's what I keep asking myself. What's it all about? You know what I mean?
- Crazy creditsThe producers wish to thank residents and businesses of Northern Quarter Manchester
- SoundtracksAlfie
Written by Burt Bacharach & Hal David
Performed by Joss Stone
Produced by David A. Stewart (as Dave Stewart) & Mick Jagger
Joss Stone performs courtesy of S-Curve Records/EMI Music North America
Featured review
The tagline for the new film 'Alfie' ask us, what's it all about? The answer, unfortunately, is that it's about sheer disappointment.
The film focuses solely on Alfie Elkins, a swinging young womanizer packed with style and a charm that could only be British. After an all too brief introduction to our protagonist and his long list of lady-friends, some kind of plot begins to develop sort of. We move through far too many completely unrelated situations, all of which only have any relevance at all because of their connection to our main character.
The film does almost nothing to stay focused on a character or situation long enough to develop anything genuine; one minute we have the beginnings of a story with one girl, the next minute we're on to something completely different. You may hope that the film returns to these unfinished story arcs, but it rarely does. And those special times when the story comes back to something that was left unfinished, the film manages to once again leave the story too quickly, adding further loose ends and unresolved issues.
This episodic structure does give the film a pace that is representational of Alfie's dating life constantly moving from one thing to another, never letting anything unfold but this does not work to the advantage of the film. Rather than giving it an interesting structure that parallels the story, it creates confusion and disorientation, and even worse than that a loss of the empathy for the characters that would be present if the film took the time to develop characters and stories properly.
In fact, just about everything in the film lacks conviction, particularly in the places where it is needed the most; moments that should provoke emotion tend to leave the audience wanting something more substantial, which once again is an issue with the film's poor use of development.
If it weren't for Jude Law's charming performance as Alfie Elkins, the film would collapse entirely under its own poor craft. Of course, this is not at all to say that Law saves the film; he does nothing of the sort. His performance, strong as always, just happens to stop the film from being a complete waste of time. His energy is strong and his talent is clear, but it is not enough to bring the film to that next level of quality.
The photography and cinematography, while positively beautiful at times, is staggeringly inconsistent and often not at all fitting to the film's needs. Portions of the film are very nicely photographed, which almost seems like a waste of talent. A spiffy paint job on a car may be appealing to the eye, but why even bother if the car doesn't have an engine? This is precisely what Alfie is all about: some nice looks and a fairly strong performance, but sadly there is no engine to be found.
The film focuses solely on Alfie Elkins, a swinging young womanizer packed with style and a charm that could only be British. After an all too brief introduction to our protagonist and his long list of lady-friends, some kind of plot begins to develop sort of. We move through far too many completely unrelated situations, all of which only have any relevance at all because of their connection to our main character.
The film does almost nothing to stay focused on a character or situation long enough to develop anything genuine; one minute we have the beginnings of a story with one girl, the next minute we're on to something completely different. You may hope that the film returns to these unfinished story arcs, but it rarely does. And those special times when the story comes back to something that was left unfinished, the film manages to once again leave the story too quickly, adding further loose ends and unresolved issues.
This episodic structure does give the film a pace that is representational of Alfie's dating life constantly moving from one thing to another, never letting anything unfold but this does not work to the advantage of the film. Rather than giving it an interesting structure that parallels the story, it creates confusion and disorientation, and even worse than that a loss of the empathy for the characters that would be present if the film took the time to develop characters and stories properly.
In fact, just about everything in the film lacks conviction, particularly in the places where it is needed the most; moments that should provoke emotion tend to leave the audience wanting something more substantial, which once again is an issue with the film's poor use of development.
If it weren't for Jude Law's charming performance as Alfie Elkins, the film would collapse entirely under its own poor craft. Of course, this is not at all to say that Law saves the film; he does nothing of the sort. His performance, strong as always, just happens to stop the film from being a complete waste of time. His energy is strong and his talent is clear, but it is not enough to bring the film to that next level of quality.
The photography and cinematography, while positively beautiful at times, is staggeringly inconsistent and often not at all fitting to the film's needs. Portions of the film are very nicely photographed, which almost seems like a waste of talent. A spiffy paint job on a car may be appealing to the eye, but why even bother if the car doesn't have an engine? This is precisely what Alfie is all about: some nice looks and a fairly strong performance, but sadly there is no engine to be found.
- calum_is_legendary
- Nov 3, 2004
- Permalink
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Details
- Release date
- Countries of origin
- Language
- Also known as
- Untitled Alfie Remake
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $60,000,000 (estimated)
- Gross US & Canada
- $13,399,812
- Opening weekend US & Canada
- $6,218,335
- Nov 7, 2004
- Gross worldwide
- $35,060,882
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