IMDb RATING
6.8/10
15K
YOUR RATING
In an alternate postwar timeline, Japan is divided into the Union-controlled North and the US-controlled South.In an alternate postwar timeline, Japan is divided into the Union-controlled North and the US-controlled South.In an alternate postwar timeline, Japan is divided into the Union-controlled North and the US-controlled South.
- Awards
- 1 win & 1 nomination
Yuka Nanri
- Sayuri Sawatari
- (voice)
- (as Yuuka Nanri)
Unshô Ishizuka
- Okabe
- (voice)
Kazuhiko Inoue
- Tomizawa
- (voice)
Risa Mizuno
- Maki Kasahara
- (voice)
Hidenobu Kiuchi
- Arisaka
- (voice)
Takeshi Maeda
- Daigakuinsei
- (voice)
- …
Rie Nakagawa
- Joshi Seito
- (voice)
- …
Yûki Nakao
- Joshi Seito
- (voice)
Maki Saito
- Joshi Seito
- (voice)
- (as Maki Saitou)
- …
Kousuke Kujirai
- Danshi Seito
- (voice)
Bretto Coleman
- Beigunjin
- (voice)
Ian O'Neal
- NSA
- (voice)
Storyline
Did you know
- TriviaMakoto Shinkai intended to draw the background art himself but with an estimated 1000 cuts needed this would have been impossible for Shinkai to do alone and the film's animation producer, Kiyonori Hiramatsu went to Tokyo Art University to scout for artists. Adding to complications, many of the students were recruited from oil painting classes and had no experience in creating digital backgrounds and many hadn't even used PCs before.
- GoofsEnglish subtitles spell prophecies (used as a noun) as prophesies (the verb).
- Quotes
Hiroki Fujisawa: [Narrating] Living alone, the nights seemed to last forever. When I couldn't pass the time effectively, I went to a nearby train station and pretended to wait for someone.
- Crazy creditsThere's a brief shot after the credits.
- ConnectionsFeatured in WatchMojo: Top 10 Underappreciated Anime Movies (2016)
Featured review
Makoto Shinkai came back. And this time he is not alone.
'The Place Promised in Our Early Days' is a pure and beautiful piece of work. This has probably the most beautiful visuals of all animations that I've seen ('Please Save My Earth' and some others are also beautiful but they all have different characteristics, I must say). Pictures themselves are beautiful, and it is no wonder how people call him the 'magician of light'.
My overall impression of this anime is that it's like a poet but with Sci-Fi to match with it. 'Voices of a Distant Star (Hoshi no koe)' was quite boring for me honestly. But with a similar structure and image, 'The Place...' seems to deliver much better what Makoto Shinkai wanted to deliver, even though its story is slightly loose here and there.
I do think, however, that it is 'too' consistent throughout - from Makoto Shinkai's authentic poetic and solitary, pure atmosphere to its story/drama, visuals (e.g. lighting), music etc (I must say that sound aspects outside music is not very well done but let's put that aside), pretty much everything. This strengthens the sense of purity this anime represents, but I really think it would be better to have more 'bandwidth' to it, so it can have more dynamics and life in it. It is great how Makoto Shinkai pulled it off gracefully knitted altogether, though. I'd say that 'The Place...' stands on its very own ground, really. I think it is something that's quite different to all the rest, and don't really think it's appropriate to judge this by typical standards.
To hold it together for a much longer period of time, and to do it well, he has effectively implied editing (if I could say that) and careful laying out of the story. But the biggest difference I witnessed from 'The Place...' was how Makoto Shinkai has casted much more characters than before - though characters lack in variety as well. This enriches the story as well as adding complexity and depth to it so you don't get bored out easily.
But after all, it is superb how well Makoto Shinkai has put the whole thing together so well. I was very fascinated and captured while I was watching it - which didn't happen for quite some time. I think this is one piece of work that overwhelms viewers by its beauty and sense of purity.
P.S. Although I can understand how some animatings are not up to the feature animation quality, I personally think it'd be better for Makoto Shinkai to get somebody good to retouch on his characters' faces.
'The Place Promised in Our Early Days' is a pure and beautiful piece of work. This has probably the most beautiful visuals of all animations that I've seen ('Please Save My Earth' and some others are also beautiful but they all have different characteristics, I must say). Pictures themselves are beautiful, and it is no wonder how people call him the 'magician of light'.
My overall impression of this anime is that it's like a poet but with Sci-Fi to match with it. 'Voices of a Distant Star (Hoshi no koe)' was quite boring for me honestly. But with a similar structure and image, 'The Place...' seems to deliver much better what Makoto Shinkai wanted to deliver, even though its story is slightly loose here and there.
I do think, however, that it is 'too' consistent throughout - from Makoto Shinkai's authentic poetic and solitary, pure atmosphere to its story/drama, visuals (e.g. lighting), music etc (I must say that sound aspects outside music is not very well done but let's put that aside), pretty much everything. This strengthens the sense of purity this anime represents, but I really think it would be better to have more 'bandwidth' to it, so it can have more dynamics and life in it. It is great how Makoto Shinkai pulled it off gracefully knitted altogether, though. I'd say that 'The Place...' stands on its very own ground, really. I think it is something that's quite different to all the rest, and don't really think it's appropriate to judge this by typical standards.
To hold it together for a much longer period of time, and to do it well, he has effectively implied editing (if I could say that) and careful laying out of the story. But the biggest difference I witnessed from 'The Place...' was how Makoto Shinkai has casted much more characters than before - though characters lack in variety as well. This enriches the story as well as adding complexity and depth to it so you don't get bored out easily.
But after all, it is superb how well Makoto Shinkai has put the whole thing together so well. I was very fascinated and captured while I was watching it - which didn't happen for quite some time. I think this is one piece of work that overwhelms viewers by its beauty and sense of purity.
P.S. Although I can understand how some animatings are not up to the feature animation quality, I personally think it'd be better for Makoto Shinkai to get somebody good to retouch on his characters' faces.
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Bên Kia Đám Mây, Nơi Ta Hẹn Ước
- Production company
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $44,483
- Runtime1 hour 30 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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What is the French language plot outline for The Place Promised in Our Early Days (2004)?
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