User reviews

--Mild spoilers--

I haven't seen a single Jarmusch before this and have no knowledge or his style whatsoever, nor have I smoked a cigarette while drinking coffee, but I enjoyed this film immensely.

It doesn't purport to speak of grandiose themes and epic emotions, nor does it go out of its way to be deliberately offbeat and quirky; the audience has no emotional attachment to the characters and there is no plot in most of the vignettes. So what puts this film above all the pretentiously shot black-and-white art-house crap that is slugged out every year? For one thing, it is really funny. From its expressionistic colors to the dialog that proudly smacks of absurdist humor, this film is like a breeze of cool air, utterly enjoyable from the first reel to the last that does not cloy on to the heart, but is very unforgettable.

Ultimately, its unobtrusive absurdist humor, which provokes chuckles instead of heartily laughs, serves to prove the Pinter-esquire themes of the futility of communication. We get a sense that the characters are isolated and desperately trying to touch each other through their speech but ultimately failing to do so; and yet, through their manic speech patterns and delirious pauses, what is unsaid speaks more than what is said itself. While this unconventional style of humor is often difficult to pull off as it might fast become monotonous (as evident in a recent stage production of The Caretaker that I saw), Jarmusch's deft direction with his actors (from their gestures to the way they hold their coffee cups) pushes forth the humor and carries it on steadily throughout the entire film.

It is hard to say much about a film who has nothing much to say. As in my favorite segment, 'No Problem', the one with the two French black guys, their dialog only serves to underscore the meaningless and nothingness of communication. What is scary about it is that it is so accurate, that these type of conversations, however ridiculous and absurd when portrayed on screen, often typifies our daily conversations. It depresses me sometimes that human communication can be easily reduced to all these, and this film makes the point entirely clear.

So it definitely comes as a relief, that as a conclusion, the relatively more heart-warming vignette with the two old guys (Champagne) was chosen. Not only does it touches lightly on the recurring 'acoustic resonance' theme, it also hints that we may in fact touch each other, through common music or through a common idea. And it just happens that that common song was 'I have Lost Track of the World' by Gustav Mahler, an amazing piece by an amazing composer that I have just recently began to love, a delightful moment which shows that although we are as disconnected at the different vignettes in the movie, it is comforting to know that we are still united in some weird cosmic way, like this forum here. And like the two old guys, after our coffee and cigarette break in which we step into an odd world that is not really unfamiliar, we would have to step back in to the real world again. But it doesn't hurt to have a little nap in between and pretend bad coffee is champagne.

Short films with nonsense dialogue of shifting dignity. Lots of self irony or even self sarcasm. Tom Waits is mocking with Iggy Pop in a way that it's hard to believe they ever can talk to each other again. Bill Murray is pulling the leg of the hip hop movement and the movement finds that funny. Cate Blanchett is on a genial level playing the double part of the filmstar and her jealous cousin.

Jim Jarmusch can't be beaten. The dialogue seems to be mostly improvised, but the concept is not. Every short chapter here has a meaning and gives us something to think about. The films are in black and white, like coffee and cigarettes and that still is, and will always be, a way of pushing things harder. This is very much comedy and very much serious.

In all honesty I just wanted to watch this movie to see Iggy Pop, Tom Waites, The White stripes and Bill Murray. I was tempted to fast forward all the other vignettes to get to the ones with these characters in but thankfully I never or I would never have seen 'cousins?' -- Alfred Molina and Steve Coogan playing themselves in an absolutely perfect portrayal of the shallow, sickening and repellent nature that comes with fame. Coogan takes the word 'scumbag' to new heights, and Molina's keenness and almost innocence which slowly turns sour is perfectly pitched. Jarmusch has managed to capture the minutia of the trappings of fame so succinctly that sometimes it's difficult to watch. It's excruciatingly embarrassing but just gorgeous and has to be seen -- several times.

Likewise with 'somewhere in California'. Iggy and Tom play themselves but you can call Iggy Jim or Jimmy or Iggy or Jiggy if you like! Tom initially opts to call him Iggy but proceeds to refer to him as Jim throughout, and so the off-kilter banter begins. It's an hilarious portrayal of two guys who obviously have a mutual respect for each other's work but don't actually know each other that well. A series of ridiculous conversations and awkward silences ensue with Iggy becoming more and more animated and expressive to over-compensate for Tom's laidback yet defensive attitude. There are some excellent one-liners and it's just great watching these two giants chew the fat, fighting their different corners and trying to keep their cool.

I also thought Cate Blanchett shone in 'cousins', playing both roles as bitter cousin/ insipid famous cousin. It's another awkward, horrible meeting between two people -- one has made it, the other hasn't, and It's plain to see there isn't much love between them. We witness a series of underhand, loaded and nasty comments all in the guise of friendship, a friendship that only exists due to family ties.

Coffee and cigarettes the movie is a bit like coffee and cigarettes the vice: you'll get a buzz that's for sure. It's is an easy watch and each vignette has its qualities but as a whole it's a bit of a cheeky movie. It gets off on the fact that it has all these fab artists starring in it which goes a long way but not far enough. But I can't stress enough that it really is worth getting this movie out for the Coogan/Molina and Pop/Waites vignettes. Both priceless and essential viewing.

I loved this movie. Okay, I loved about 75% of it. But I'm glad I saw all of it. I don't smoke, I only drink coffee when it's dressed up in a frilly disguise, and I didn't recognize everyone in the film, nor did I much care about that. I didn't recognize the writer/director's name, though I really enjoyed Night on Earth and Dead Man, and now I know his name. It was just so good to see this parade of tense interaction, waiting on or predicting what would come next. I loved how some of the moments in the first vignette were mimicked in a later one by an entirely "different" set of people.

I loved the stark interruptions of uncomfortableness, loved watching all the people pour their coffee or tea, loved the hilarious facial expressions of Molina and Coogan--it seemed to me they were portraying the two most extreme British stereotypes interacting with each other, and it was clearly fun for them.

I enjoyed the cheap, gritty sets, the introductions and goodbyes. I am not sure who the movie would best play for; as I sat and thought about who to share it with, only members of my own family came to mind. We're all a bit quirky, so the best way I can put it is that maybe if you like the "mockumentaries" of Christopher Guest, but can appreciate an even darker twist, you'll have a laugh at this.

The boring parts were the shortest, and the vignettes I liked best were so much fun it was worth the whole picture to see them.

Finally, a movie my sister can get behind! With a title like 'Coffee And Cigarettes', health nuts must be having a collective heart attack. And the title isn't ironic. Every single episode in this string-of-vignettes movie has enough java and smokes to murder a truck driver. Bizarro writer/director Jim Jarmusch shot the flick over many years, gathering a wildly disparate cast to co-star in his black and white art film. No scenes are connected (except by the ever-present cigs & a cup o' joe) and each quirky sequence functions as its own self-contained act.

Most of the character's names are just the actor's names, but that doesn't mean they're playing themselves. In reality, Bill Murray might moonlight as a waiter and hang out with the Wu-Tang Clan (who always refer to him as "billmurray", one word). Jack & Meg White from the White Stripes might have a remarkable interest in science. And Cate Blachett might have a resentful, rebellious cousin who looks exactly like her (because she's playing both of them). But I doubt it. Those are just a few of the oddball sketches in this movie. In fact, I mentioned those ones first because, of the scenes with the big-name celebrities, they're probably the weakest.

Alfred Molina and Steve Coogan work together in the longest sequence. Molina is courteous and affable, Coogan aloof and mildly interested in why Doc Ock has asked for this meeting. In a gem of warp-speed character development, Molina goes from shy to eager to crushed to bitter. Both men are excellent. Also, musicians Tom Waits and Iggy Pop have similar oil/water chemistry, which is what makes their culture-clash one-upsmanship memorable. Roberto Benigni and Steven Wright set the tone with their jittery, nonsensical opening scene. There's more, but I've forgotten the rest already.

So I didn't reveal much plot. What's there to tell, though? The terrific Molina/Coogan sequence could be lengthened into its own movie, but the rest of this picture wouldn't work if the short scenes played any longer. 'Coffee And Cigarettes' isn't really even about smoke rings or the caffeine rush. Jarmusch and the cast use those as props to create some zany bits with an "opposites attract...or not" motif. The flick is funny, a bit too long, and light years away from the mainstream. I enjoyed myself, found my interest bobbing & weaving, then left the theatre. That's okay. Even art films are allowed to be fast food.

Talk about an appropriate title.

This is a collection of 11 short stories directed by indie stalwart Jim Jarmusch ("Strangers in Paradise", "Ghost Dog: The Way Of The Samurai") that have been filmed over the last 18 years, all of which involve two or more characters simply sitting at a table, conversing over...yep, coffee and cigarettes.

In the hands of a lesser director that might be extremely boring, but Jarmusch is a master of subtle understatement and great deadpan humor. This may be one of the funniest movies you've ever seen in which no one cracks a smile.

Almost all the actors play themselves, which adds a meta-theatrical, slightly surreal touch to it all.

Among my favorite stories are one in which an overly eager Alfred Molina has a surprise in store for coolly arrogant fellow actor Steve Coogan and a great one in which Cate Blanchett plays both herself and her jealous cousin Shelby. Then there's the one where Tom Waits and Iggy Pop meet in a dive bar to discuss things and have a smoke (to celebrate quitting smoking), Jack and Meg White of the White Stripes experimenting with a Tesla coil, and in the funniest casting, RZA and GZA of the Wu-Tang Clan sharing some downtime with, of all people, Bill Murray. I also like the one with Spike Lee's twin siblings, Joie and Cinque, dealing with an invasive waiter (a hilarious Steve Buscemi). Almost all the stories are excellent, but there are three that are very forgettable and pretty unnecessary, and they're all in a row, which disrupts the flow of the film. If those three had been taken out, "Coffee and Cigarettes" would be just about perfect, but it's still really good. And those three are out of the way in the first half, anyway.

For the first hour the movie feels mainly just like fun. Straight-faced, deadpan, B&W comedy just like "Strangers In Paradise". But as it goes on, and strange connections are made between the stories, it seems to have a sudden dreamlike depth to it.

The final story in particular, in which two old men in a dark room (Bill Rice and Taylor Mead) discuss life while on a coffee break that feels like it'll last forever, has a distinct "Waiting For Godot" feel and ends the movie on a perfect note of haunting, existential sadness.

It was at that point that I realized I hadn't just watched a string of jokey short stories, but a string of jokey short stories that say a lot about human nature and life in general.

And if that's not enough to interest you, how often do you get to see Tom Waits and Iggy Pop have a conversation? Or RZA, GZA, and Bill Murray?

This movie starts out promising with a piece of absurd comedy that actually works. Though you really can't do anything wrong when Steven Wright is in your scene, I had high hopes. I mean you have everything, a good setting, bizarre dialogues and the complimentary clever twist. However, the movie pretty much goes downhill from that scene on. Jim Jarmusch tried to make art people would speak of in every lounge bar from Europe to Eastern Europe but he just comes of as lazy. He had an insane amount of time to figure how he would bring it, and then he comes up with this. It doesn't even seem like he did any writing or anything, all he did was set up the camera and hope Iggy Pop and Tom Waits would say cool lines because they're Iggy Pop and Tom Waits. Most of the material carries that bothersome "almost funny"-label. Steve Buscemi's theory on Elvis and his twin brother is almost funny, but then again no. Teaming up a near-insane Bill Murray with guys from the Wu-Tang Clan, well that was funny. Both The White Stripes and Alfred Molina have a pretty good segment too but all in all I just felt bored with the whole thing. I like the idea, but some good writing wouldn't have hurt.

An odd concept for a film, Coffee and Cigarettes can be seen as either one of two ways. On one hand a dark, clever, ingenious piece of cinema, or on the other hand a dark, clever, ingenious piece of cinema. Jarmusch has succeeded in gathering as diverse a cast as you're ever likely to see, the site of GZA, RZA, and Bill Murray waxing intellectual over smokers cough and herbal medicines is enough to interest even the most fervent sceptic of such work. Even the Cate Blanchett (whom i'm not a huge fan of) scene was so well set up and written (or improvised, who knows) that you find your self unable to turn away, so intent are you on what she has to say next. Alfred Molina and Steve Coogan are so wonderful as over blown versions of themselves, Coogan as a super arrogant celebrity and Molina as a bumbling, sweet, excitable actor. Together they form what would be the best scene of the whole film, that is if it wasn't for Iggy and Tom. Ah Iggy and Tom, such characters, such dialogue, such a beautifully surreal piece. Iggy (or Jim to his friends) is more like an over nervous school boy than an ageing rock star, and Tom is strong as the defensive perfectionist. All in all this film succeeds in what it tries to do, if you like dark surreal comedy then you'll like this. Be warned though it will give you a craving for Coffee and Cigarettes.

Jim Jarmusch used to be one of the coolest directors around. Down by Law and the excellent Dead Man, among other films showed this; but his latest crop of movies have been far more down to earth, and less cool than his other films. Ghost Dog, while not bad, felt as if the cast and crew couldn't really be bothered - and that is true of this film also. Coffee and Cigarettes is basically eleven stories revolving around people drinking coffee and smoking cigarettes. As with all films that have different parts, the stories vary in quality; but unfortunately, there's more bad ones than there are good. Jarmusch has managed to collect a good variety of different actors (and popstars) to star in the film, and this is one of the film's best points. As mentioned, there is more disappointment than good stuff in this movie; but the highlights of the movie include the section with The White Stripes' duo of Meg and Jack, a discussion between Steve Coogan and Alfred Molina, Steve Buscemi's Elvis theory and an odd little sketch where Cate Blanchett plays both parts.

Jarmusch has opted to film this movie in black and white, much like he's done with many of his earlier works, and it does serve in giving the film a sense of cool. The film is very relaxed throughout, and the two indulgences of the title give you an impression of this. However, the relaxed nature of the film is also it's main drawback, as throughout the movie we are given the impression that it is half-assed. The fact that it's just a series of sketches, loosely tied together also gives this impression, as it much easier to write a few conversations than it is to make a proper film. Like Quentin Tarantino has done with all of his movies, Jarmusch has dressed this shallow movie up in a whole host of talent; and it does make the end result more enjoyable. Jarmusch regular Roberto Benigni appears in a forgettable short at the start of the film, and after that we see the likes of Iggy Pop, Steve Buscemi, Alfred Molina, Bill Murray, Cate Blanchette and Steve Coogan, among other. Seeing all these guys in a movie together is nice for a movie fan like myself…but I just cant help thinking that the movie doesn't seem to have any actual effort put into it; hence the low rating.

"Coffee and Cigarettes" (2004) written and directed by Jim Jarmush is a very simple movie shot in B/W, a typical in the good sense independent movie. It is a collection of eleven shorts where famous actors, comedians, rock-stars, and musicians played themselves. They drink coffee (lots of it), smoke, and talk. While each segment is short, we still can learn a lot about human nature.

I read some comments and was surprised that there are so many negative opinions. Some users think that the movie was slow - I did not even notice how the time flew. Of eleven shorts, six were wonderful, and the rest - quite watchable. After I finished watching it, I started all over and watched the ones that I loved for a second time. The best, IMO are "Somewhere in California" with Iggy Pop and Tom Waits, "Cousins" - (Cate Blanchette plays a dual role - herself and her not so successful cousin, and she is as good as ever in the dual performance); "These Things Will Kill You" (Joe Rigano, Vinny Vella, and Vinny Vella, Jr), "Cousins?" – easily the best in the bunch (Alfred Molina and Steve Coogan), "Delirious" – the funniest (RZA, GZA, and Bill Murray), and the final one, the elegiac "Champagne" – (Bill Rice and Taylor Mead).

It was an interesting movie.

It was also interesting that coffee and cigarettes were the main themes.

The performances were simple and beautiful.

Jim Jarmusch's 2003 Coffee and Cigarettes is a pastiche of habits, stereotypes, monotypes and common sense. It's black and white and it is like a chess table with 11 sugar cubes. Each sugar cube is an individual, totally independent vignette featuring actors caring their own names. Roberto Benigni is Roberto, Steven Wright is Steven, Cate Blanchett is Cate and her cousin in the same time, Bill Murray is billmurray (one word) in a secret life as a bartender. Yes, characters are talking about coffee and cigarettes, most likely and in rest about nothing. Could be Jarmusch a big Seinfeld fan? Roberto meets Steven and keeps calling him Steve. He ends up taking his appointment to the dentist and leaves. Steven is perplex. Buscemi babbles with the Lee twins about Elvis's secret evil twin. Iggy Pop and Tom Waits they both have quit smoking. Therefore they can handle just one more cigarette happening to be on the table. Vinny and Rigano have a energetic argument about how damaging smoking is. Both have a rusty gruff voice. E J Rodriguez, as a waiter, tries to hit on Renee French. He fails sumptuously. Alex Descas and Isaach de Bankole, Frenchmen and good old friends meet after a long time and it seems that they don't have a problem. Or do they? Cate Blanchett plays herself magnificently. Make he any hair-style and will look good on her. She is also her hippy cousin. Meg and Jack White, the White Stripes "brothers" (quotes because they're not brothers, or are they?) have a conversation, after 80 seconds of silence, about his tesla coil, an air transformer device. Meg turns out to be a co-star to Jack's genius. Than we have Alfred Molina and Steve Coogan as possible cousins based on Molina's genealogic investigations. Alfred is extremely deferential. Steve hides his condescending propensity. Steve thinks Alfred wants to take advantage of him. But Alfred is honest. But there is catch. In the end the two reverse positions. How about the Wu-Tang Clan? GZA and RZA talk about alternative medicine and how to perform a surgical procedure using an electric drill-gun. Tom Waits became a doctor too. Coffee cause serious delirium. Billmurray (one word) doesn't think so and drinks from the jar. RZA explains how nicotine interferes with the central nervous system. That's paralysis. And last but not least Taylor Mead, in the final scene lost his touch with the world. Bill Rice, his partner is concerned. They listen to an imaginary Mahler, in some backyard armory. Coffee is becoming champagne, Nikola Tesla pops out in the conversation again, and they ignore their age or their Parkinson and toast for the Moulin Rouge.

Coffee and cigarettes, that such an unhealthy combination! They all agree. We all agree. Jim Jarmusch's colorful interpretation is a celebration of life!

Jim Jarmusch's "Coffee & Cigarettes" is like a good painting: it's interesting to look at, subtle, simple, and strangely enigmatic in that you think the point is hiding just under the surface. It is also funny, and "cool" in the Tom Waits/Michael Madsen sort of way.

It's about nothing in particular, a collection of short films all involving two or three people, sitting in a diner somewhere at lunch time, smoking cigarettes and drinking coffee, and conversing over banalities. Each segment lasts about ten minutes or so, and is so interesting because they grab us with some really intriguing characters, people, and performances - and sometimes all three.

It's got one of the most diverse casts I've ever seen (Steve Coogan, Steve Buscemi, Bill Murray, Alfred Molina, Iggy Pop, Cate Blanchett, Meg White, Jack White, RZA, GZA, Tom Waits, Roberto Begnini and others still) but it's not uneven; we don't feel like we're jumping from one genre to the next, maybe because it feels a little like Jarmusch has sucked the life out of these genres. Each segment is very laid back, the characters either nonchalant or trying to appear that way, with some exceptions.

The opening segment has Steven Wright and Roberto Begnini, both equally incomprehensible. Then Steve Buscemi explaining conspiracy theories to Cinque and Joie Lee (the guy can play anyone). Then Iggy Pop and Tom Waits, who seem to only be visiting each other to have a contest in condescending (Waits wins). And so on and so forth.

Some astounding performances can be spotted, astounding because they're so understated. Cate Blanchett plays both herself and her jealous cousin, and deserved an Oscar nomination. Steve Coogan plays himself with Alfred Molina, and it's fun to see how Coogan tries to control the conversation, then gets thrown for a loop. Bill Murray is, naturally, gut-busting funny.

Behind it all we sense the artist's hand, lathering on layer after enigmatic layer. Cheers to Jarmusch, who managed to pull together such a diverse cast and extract perfection from all of them.

It's not a great movie, it's not important, but it is fun, and cool, and interesting to watch around lunch time, with some coffee.

7/10

I read a whole host of reviews on this site before renting this film, and despite all the warnings, I gave it a chance. Hell, I gave this film more than a chance. I had low expectations but this collection still failed to impress. First of all, I can't even believe some of the reviewers on here had to point out that the shorts are, in fact, connected. Wow, really? With every sketch featuring coffee and cigarettes, dialogue that is reiterated in a number of sketches, and every single damn sketch dealing with a part of the spectrum of social awkwardness; interpreting the themes in this film and making your own connections does not make you an appreciator of finer things, no it merely confirms that you aren't completely retarded.

So let's get off our high horse and stop using the words "metaphysical", "surreal", and "existential" for a moment, and look at what this film does have to offer. Yes, the Molina/Coogan sketch is absolutely brilliant and hilarious. Had this been the only short released to the public, then I never would have anything bad to say about Jarmusch. The Iggy Pop/Tom Waits meeting comes in a close second comedy-wise. Not just a piece of great casting, Waits gives such a natural performance that takes dry humor to a whole new level. Cate Blanchett's dual role is pretty cool and fun to watch, but compared to Nic Cage's dual role in Adaptation (which also came out in 03), this doesn't even come close.

Beyond those three sketches, I don't know what to say. Bill Murray gives a great performance that is ruined by two rappers who clearly needed better direction, there's a sketch titled "Renee" that sets up a character who is almost OCD about her coffee and then goes nowhere with it, "Those Things'll Kill Ya" plays like a scrapped Seinfeld sketch, "Twins" features more bickering that is clearly meant to be comical but never works because there is no chemistry between the actors (who are twins for Christ's sake). I could go on but its a waste of time. The problem is that Jarmusch keeps trying to tell a joke, gets halfway there, and then abandons the punchline because he's trying to paint a bigger picture. It's like sitting through 90 minutes of someone saying, "Knock knock, who's there? We all get defensive when we're uncomfortable". And there is the biggest problem. This was never meant to be released as a movie. There's a lot to like about these sketches individually. Lots of tiny little nuances in the acting and very subtle humor that works for the short film format. But these should have been released on Youtube for people to discover on their own, not as a film that has a character deliver a nice hamfisted epiphany at the end.

This movie is better than the first reviewer claims. The context of the movie is definitely social, but the humor is only superficially based on the character's real-life celebrity. True, the background music is interesting if you are a film buff. But, take my advice, watch this movies after a couple drinks, at a social gathering, to really enjoy it. The humor is better than in most full length feature comedies. I laughed loud and hard and had a lot of fun when I caught this at the university of Chicago's student movie theater.

the real interest in this film is the social awkwardness created when people meet under false pretense or forced circumstance, versus the natural comfort that is obvious between longtime friends who enjoy each others company.. The gestures and facial expressions by these great actors more than make up for the weaknesses of the film. The brother/sister pairs show boredom and typical familial nit-picking. Iggy and Tom waits are brilliant. buschemi is a little misplaced in the scene where he shows up. my 2 favorite scenes, that i feel show the real genius of jarmusch, are 1.) the moment when molina's gestures have revealed that he is not, as indicated in the first review, a sycophant, but simply an honest and interested human being who is higher up in the scheme of things than the pretentious jerk he tries to befriend; and 2.)the scene where the old guy falls asleep and the camera zooms in on him for a moment, revealing a great moment of humanity.

Jim Jarmusch, one of the most innovative directors of the late 20th century, brings us "Coffee and Cigarettes", another addition to his long line of minimalist comedies/dramas that include "Dead Man", "Ghost Dog" and "Mystery Train". "Coffee and Cigarettes", a film 17 years in the making, is broken down into 5-7 minute short stories that involve both iconic and eclectic musicians and actors having conversations over cups of coffee while smoking cigarettes. The only static factors throughout these segments are the cigarettes, the coffee (though in a couple of cases, it is tea), and a checkered tablecloth/table top. The conversations in each segment are as random and eccentric as some of the stars having them. In one segment, RZA and GZA are having tea in a diner when their waiter turns up and it's Bill Murray. Only, it's actually Bill Murray, and it is completely unexplained as to why he would be waiting on them. Meg and Jack White appear in another, with Jack showing off his Tesla Coil to Meg, only to be bested by her in scientific knowledge. In my personal favorite segment, Cate Blanchett plays herself while having a conversation with her slightly trashy, certainly envious cousin Shelly (also played by Blanchett).

Filmed in gorgeous black and white, Jarmusch filmed these vignettes over the last 17 years, beginning with the opening scene between Steven Wright and Roberto Benigni in 1987. Some segments work better than others (a couple of them were merely aesthetically interesting as opposed to intellectually compelling) but overall, the film really is quite good. It is probably a hard sell to a mainstream audience because nothing really "happens", but this dialogue-driven film is so intelligent and at times so hilarious that there wasn't an occasion where I was concerned about the pacing. I wish that Jarmusch made films with more frequency than he does, but if the time he spends on the production of a film is a factor, then I'll look forward to films like this sometime in the next ten years. 7/10 --Shelly

The first time I watched COFFEE & CIGARETTES I wasn't impressed. Even though certain parts had me rolling in laughter, overall I didn't get the point. But the next day I found myself wanting to re-watch certain segments, so I popped the DVD back in. This led me to watch the entire film again. And today, I simply can't get it out of my head! I'm neither a cigarette smoker nor a coffee drinker, but now I find myself yelling at the screen "I totally relate!" And that's the beauty of this film told in 11 short (5-10 min) segments. You will relate to at least one--perhaps all--of the characters.

The key to understanding the whole movie (don't worry... no spoilrs) is in a subtle metaphor repeated twice: philosopher/inventor Nikola Tesla suggested that the Earth is a conductor of acoustical resonance. Simply put, an acoustical conductor is something that vibrates in sympathy with all sound waves, like a tuning fork. Then if the Earth is a conductor, the "sound waves" are us. People. In this case: coffee house people. Director Jarmusch takes us on a tour of coffee houses all over the world and lets us listen in on conversations, the way the Earth hears them.

From there, you may draw your own philosophical conclusions. Or you may just enjoy it as a series of unrelated, humorous segments. Take it at your own pace. It definitely has a very Existential theme, which is another way of saying there is no theme... or is there? ;)

I really like this movie. There is no real storyline but man the conversations people have when enjoying coffee and cigarettes..... they are brilliant. I liked every story and especially some characters are really great (Iggy pop). It is difficult for me to explain what I like about it but you have to see for yourself I guess. Somehow it has the same kind of humor as Seinfeld (there is no storyline) the movie focuses on somewhat pointless but very funny conversations.

The ingredients are so simple (coffee and cigarettes) and the result is really stunning. The only thing thats striking about the conversations is that some mind games are being played between the actors. Especially the story between two guys who meet up after a couple of years.

In our history, there have been numerous humanoids who probably had too much coffee in their lifetime: Jim Carrey, Robin Williams, Benny Hill, Kathy Griffin, myself for that matter, and Dick Vitale. Moreover, there have been some that have smoked too many cigarettes: Johnny Carson, The Marlboro Man, Colin Farrell, Kiefer Sutherland, Jim Leyland, Smokey the Bear (oops! that's the antithesis), and The Camel Dude. However, there have been many which have had perceptive and didactic conversations having "Coffee & Cigarettes". Ironically enough, that is the main premise of Jim Jarmusch's film "Coffee & Cigarettes". You have heard that coffee & cigarettes definitely does cause harmful health situations, but le flick "Coffee & Cigarettes" definitely does cause exceptional intellectual stimulations. The film is comprised of several chatty coffee & cigarettes vignettes. They are embodied by such Hollywood cafeinados & nicoaddictos as: Bill Murray, Tom Waits, Iggy Pop, Steve Buscemi, Jack & Meg White, Alfred Molina, Steven Coogan, Steven Wright, Roberto Benigni, and Cate Blanchett. The film's "crème" a la crop vignettes which "lit" it up were: Molina & Coogan's "Distant Cousins", Blanchett's own "Cousins", Buscemi's "Elvis' Brother", and Pop & Waits' "Jukebox". The ones that probably had too much "black" on them and included no "matches" in cinema superiority were: the White Stripes machine bit, the waiter & hot chic bit, and Benigni & Wright's "Strange to Meet You". The top acting nods that stirred up the pot accordingly was Molina's searching cousin, Blanchett's dual cousin, and Murray's cofffe mug chugger. Jarmusch's screenplay was wistful, realistic, and variable. "Coffee & Cigarettes" has the perfect combination to make it one of the most insightful films of the year. **** Good

Different tables, different people, addicted to coffee and cigarettes. Some interesting dialogues but not all.

Eye catching is the so well played Cate Blanchett's double role. ....And of course Roberto Benigni's role. (but I am fan of Benigni)

Jim Jarmusch stays away too long between films. This is a movie about different points of view on the subject of how we interact with friends and strangers on a number of issues. Mr. Jarmusch knows a thing or two about watching people as the different vignettes unfold on the screen.

I thought the funnier segments were the ones with Steve Buscemi and Cinque and Jolie Lee in Memphis, and the one with Cate Blanchett playing the dual role of two cousins meeting after not having seen each other for a while.

The best stories come last. Alfred Molina and Steve Coogan are just hysterical, as two English actors working in Hollywood who might be related. And of course, the last tale with the amazing Bill Murray is excellent. The invaluable contribution of RZA and GZA to the vignette is amazing.

Pleas Jim, don't stay away too long for the next movie.

I love Jim Jarmusch yet have difficulties with lots of his films. What may be considered arty and dangerous often ends up for me as baggy, awkward and ponderous. Like you show up unprepared to a presentation and there are lots of embarrassing silences. However amongst the chaff Cate Blanchett excels as always, the Iggy/Tom Waits piece is a real thrill and was really impressed by the Steve Coogan segment, clearly a prototype of the self-characterisation used later to great effect in The Trip(s).

Jarmusch is one of my favorite directors and Coffee and Cigarettes, which I saw last night on a recently released DVD, does not disappoint. Jarmusch has a keen eye for the moments that other filmmakers would consign to the cutting room floor.

Life - revealed "between the lines" of dialogue, is joyously revealed in C&G's 11 short set pieces. The acting - and one has a firm sense that this is acting from the heart, not play-acting, is dead-on delicious. Music (and music people) is a very important, subtle element in each of Jarmusch's films and C&G uses this element masterfully. One can quibble that some skits are better than others, but the unevenness makes sense once you see how it builds to a quiet crescendo of longing and emotion. This movie has heart, soul, emotion, humor, and it goes down like a double-shot of the best, most invigorating espresso in town.

Those who don't "get" what he's doing, and there seems to be a fair share of them on the Web, might look inward toward their own inner coarseness before so boldly flinging epithets at Jarmusch accusing him of undue dwelling in enigmaticism. These are the same people who decry film's creeping meatballism while lapping up the dross that supports the blind and deaf machine of Hollywood.

'Coffee and Cigarettes' is the project director Jim Jarmusch started back in 1986 with a short film starring Roberto Benigni and Steven Wright. The premise is as simple as it is brilliant. Put some people in a room and let them talk over coffee and cigarettes, most of the time also about coffee and cigarettes. Let some elements return in every single segment you make (there is a toast in every segment) and see where it goes. You film a couple of these episodes in black and white, puts them together and you have a nice film.

Of course some segments are better than others. I liked the one with Steve Buscemi ("Twins"), Tom Waits ("Somewhere in California"), Steve Coogan and Alfred Molina ("Cousins?") and Bill Murray ("Delirium") the most. The one with Cate Blanchett ("Cousins") is not the best but since she plays both characters it is quite interesting. I guess every segment has at least one interesting aspect. "Strange to Meet You", the first one made back in 1986, is interesting since it stars the director and star of 'La Vita è Bella' long before that film made him famous; "Jack Shows Meg His Tesla Coil" is interesting because The White Stripes (Meg & Jack White) have the weirdest conversation in a way I believed they really have conversations like this; "Cousins?" gives us the hardest laughs with the perfect dialog and timing of that dialog; "Delirium" if fun simply because Bill Murray is in it.

What is good about a lot of the segments is that the more famous people are not afraid to portray a weak person, even when they are playing themselves. Iggy Pop has a very hard time with Tom Waits, Cate Blanchet has a very hard time with herself, Alfred Molina is embarrassed by Steve Coogan and even one of Coogan's fans. The film has some minor points. Although it is a real comedy there are no real laughs. There are many smiles, but laughing out loud only happens once or twice. The final moments from most segments could cause the real laughs. Another problem is the fact that you are basically watching a lot of short films. Since you watch them without taking a moment to think about them it is possible you have forgotten the first while the last one is playing. For me it is the same with feature films; after I have seen one I need a moment to think it over before starting the next one.

It's not funny, interesting, entertaining, visually appealing, intelligent, it is the opposite. I will never understand what anyone can see in this movie.