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7.9/10
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Mini-series about the the public and private lives of the later years of Queen Elizabeth I.Mini-series about the the public and private lives of the later years of Queen Elizabeth I.Mini-series about the the public and private lives of the later years of Queen Elizabeth I.
- Won 9 Primetime Emmys
- 27 wins & 28 nominations total
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Did you know
- TriviaOn his experience filming the series, Eddie Redmayne had this story to tell: "The director, Tom Hooper said "One last thing: Eddie, have you ever been on a horse?" I said "Yes". Cut to Lithuania, two weeks later, a huge Elizabethan street, Helen Mirren and Jeremy Irons are standing at this balcony, and there's Tom, cameras, rain machines, fifty Lithuanian extras, spurs attached to my feet, and I'm thinking, "At what point do I tell them that I have never, ever ridden a horse?" It was then that I realized a big part of the cliché of actors lying in auditions is that you should probably try to do the thing you said you can do before filming starts. Anyway, I nearly killed people as the horse galloped off at a hundred miles an hour after I gave it the slightest nudge. Tom came out with his megaphone and shouted, "You're a fucking liar, Redmayne!"
- GoofsElizabeth uses a fork when having dinner with Leicester before the battle against Spain but the fork was not introduced to England until the early 17th century when James I was on the throne.
- Quotes
Queen Elizabeth I: What in God's name do we have in common with the Dutch?
Robert Dudley, Earl of Leicester: Our religion, ma'am!
Queen Elizabeth I: The Dutch have no religion, they have cheese.
- Alternate versionsWhen the series was repeated on British TV in 2006, the footage of the Babington plotters being tortured was cut, and the execution of Queen Mary was cut so that she was beheaded with one stroke, although the scene of Leicester telling Elizabeth that it had taken two strokes was left in.
- ConnectionsFeatured in The 58th Annual Primetime Emmy Awards (2006)
Featured review
Though many a fine actress has essayed the role of Elizabeth I and done so quite successfully, each finding her own vision of the most important queen that ever lived and translating that to film (Cate Blanchette, Bette Davis, Judi Dench, and Glenda Jackson to name but a few), it should come as no surprise that the enormously gifted actress Helen Mirren could show us yet another aspect of Elizabeth.
This Elizabeth is set in her middle fifties, a woman still able to maintain her reputation as the Virgin Queen while settling into various assignations. Here Elizabeth is in love with Robert Devereux, Earl of Essex (Hugh Dancy) while being prepped for a 'proper union' with France's royalty in the form of the Duke of Anjou (Jérémie Covillault). But her 'love life' is only a small yet refreshingly nuanced portion of the long story. Mirren is fortunate to be supported by such fine actors as Jeremy Irons, Patrick Malahide, Toby Jones, Barbara Flynn, Ian McDiarmid, Simon Woods, Diana Kent, and Toby Salaman among the many standout characters.
The visual aspects of the production are some of the more luxurious ever placed on celluloid, with attention to detail in costuming (Mike O'Neill) and sets (Galius Klicius and Leon McCarthy) that are stunning to see. The fine musical score is by Robert Lane and incorporates period music with works written for the piece that stand solidly as classical music compositions. Cinematographers Dmitrij Gribanov and Larry Smith find the right balance between court grandeur and boudoir intimacy. And of course kudos to Director Tom Hooper and writer Nigel Williams! But standing above them all is the brilliance of Helen Mirren's involvement as Elizabeth. She provides us with even more information about the enigmatic queen, allowing us to see both the lusty woman and the brilliant monarch simultaneously. The film is a joy! Highly Recommended.
This Elizabeth is set in her middle fifties, a woman still able to maintain her reputation as the Virgin Queen while settling into various assignations. Here Elizabeth is in love with Robert Devereux, Earl of Essex (Hugh Dancy) while being prepped for a 'proper union' with France's royalty in the form of the Duke of Anjou (Jérémie Covillault). But her 'love life' is only a small yet refreshingly nuanced portion of the long story. Mirren is fortunate to be supported by such fine actors as Jeremy Irons, Patrick Malahide, Toby Jones, Barbara Flynn, Ian McDiarmid, Simon Woods, Diana Kent, and Toby Salaman among the many standout characters.
The visual aspects of the production are some of the more luxurious ever placed on celluloid, with attention to detail in costuming (Mike O'Neill) and sets (Galius Klicius and Leon McCarthy) that are stunning to see. The fine musical score is by Robert Lane and incorporates period music with works written for the piece that stand solidly as classical music compositions. Cinematographers Dmitrij Gribanov and Larry Smith find the right balance between court grandeur and boudoir intimacy. And of course kudos to Director Tom Hooper and writer Nigel Williams! But standing above them all is the brilliance of Helen Mirren's involvement as Elizabeth. She provides us with even more information about the enigmatic queen, allowing us to see both the lusty woman and the brilliant monarch simultaneously. The film is a joy! Highly Recommended.
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