A lonely shoe salesman and an eccentric performance artist struggle to connect in this unique take on contemporary life.A lonely shoe salesman and an eccentric performance artist struggle to connect in this unique take on contemporary life.A lonely shoe salesman and an eccentric performance artist struggle to connect in this unique take on contemporary life.
- Awards
- 22 wins & 15 nominations total
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe 1985 Honda Accord Christine drives in the film was July's own car, passed down from her grandmother.
- GoofsWhile Peter and Robby are singing the hymn to Richard, they walk past the same white picket fence three times.
- Crazy creditsSpecial thanks to The Bertram Family
- ConnectionsFeatured in Siskel & Ebert: The Best Films of 2005 (2005)
- SoundtracksWhere Are We Going
Written and Performed by Ryeland Allison
Published by Silver Outlet Music (BMI)
Courtesy of Silver Outlet Music America
Featured review
i had the supreme pleasure of seeing this film last night as the grand opener of the seattle international film festival. (this was the first time in the 31 year span of the festival that the opener was directed by a woman!) i loved it! contrary to some previous comments, i found the writing and the approach to the subject matter very adult. a less mature screenwriter could have too easily fallen into a dour and pessimistic mood given the subject matter, especially the instances of desires pedophilia and families torn apart. i think it takes a remarkable, mature writer and director to take these themes and turn them into a heart-warming piece of work rather than just another fatalistic, world-hating film.
the performances were stellar across the board. every character was completely fleshed out and truly human. i think that's what struck me the most about this film, the complete humanity of it. the title is apt, it really is a universal story of you and me and everyone we know. the comedy didn't have to be forced, it was funny because we could all identify and sympathize with the awkwardness of life.
i'd love to see more out of miranda july to this caliber. this was a huge feat for a first feature, but i have a lot of hope and faith in her talents for the future.
the performances were stellar across the board. every character was completely fleshed out and truly human. i think that's what struck me the most about this film, the complete humanity of it. the title is apt, it really is a universal story of you and me and everyone we know. the comedy didn't have to be forced, it was funny because we could all identify and sympathize with the awkwardness of life.
i'd love to see more out of miranda july to this caliber. this was a huge feat for a first feature, but i have a lot of hope and faith in her talents for the future.
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Details
Box office
- Budget
- $800,000 (estimated)
- Gross US & Canada
- $3,885,134
- Opening weekend US & Canada
- $30,801
- Jun 19, 2005
- Gross worldwide
- $8,012,838
- Runtime1 hour 25 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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By what name was Me and You and Everyone We Know (2005) officially released in India in English?
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