A deactivated cyborg's revived, but can't remember anything of her past and goes on a quest to find out who she is.A deactivated cyborg's revived, but can't remember anything of her past and goes on a quest to find out who she is.A deactivated cyborg's revived, but can't remember anything of her past and goes on a quest to find out who she is.
- Director
- Writers
- Stars
- Awards
- 10 wins & 25 nominations total
Racer Rodriguez
- Claymore
- (as Racer Maximiliano Rodriguez-Avellán)
- Director
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Featured reviews
I loved this movie! Alita: Battle Angel is my type of movie. I love the science fiction and the great action throughout the entire movie. It also has a very substantive story as a solid foundation. The setting is very grim but Alita's character is uplifting and gives viewers hope. I liked how Alita's story also involves a quest of finding out who she truly is. She finds herself in a world where she can be seen as somewhat ordinary. But she comes to find out that she's far from ordinary. She's an angel from heaven. I really enjoyed this movie and the story itself can be explained further in other films. I hope there's a sequel as the ending laid the framework for more films. This movie is emotional, action filled, and has intense action sequences. The creators of this film did a nice job of spacing out the action. They didn't rush into it and every battle scene was meaningful. I would definitely recommend this movie.
Yes, every film these days isn't just a film. It's the beginning of a larger body of work, a shared universe, or trying to set up an ongoing franchise. And, besides the Marvel Shared Universe and a few pre-existing properties like 'Star Wars,' most fledgling film franchises struggles beyond the first offering. That's simply because they make setting up a wider universe more of a priority than actually simply telling a good story (that 'Dark Universe' saga that tried to get off the ground with Tom Cruise at the helm, anyone?).
Now, I'm not going to say that the producers of 'Alita: Battle Angel' wouldn't love the franchise to still be going in ten years time (complete with all sorts of spin-off tales of secondary characters and probably a TV series to boot), but at least it stands on its own as a great story and - if it doesn't get a sequel - can be looked at as a whole, rather than something that started and was never concluded.
It's set well into the future where the world has been ravaged by one giant war (aka 'The Fall') and half the (unlucky) population live in a junkyard of a city on Earth, while those better off live in a floating city above it, known as 'Zolum.' The status quo remains until a Dr Dyson Ido (Christoph Waltz) who specialises in creating cyborgs out of spare parts finds the remains of a young cyborg girl ('Alita,' in case you haven't guessed!) on the scrap heap and takes it upon himself to rebuild her. Of course the plot needs her to have forgotten who true identity and - naturally - this all links in with what will become her destiny to bring a little more equality between the two last cities on Earth and the mysterious ruler who 'watches all.'
So, it's kind of one of those 'prophecy/saviour' type films which certainly aren't that original, but, if done right, are very entertaining - and Alita is very entertaining. First of all Rosa Salazar is a very likable lead and, despite not having too many major roles to her credit, does brilliantly at holding the weight of the story on her shoulders. She's also got on hand Christoph Waltz, who always turns in a great performance in whatever he's in. This is no different and their relationship is the character-highpoint of the film.
Alita's love interest is 'Hugo' (Keean Johnson) and, although I couldn't really find fault with anything about his performance, I got the impression that his part could have been played by anyone. Jennifer Connelly is on the cast-list, but I felt she was a little underused and could have been in it a lot more. And, despite being a big fan, I only found out that Jackie Earle Haley was in the film after seeing his name on the credits and having to look up who he played online afterwards
It's all stylishly directed by Robert Rodriguez, despite having James Cameron as co-producer and writer, the directoral honours seemed to have gone to Rodriguez. His natural style of fast-paced shots work better for the action and amount of CGI used. I know Cameron did - practically - an entire film ('Avatar') in CGI, but in Alita (and this could just be because a more modern film can blend live action and computer effects together) better, the effects look for more polished and real when compared to 'Avatar.' The soundtrack is also pretty generic and you certainly won't be humming the theme tune for months to come after leaving the cinema.
But, that's just a minor gripe. Basically, if you're in the mood for some great action and don't mind the lengthy two-hour run-time, you should definitely check this one out. After only a couple of scenes you'll stop wondering why Alita's eyes are so (CGI) big and concentrate on her growth as a character (and, is it just me, or is she using 'Sting' i.e. the sword from 'Lord of the Rings' to save the world?).
I see that it's only got a big of a lukewarm reception from some critics, but, if you see what the fans are saying about it, I think you'll know who to believe. Bring on the next installment.
Now, I'm not going to say that the producers of 'Alita: Battle Angel' wouldn't love the franchise to still be going in ten years time (complete with all sorts of spin-off tales of secondary characters and probably a TV series to boot), but at least it stands on its own as a great story and - if it doesn't get a sequel - can be looked at as a whole, rather than something that started and was never concluded.
It's set well into the future where the world has been ravaged by one giant war (aka 'The Fall') and half the (unlucky) population live in a junkyard of a city on Earth, while those better off live in a floating city above it, known as 'Zolum.' The status quo remains until a Dr Dyson Ido (Christoph Waltz) who specialises in creating cyborgs out of spare parts finds the remains of a young cyborg girl ('Alita,' in case you haven't guessed!) on the scrap heap and takes it upon himself to rebuild her. Of course the plot needs her to have forgotten who true identity and - naturally - this all links in with what will become her destiny to bring a little more equality between the two last cities on Earth and the mysterious ruler who 'watches all.'
So, it's kind of one of those 'prophecy/saviour' type films which certainly aren't that original, but, if done right, are very entertaining - and Alita is very entertaining. First of all Rosa Salazar is a very likable lead and, despite not having too many major roles to her credit, does brilliantly at holding the weight of the story on her shoulders. She's also got on hand Christoph Waltz, who always turns in a great performance in whatever he's in. This is no different and their relationship is the character-highpoint of the film.
Alita's love interest is 'Hugo' (Keean Johnson) and, although I couldn't really find fault with anything about his performance, I got the impression that his part could have been played by anyone. Jennifer Connelly is on the cast-list, but I felt she was a little underused and could have been in it a lot more. And, despite being a big fan, I only found out that Jackie Earle Haley was in the film after seeing his name on the credits and having to look up who he played online afterwards
It's all stylishly directed by Robert Rodriguez, despite having James Cameron as co-producer and writer, the directoral honours seemed to have gone to Rodriguez. His natural style of fast-paced shots work better for the action and amount of CGI used. I know Cameron did - practically - an entire film ('Avatar') in CGI, but in Alita (and this could just be because a more modern film can blend live action and computer effects together) better, the effects look for more polished and real when compared to 'Avatar.' The soundtrack is also pretty generic and you certainly won't be humming the theme tune for months to come after leaving the cinema.
But, that's just a minor gripe. Basically, if you're in the mood for some great action and don't mind the lengthy two-hour run-time, you should definitely check this one out. After only a couple of scenes you'll stop wondering why Alita's eyes are so (CGI) big and concentrate on her growth as a character (and, is it just me, or is she using 'Sting' i.e. the sword from 'Lord of the Rings' to save the world?).
I see that it's only got a big of a lukewarm reception from some critics, but, if you see what the fans are saying about it, I think you'll know who to believe. Bring on the next installment.
The story is good, the pace is fast, the visuals are very good. And Alita's eyes are really big! I actually enjoyed this way more than I thought I would. I thought the ending was too abrupt - I wish the film was longer.
"I WILL NOT STAND BY IN THE PRESENCE OF EVIL", an inspiring line spoken by the protagonist in Alita: Battle Angel when facing an indomitable and frightening villain got me thinking that I will not stand by in the presence of clueless movie critics giving lukewarm reviews to this excellent movie. Hence my motivation in writing this review to a film that I consider a great visionary triumph with such groundbreaking special effects not experienced since Avatar and a world-building as dazzling as last year's critically acclaimed Blade Runner 2049.
Based on the manga by Kishiro, the creative combo of Rodriguez and Cameron have created a world so technically stunning and cinematically immersive that it stirred and delighted my soul during the whole movie.
At its heart, Alita is a tantalizing adventure about teenage self discovery and self fulfillment, although disguised by the plot which stated the protagonist as a 300 year-old alien berserker. The story combines science fiction with martial arts in a dystopian future. The fight scenes are as well choreographed as say The Matrix but avoid over indulging in extended and repetitive fight sequences. There's a lot of exposition fitted into a 2-hour movie, hence some scenes seemed to be truncated in order for the story to advance accordingly.
That said, the plot has familiar elements made new but in more interesting ways. Elements of a world constantly being monitored borrow heavily from The Hunger Games, with the adrenaline infusing Motorball acting as "the game". The action scenes are thrilling, at times violent but as explained earlier, never over indulges. And when such scenes are short, I found myself wanting for more, hence repeat viewing ensues.
The film ends with somewhat of a cliffhanger, with fanboys like me hoping against pessimistic box office forecast that this movie will make enough money to warrant 2 more sequels to complete the overarching story of one of the most interesting female characters in one of the most visually arresting, imaginative and energetic science fiction movies of all time.
Go watch Alita: Battle Angel. Highly recommended.
Based on the manga by Kishiro, the creative combo of Rodriguez and Cameron have created a world so technically stunning and cinematically immersive that it stirred and delighted my soul during the whole movie.
At its heart, Alita is a tantalizing adventure about teenage self discovery and self fulfillment, although disguised by the plot which stated the protagonist as a 300 year-old alien berserker. The story combines science fiction with martial arts in a dystopian future. The fight scenes are as well choreographed as say The Matrix but avoid over indulging in extended and repetitive fight sequences. There's a lot of exposition fitted into a 2-hour movie, hence some scenes seemed to be truncated in order for the story to advance accordingly.
That said, the plot has familiar elements made new but in more interesting ways. Elements of a world constantly being monitored borrow heavily from The Hunger Games, with the adrenaline infusing Motorball acting as "the game". The action scenes are thrilling, at times violent but as explained earlier, never over indulges. And when such scenes are short, I found myself wanting for more, hence repeat viewing ensues.
The film ends with somewhat of a cliffhanger, with fanboys like me hoping against pessimistic box office forecast that this movie will make enough money to warrant 2 more sequels to complete the overarching story of one of the most interesting female characters in one of the most visually arresting, imaginative and energetic science fiction movies of all time.
Go watch Alita: Battle Angel. Highly recommended.
I'm a 47 year old man who went to film school. I loved this movie. There's no point in trying to dissect what Alita: Battle Angel got right or wrong in terms of script or pacing or character development or whatever else film snobs like to blather on about. This is just a fun, action-packed first installment of what I hope will at least be a trilogy, if not more. And they couldn't have cast Alita more perfectly, even if her on-screen form is completely digital. Great movie. Tons of fun. Don't overthink it.
How Rosa Salazar Brought 'Alita: Battle Angel' to Life
How Rosa Salazar Brought 'Alita: Battle Angel' to Life
Alita: Battle Angel star Rosa Salazar and the creative minds at Weta Digital reveal how they brought the cybernetic character to the big screen.
Did you know
- TriviaThis marks the first professional collaboration between James Cameron and Robert Rodriguez. Due to his prior commitments to direct the four sequels to Avatar (2009), Cameron could only serve as the producer and co-screenwriter on this film, with Rodriguez taking the directorial duties. In an interview with Empire magazine on December 8, 2017, Rodriguez said of the collaboration with Cameron, "This just doesn't happen. Guys like Quentin Tarantino and Jim only write scripts for themselves to direct. When Avatar becomes the biggest movie of all time, he told me that he's going to spend the rest of his career making Avatars, so I said, 'What happens to Battle Angel then?', because as a fan I was just interested! And he said, 'I don't think I'll ever get to do that. Hey, if you can figure out the script, you can shoot it!' So I took it home, spent all summer working on it, cut it down to 130, 125 pages, without cutting anything that he missed. It was a great gift. We had a blast; anytime I had a question I could just call him or email him and he would send back these hugely detailed answers that were so helpful. He just loves being the producer that he always wants. The guy's just so freakin' smart. Getting to learn from someone like that was the greatest internship ever."
- GoofsJust before the motorball tryout, Alita fails to recognize the Hunter-Warriors on the phony practice team despite meeting and fighting them during the bar scene. Only a couple of them were Hunter-warriors. The rest were bounties. They also weren't a phony practice team. They were low-level players in a qualifying match for the championship, that group specifically hired by Vector to kill Alita. Not to mention, Alita may have recognized them. But there's no reason she'd assume they were there to kill her.
- Crazy creditsThe 20th Century Fox logo briefly changes to Iron City style, reading "26th Century".
- ConnectionsFeatured in Dua Lipa: Swan Song (2019)
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Battle Angel: La última guerrera
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $170,000,000 (estimated)
- Gross US & Canada
- $85,838,210
- Opening weekend US & Canada
- $28,525,613
- Feb 17, 2019
- Gross worldwide
- $404,980,543
- Runtime2 hours 2 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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