45
Metascore
31 reviews · Provided by Metacritic.com
- 70The Hollywood ReporterKirk HoneycuttThe Hollywood ReporterKirk HoneycuttAn involving sci-fi action-thriller, probably longer on chase sequences than the original director wanted and shorter on the "ick" factor than the studio wanted.
- 67Entertainment WeeklyOwen GleibermanEntertainment WeeklyOwen GleibermanThe movie isn't terrible; it's just low-rent and reductive.
- 60Washington PostStephen HunterWashington PostStephen HunterOn the technical side, The Invasion has several first-rate, terrifying action sequences and grips totally from start to finish. But a subplot involving the Russian Embassy doesn't really pay off, and the relationship between Kidman and glum paramour Daniel Craig (another doc) isn't much.
- 58Seattle Post-IntelligencerWilliam ArnoldSeattle Post-IntelligencerWilliam ArnoldIt's a moderately compelling sci-fi action movie with a handful of scary scenes -- though nothing at all special, and only a shadow of the original or even its 1978 remake.
- 50VarietyDennis HarveyVarietyDennis HarveyA slick but forgettable, characterless thriller.
- 50ReelViewsJames BerardinelliReelViewsJames BerardinelliThe mismatched blending of Hirschbiegel's low-key horror and the Wachowski Brothers' anything-but-low-key action sequences results in a cinematic dud.
- 50Chicago TribuneMichael PhillipsChicago TribuneMichael PhillipsEnough with the snatching, already.
- 50Christian Science MonitorPeter RainerChristian Science MonitorPeter RainerAt times, The Invasion comes across as a mishmash of "Rosemary's Baby" and "The Stepford Wives."
- 38PremiereGlenn KennyPremiereGlenn KennyNoisome, fragmented mess of a movie, the fourth film based on Jack Finney's novel "The Body Snatchers" and the worst of them all.
- 30L.A. WeeklyScott FoundasL.A. WeeklyScott FoundasIs there a Razzie Award for worst casting? If so, it’s one of several that can be reserved early for this fourth, spectacularly lousy screen version of Jack Finney’s 1954 novella "The Body Snatchers," which some bright light envisioned as the ideal starring vehicle for the Cold Mountain herself, Nicole Kidman, and for Daniel Craig, last seen as the most poker-faced James Bond on record.