Directed by
Anton Corbijn |
Writing Credits
Deborah Curtis | ... | (based on the book "Touching from a Distance" by) |
Matt Greenhalgh | ... | (screenplay) |
Cast (in credits order) complete, awaiting verification
Produced by
Iain Canning | ... | executive producer |
Anton Corbijn | ... | producer |
Deborah Curtis | ... | co-producer |
Todd Eckert | ... | producer |
Lizzie Francke | ... | executive producer |
Megumi Fukasawa | ... | co-producer |
Peter Heslop | ... | co-producer / line producer |
Satoru Iseki | ... | co-producer |
Akira Ishii | ... | executive producer |
Korda Marshall | ... | executive producer |
Orian Williams | ... | producer |
Tony Wilson | ... | co-producer |
Music by
New Order |
Cinematography by
Martin Ruhe |
Editing by
Andrew Hulme |
Casting By
Shaheen Baig |
Production Design by
Chris Roope |
Art Direction by
Philip Elton | ||
Tim Stevenson | ... | additional art director |
Costume Design by
Julian Day |
Makeup Department
Barbara Taylor | ... | hair stylist / make up artist |
Jeremy Woodhead | ... | hair designer / makeup designer |
Andy Seston | ... | makeup daily (uncredited) |
Production Management
Richard Lloyd | ... | post-production supervisor |
Second Unit Director or Assistant Director
Andrew Foster | ... | second assistant director |
Toni Staples | ... | first assistant director |
Katy Stenson | ... | third assistant director |
Art Department
Natalia Czuplak | ... | props |
Rory Davis | ... | assistant props |
Greyham Feehily | ... | carpenter |
Josh Fifarek | ... | set designer |
Peter Johnson | ... | carpenter |
Cassie Leedham | ... | graphic designer |
Simon Morrissey | ... | property master |
Mike Osborne | ... | art department trainee (as Michael Osborne) |
Sarah Jane Reichert | ... | art department trainee |
Chris Richmond | ... | stand-by art director |
Leedham Riff | ... | property master |
Daz Spencer-Lovesey | ... | set dresser |
John Steppings | ... | buyer (as John A. Steppings) |
Tim Stevenson | ... | set constructor |
Kip Walker | ... | supervising stand-by propman |
Matt Wells | ... | props |
Sound Department
Iain Anderson | ... | adr recordist |
Nick Baldock | ... | assistant sound editor |
Peter Baldock | ... | dialogue editor / supervising sound editor: UK |
Grant Bridgeman | ... | sound assistant |
Ben Carr | ... | assistant adr editor |
Daniel Crowley | ... | sound maintenance (as Dan Crowley) |
Anders Degerberg | ... | sound mastering |
Carl Edström | ... | sound effects editor |
Adele Fletcher | ... | adr editor |
Linda Forsén | ... | sound coordinator |
Anna Gideonsson | ... | foley trainee |
Thomas Huhn | ... | re-recording mixer / supervising sound editor: Sweden |
Jonas Jansson | ... | sound effects editor |
John Midgley | ... | sound recordist |
Lucas Nilsson | ... | foley artist |
Gábor Pasztor | ... | re-recording mixer (as Gabor Pasztor) |
Jamie Roden | ... | adr mixer |
Gianni Pallotto | ... | re-recording mixer: italian dubbing (uncredited) |
Visual Effects by
Iain Finlay | ... | visual effects camera operator |
Jonas Jangvad | ... | digital intermediate scanner |
Fredrik Nord | ... | digital effects artist |
Peter Törnestam | ... | digital effects artist |
Stunts
Riky Ash | ... | stunt coordinator / stunts |
Camera and Electrical Department
Paul Alexander | ... | camera operator: "b" camera / steadicam operator |
Peter Batten | ... | additional camera operator |
Tim Battersby | ... | focus puller |
Robert Binnall | ... | camera operator |
Steve Campbell | ... | electrician |
Rachel Clark | ... | camera trainee (as Rachel Clarke) |
Andy Clarke | ... | rigging gaffer (as Andrew Clarke) |
Warwick Drucker | ... | grip / key grip |
Jonathan Earp | ... | focus puller: "b" camera |
Tom Fabian | ... | crane operator |
Brian Fawcett | ... | electrician |
Mick Lord | ... | standby rigger |
Howard Roe | ... | dayman |
Dean Rogers | ... | still photographer |
Christopher Ross | ... | c camera operator |
Martin Ruhe | ... | camera operator |
Basil Smith | ... | focus puller: dailies |
Barry Squires | ... | camera assistant |
Owen Tooth | ... | video playback assistant |
Julian White | ... | gaffer |
Jim Wilkinson | ... | crane operator |
Micky Wilson | ... | generator operator (as Mick Wilson) |
Sophie Wilson | ... | clapper loader |
Casting Department
Vanessa Baker | ... | adr voice casting |
Brendan Donnison | ... | adr voice casting |
Benjamin Till | ... | casting assistant |
Costume and Wardrobe Department
Shahida Day | ... | key costumer (as Shajda Day) |
Simone Grace | ... | wardrobe assistant |
Fiona MacKinnon | ... | costume assistant |
Editorial Department
Maria Dahlin | ... | post-production coordinator |
Helen de Winter | ... | delivery coordinator |
Mats Holmgren | ... | colour grader |
Barry Moen | ... | first assistant editor |
Patty Papageorgiou | ... | post-production assistant |
Location Management
Vicky Chapman | ... | location assistant |
Dan Hodgett | ... | location services |
Rob Jones | ... | location manager |
Al Mackay | ... | location assistant (as Alastair Mackay) |
Nic Smith | ... | location services |
Emma Yeomans | ... | location scout |
Music Department
Rupert Christie | ... | music mixer: live music |
Peter Clarke | ... | music editor |
Roger Lyons | ... | score engineer / score recordist |
Liam Maloy | ... | band rehearsal coach |
John Midgley | ... | music engineer: live music / music recordist: live music |
Ian Neil | ... | music supervisor |
Script and Continuity Department
Val White | ... | script supervisor |
Transportation Department
Roy Osborn | ... | driver: camera truck |
John Oxborough | ... | unit driver (as Honest John Oxborough) |
Rod Patterson | ... | transportation captain |
Will Petty | ... | driver: rushes |
Mick Stanton | ... | driver |
Additional Crew
Monica Axelsson | ... | assistant to director |
Lorraine Bagshaw | ... | stand-in |
Joanna Bates | ... | assistant production accountant |
Kellie Belle | ... | product placement and clearances |
Jonathan Bird | ... | Director of Business and Legal Affairs: The Weinstein Company |
Katie Bleakley | ... | production runner |
Andrew Brand | ... | floor runner |
Lesley Broderick | ... | post-production accountant / production accountant |
Paul Brown | ... | executive: warner bros. music |
Neil Calder | ... | completion guarantor: Film Finances Inc. |
Mel Churcher | ... | dialogue coach: Sam Riley |
Lee Clyne | ... | unit medic |
Paul Dray | ... | laboratory contact |
Zoe Flower | ... | unit publicist |
Gezi Grakwsi | ... | executive: warner bros. music |
Tom Hingston | ... | titles |
Ruth Hodgson | ... | completion guarantor: film finances |
Sally Hodgson | ... | communications executive: EM Media |
Christophe Ingrand | ... | french adaptation: original version with subtitles |
Simon Jones | ... | tranport coordinator: London |
Hakan Kousetta | ... | production legal advisor |
Emily Lappin | ... | head of communications: EM Media |
Anna Lindqvist | ... | title designer: main and end titles |
Andrew Mackie | ... | production executive |
Louise Melzack | ... | additional floor runner |
Tessa Mendelsson | ... | assistant production legal advisor |
Nick Miller | ... | assistant production legal advisor / production legal services |
Keeley Naylor | ... | unit publicist: EM Foundation |
Jonathan Page | ... | finance and operations manager |
Tina Pawlik | ... | assistant production coordinator |
Richard Payten | ... | general manager: Dendy Films |
Rachel Robey | ... | production coordinator |
Peter Saville | ... | titles consultant |
Alexandra Shipp | ... | product placement and clearances |
Masazumi Watanabe | ... | business affairs: IFF/CINV |
Christina Withers | ... | assistant: Samantha Morton |
Ali Yap | ... | sales and events coordinator |
Fabrice Allard | ... | press attache: france (uncredited) |
Sophie Bataille | ... | press attache: france (uncredited) |
Roberta Schiavoni | ... | assistant dubbing manager: italian post-synchronized version (uncredited) |
Thanks
Monica Axelsson | ... | special thanks |
Rebecca Boulton | ... | special thanks |
David Bowie | ... | special thanks |
Bart Chabot | ... | special thanks |
Doreen Curtis | ... | special thanks |
Natalie Curtis | ... | special thanks |
Paul Dray | ... | special thanks |
Caroline Elleray | ... | special thanks |
Steve Ellis | ... | special thanks |
Josh Fifarek | ... | special thanks |
Brandon Flowers | ... | special thanks |
Martin Gore | ... | special thanks (as Martin L. Gore) |
Chris Grayes | ... | special thanks |
Herbert Grönemeyer | ... | special thanks |
Charles Hannah | ... | special thanks |
Doug Hart | ... | special thanks |
Annik Honoré | ... | special thanks |
Laura Kanerick | ... | special thanks |
Henric Larsson | ... | special thanks |
Steve Levy | ... | special thanks |
Martha Martin | ... | special thanks (as Martina Martin) |
Alexandra McGuinness | ... | special thanks |
Clara Moak | ... | special thanks (as Clare Moak) |
Paul Morley | ... | special thanks |
New Order | ... | special thanks |
Kate Ogborn | ... | special thanks |
Iggy Pop | ... | special thanks |
Mark Price | ... | special thanks |
Tracey Pryor | ... | special thanks |
Ian Ramage | ... | special thanks |
Lou Reed | ... | special thanks |
Mark Reeder | ... | special thanks |
Andrew Robinson | ... | special thanks |
Mick Rock | ... | special thanks |
Jackie Rowden | ... | special thanks: Lee Lighting |
Peter Saville | ... | special thanks |
John Seymour | ... | special thanks |
Siouxsie and the Banshees | ... | special thanks |
Torben Smith | ... | special thanks (as Dr. Torben Smith) |
David Sultan | ... | special thanks |
Robert Walak | ... | special thanks |
Graham Ward | ... | special thanks |