Dark Tales of Japan

If you're tired of little girls with long dark hair, this is something quite different for horror fans and Japanese horror fans. Though most look to be shot of video, which I know some people find off putting, the acting and production values and the FX, both make-up are well done. More creative than the American Masters of Horror series,though these are shorter some being under 20 minutes long and it's easier to support that shorter running time. Though there are funny moments in them they never go totally into a comedy pay off. This is really diverting stuff, imaginative, check it out.

Giant heads, curses, evil blonds, elevators, spider people, a wide range of locations and types of stories. Music from The Amityville Horror shows up in one episode, rather strangely actually. No nudity but there is gore in decent amounts.

Dark Tales of Japan is a collection of made-for-TV J-Horror stories, shot by popular Japanese directors. The result is a Twilight Zone style anthology that aims to please those who can't get enough of Japanese ghost films, but unfortunately it fails due to rather cheap production values, poor effects and a lack of genuine scares.

In 'Would You Like To Hear A Scary Tale?' (directed by Yoshihiro Nakamura), which acts as a 'wraparound' story for the whole anthology, a creepy old lady boards a late-night bus and proceeds to tell a scary story to the driver (despite his not being too keen on hearing one). She's obviously a ghost, but isn't the slightest bit frightening.

The Spiderwoman (also by Nakamura), follows a couple of magazine reporters who are writing an article on a mysterious monster that has been repeatedly sighted in the town of Ibaraki. The intrepid investigators track down the creature... and soon wish that they hadn't! A couple of creepy moments and some rather fun dodgy CGI make this tale just about watchable.

Next up is 'Crevices' (directed by Norio 'Ring 0' Tsuruta), in which a young man finds out exactly why a missing friend has plastered his apartment with red tape: it's to keep out the creatures that lurk in the crevices! Lots of creepy atmosphere make this the best of the bunch.

The Sacrifice (directed by Koji Shiraishi) is the title of the third story, and although lacking in scares, it is made watchable by the presence of the gorgeous Yû Yamada who stars as a young woman cursed by a creepy workmate, but who is ultimately saved by her mother (who sacrifices herself to a giant disembodied head with strange eyes!).

Blonde Kwaidan, the low point of the whole film (despite being directed by perhaps the most well known of those involved—Takashi 'The Grudge' Shimizu), is a (mercifully) short story which features a Japanese businessman in Hollywood, who comes face-to-face with a blonde ghost. Yawn!

Before the film is rounded off with another 'scary' story from the ghostly bus-lady seen at the beginning of the film, Masayuki Ochiai (director of the upcoming Shutter remake) delivers the fairly enjoyable Presentiment, in which a trio of ghosts scare the hell out of a poor man trapped in a lift.

I'm currently on a roll with Japanese horror anthologies, this being the third one after Ura Horror and Tales of the Unusual in the last two days. I thought this one was pretty fun overall. I'll try to break it down segment by segment.

"Spiderwoman" - dir. Yoshihiro Nakamura The first segment is a cheesy, but rather entertaining chase for a mysterious spiderwoman who only appears in her true form during the night. Not quite scary or surprising, but it's good enough for a start.

"Crevices" - dir. Norio Tsuruta This one was about 5-10 minutes long and I wished it was actually longer. It's similar to Dark Water, but hasn't got enough time to flesh out its main idea. Still, it's a good one, creepy the whole time.

"Sacrifice" - dir. Koji Shiraishi Ah yes, my favorite J-horror director of the moment. His segment is possibly the best one here (bias or no bias), as it inserts some pretty horrific imagery into a plot that revolves around curses and mysterious illnesses, with a duration just long enough to wrap it up effectively.

"Blonde Kaidan" - dir. Takashi Shimizu This one is short like Crevices, but weaker. It's yet another standard ghost story from a director who often tries to replicate his success with Ju-on, with predictably duller results. It's not too terrible given that it's mercifully short, but it's definitely unexceptional.

"Presentiment" - dir. Masayuki Ochiai The last story is a fun one, it follows Teruyuki Kagawa (in a very solid performance) as a nervous businessman stuck in an elevator with 3 mysterious persons. I don't want to spoil it, but it's a worthwhile closer to an entertaining anthology.

So yes, in conclusion, I have to say I rather liked this film; it's definitely not high art, but it's a nice choice if you're looking for horror that doesn't always take itself seriously.

REVIEW: DARK TALES FROM JAPAN

Apparently this anthology of horror tales from Japan was "Made for TV"....and it shows. All five main stories (interspersed by a sixth story taking place on a late-night bus) could easily be called "Twilight Zone-esquire" and like that famous TV show, some stories hold up better than others.

"Spiderwoman" (KUMO-ONNA), directed by the writer of "Dark Water" centers on a tabloid reporter who is selling a lot of magazines by reporting on numerous, unconfirmed reports of a lady who is half-spider, who has been terrorizing suburban roads at night. It's pure cheese, and not particularly well-done, but it gets better as it goes along. ** 1/2.

"Crevices" (SUKIMA), by the director of "Ring 0" is much better. After a tenant disappears, the landlord calls the man's friend over to investigate. They find every nook and cranny of the apartment sealed up, along with a video camera of the tenant's final days....Short and to the point. *** 1/2

"Sacrifice" (ONAMAKUBI) is the most developed story of the five. A woman is being stalked by her co-worker, who's obsessed with black magic. At the same time, her mother falls ill...and memories of a giant disembodied head (!) from her childhood plague her memories. Not bad. ***

"Blonde Kaidan" (KINPATSU KAIDAN) is an embarrassment. By the same director as the Ju-on and Grudge films, it's about a Japanese guy visiting Hollywood. Pointless and pathetic. *

"Premonition" (YOKAN) is the only story that could rightfully be called a good movie. Well-done on all levels, it's a macabre story about a dishonest businessman who meets three unusual souls when he is trapped in an elevator. Good from start to finish. **** out of *****.

All in all, there's better Japanese horror out there, but this one is okay as a time-killer.

According to my DVD, there are supposed to be framing segments with this, but I could never access them. As such, we have five separate stories. "The Spiderwoman" was my favorite, with some scary visuals and a fun story about the myth of the Spiderwoman. Not heavy on real spiders, which is a plus for an arachnophobe like me! "Crevices" could have worked as a longer film, and "The Sacrifice" was interesting but nothing special. "Blonde Kwaidan" was just silly and seemed to be missing a large portion of plot. I also found myself enjoying "Presentment," which concerned a rather unusual tour package.

"Dark Tales of Japan" is overall a decent intro to J-horror, but nothing to write home about.