...42ND STREET and Busby Berkeley, the Goldwyn Girls, and any other backstage musical on film that you can think of can be found in LA REVUE. What makes it so intriguing is that this is a SILENT musical. That may sound like an oxymoron but it really isn't. The lavish stagings and the incredible variety of costumes not to mention the performances of Josephine Baker, Stanislawa Welska, Lila Nikolska, and others were meant to be seen as well as heard.
This being a silent film, it's been provided with musical accompaniment, a brand new score by Taranta-Babu. Unfortunately I found the jazz style used too modern in tone which does not reflect the period and as a result I felt it detracted from the film as a whole but not enough to put me off and the quieter parts were quite effective. The plot is your typical small time girl makes good although here they literally incorporate the story of CINDERELLA as the heroine gets her big break by winning "the smallest foot in France" contest which involves trying on a slipper. Helene Hallier is engaging as the chorus girl but the male lead Andre Luguel is stiff and colorless with too much makeup although to be fair that was typical of that type of part during this period.
As the title promises though LA REVUE DES REVUES is all about the stagings of which there are over a dozen. Scenes from the Moulin Rouge, the Palais and the Folies Bergere are captured on film for posterity reflecting the Art Deco style and the bizarre tastes of 1927 Paris (see The Orgies and The Golfer numbers). According to the liner notes it took 10 years and over 7 different prints to come up with this version which is tinted and features the Pathe' hand stencilled color process although a lot of it looks as if it were computer colored. As a historical document it's priceless (seeing rows of full figured showgirls going through their paces instead of today's stick figures would make Kate Winslet proud) but as entertainment it won't be everyone's cup of tea.
The love story is routine and parts of the film are badly paced but when the curtain goes up just sit back and enjoy the show. A must for fans of early musicals, silent films, and 1920s Paris but be warned. Although prominently displayed on the cover (in a costume she doesn't wear) Josephine Baker appears in only 2 numbers with a screen time of less than 7 minutes in an overall running time of 103 so don't buy it just for her...For more reviews visit The Capsule Critic.