Kinky Boots

I really enjoyed Kinky Boots - great performances by both Joel Edgerton and Chiwetel Ejiofor. It's the first time I've seen Joel Edgerton in a lead role and I think he carries it off quite well, though I'm probably biased as I like him as an actor. It was very interesting to see Chiwetel Ejiofor later the same evening in a totally different sort of role as the Operative in "Serenity", showing his ability to play a broad range of characters. It's very funny in parts - the first film I've been to in a long time where I've had a really good laugh. The rest of the audience obviously enjoyed the humour as well. The humour generally revolves around Lola and the way that people relate to her, but it avoids stereotypical jokes. It's not only funny, but also quite moving at times, and again that tends to relate to the way people deal with Lola, which usually says more about them than her - ultimately a feel good movie and based (not sure how closely) on a true story. Overall, it's a well told story, with likable characters, a plot that's believable, and left me feeling good about the characters and what happened to them.

"Kinky Boots" is a delightful film based on a true story about the travails of a shoe manufacturing factory set in Northampton, England. When Charlie Price (Joel Edgerton) takes over the family shoe business, he discovers the company is practically out of business. After laying off a bunch of people, one of the young women he's making "redundant" tells him the company needs to find its niche. He finds it by accident when he helps a drag queen named Lola (Chiwetel Ejiofor) who's about to be attacked by a group of men. After watching Lola's shows, Charlie decides the niche will be shoe wear for "a variety of men," i.e., drag queens et al., who have trouble finding womens shoes that fit. He invites Lola to Northampton to help design and test the shoes.

Funny, warm, with characters you care about, "Kinky Boots" says something about societal attitudes towards those who are different and what it truly means to be a man, but doesn't beat you over the head with it. It has a great story, lots of humor, and excellent acting, particularly from Chiwetel Ejiofor and Joel Edgerton. While everyone else in the film complex was at "The Da Vinci Code" and "MI: 3", several of us were being royally entertained by an old-fashioned story. We loved every minute of it.

'Kinky Boots' is a splendid colourful little film with a big heart. Those who have enjoyed heartfelt films like 'Calender Girls' and 'Billy Elliot' will love this one too. It's also one of the many things I love about little British movies. They have a very simple message, a simple story to tell about real people but they tell it with heart and soul without throwing the message 'in your face'. Director Julian Jarrold does not disappoint in that front and, as is the case with many such films, they strongly rely on performances too. Chiwetel Ejiofor remains one of the underrated talents of the generation and he totally carries the film. All the effort he's gone through for the character has certainly paid off. He looks the part and, next to acting, the guy sure can sing too. Joel Edgerton provides a brilliant contrast to Ejiofor's Lola/Simon (as demanded by the character) and, in a subtle way, he also conveys the similarities and pain that both characters share. Sarah-Jane Potts is a charming delight. The rest of the cast that includes talents like Nick Frost and Linda Bassett lend sufficient support with their strong presence and comedy. The delightful camera-work dances to the tune of the wonderful score. The slick shots of the shoes being manufactures is very notable. There are so many laugh-out-loud sequences especially the hilarious 'drag' sequences (which are funny without making a mockery out of drag queens and transvestites). Even though it's based on a short story, the inspiration clearly shows and the writers have created a great fun story. In the end, I felt a little uplifted and it left a smile.

I'm a Northamptonian and just watched the film in Northampton at the Northampton premiere. I'm slightly Northamptoned out. Excellent British comedy, I enjoyed it a lot more than Calendar Girls.

I normally find these kind of films deeply predictable, but this one surprised me. It has a bit of a deep and meaningful message, but never gets lost as to what it is along the way, and keeps the laughs going.

Somewhat bizarre depiction of Northampton however - every other shot is either of a weird northern-like back alley or of northern-like houses against countryside... and I don't think you've been able to see fields like those from Northampton railway station for at least 60 years. You don't really get the impression that Northampton is one of the UK's largest towns!

Well worth a watch. And points go to whoever spots the Northampton Saints (rugby team) mug.

This movie is about old-fashioned values like decency and unselfishness. Though the premise, an old style English shoe factory avoiding bankruptcy by designing boots for drag queens sounds sleazy, this movie is squeaky clean entertainment suitable for children.

The camera work is entertaining, especially, oddly the closeup scenes of shoes being manufactured, streams of colour zipping along to the upbeat music.

It is a movie without villains. The conflict comes from selfish vs unselfish motives, self direction vs worrying what others think, despair vs taking responsibility.

Of course the theme of tolerance for diversity is woven through. The movie does not have the usual silly Hollywood tolerance breakthroughs. It comes in fits and starts with back pedaling and tolerance from surprising sources.

The lead drag queen Lola sings better than anyone on American Idol, in a genre all her own. The musical numbers are far better than you will see an any real world drag show. These are not female impersonators. None of the drag queens would ever pass as female.

This is a character-based tragi-comedy about wildly different outcasts interacting. Of course the basic plot is predictable if you watch the trailers and use your intellect. But that is not how to watch this comedy. It is a bit like complaining that Lucille Ball was inevitably going to get herself covered in some sort of mess in the Long Trailer or that a Marx brothers comedy would end in a pie fight. Immerse yourself in the movie's reality. I was genuinely surprised by the ending, though in retrospect it was inevitable. Plot twists like a murder mystery is not what this movie is about. If all you care about is plot, skip this movie; it will go over your head.

All said, unless you have a heart of stone, you will come out smiling and more optimistic than when you went in.