User reviews

I rented this on DVD and I kind of feel bad since Dawson and Lugacy are so earnest about it in the DVD comments. It's not a bad movie exactly, but it's one of those films that desperately wants to be a deep comment on human nature while not realizing that its story is practically a genre. Plus, it is a little simplistic about the issue in a lot of ways, and the characters' behavior often strains belief. I'd say its a film that you would get something out of if you don't have a lot of film/TV/literature/life behind you (to be honest, I've seen almost exactly the same story in horror comics even). Otherwise, its point has been made before and more artfully. And that gets to the big problem, which is that it really doesn't have much of cinematic interest to it besides the point. It ends up being a fairly bland movie overall that invests everything in the idea that the basic story will be shocking and compelling, and it doesn't really pay off.

The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning - one at the end. Together these events make up maybe 5% of the total movie time. Everything (and I mean _everything_) in between is basically the director's desperate effort to fill in the minutes. I like disturbing movies, I like dark movies and I don't get troubled by gritty scenes - but if you expect me to sit through 60 minutes of hazy/dark (literally) scenes with NO storyline you have another thing coming. Rosario Dawson, one of my favorite actresses is completely wasted here. And no, she doesn't get naked, not even in the NC-17 version, which I saw.

If you have a couple of hours to throw away and want to watch "Descent", take a nap instead - you'll probably have more interesting dreams.

Descent is an odd little movie.not too much happens for most of it's running time.in fact,until you get to the last 20 minutes or so,the rest of the movie has no context.people just do things for no discernible reason.plus,all the character are wretches,so that also makes it harder to have much interest.it basically felt like i had walked in during the middle of a movie,with no idea what had transpired before.it is a very slow movie,and it is disturbing at times,but if you can get through it,it sort of makes sense in the end.if you're not the patient sort,then you should skip this movie.otherwise,i'd say give it a shot.i thought it was worth it in the end.for me,Descent is a 6/10

I found this movie to be a slow burner in some ways - and not the good way either. It was so slow i had to fast forward to speed it up! As far as genre goes it had nothing of anything really. Suspense? Bore Thriller? Bore Drama? Bore. I found myself fast forwarding long minutes of dark clubs scenes with the usual crappy music playing and stoned out junkies drinking and soft porn dancing. The dialogue was terrible written by novice writers, that was clear and never once did i feel engaged as a viewer. And again, the music was such downer, just a turn off. Dawson is a beautiful woman with great acting chops, but there was no way she could save this mess. Is it normal for a rape/revenge movie to put you to sleep? I'll give it a 3 just for RD and that's it i can't think of anything else this movie had that would give the paying viewer any excitement at all. Bought this movie at a $2 bargin bin - i got ripped.

It's excruciating experience to see "Descent" in one single watch. It shows how much humanity we sacrificed for the sake of vengeance. Just like a great companion "Hard Candy", this movie can easily teared down your emotion and left it as open-wounded.

Rosario Dawson is Maya, a shy college student who, just like any hopeful young girls, wishes to meet a perfect man. At the party, she met Jared (Chad Faust), a passionate young man. He quickly makes a move to Maya. With all beautiful words and gestures he used, Maya finally let her guard down and completely trust that, this is the man whom she can spend a life with.

Then, horror happened. Maya was brutally raped by Jared. Her ideal world seemed to crumble right in front of her face. Maya delved into the darkness as she spends her life in her own silent world. She works in a clothing shop where she just ignores everybody else. Spending time in dance club where drugs, boozes and stranger intimacy are her new friends.

Months later, the story comes to last act when Maya and Jared meet again in the classroom. As insured, she has a plan. And it's a plan that Jared couldn't possibly think of. Strangely, he plays along with it. What we have here in the last 20 minutes is the most disturbing, depraved, twisted act that anybody couldn't possibly imagine.

One can think of how cheerfulness to see our heroic trio in "Death Proof" got their revenge. The result is comedic-like, ultra-surreal ending that sure to satisfy by fans of exploitation films. "Descent" ignores the whole concept of exploitation thing and stick it firmly to the ground with its truthfulness. It's an act of vengeance in its purest form. And it goes on and on and on and nobody seemed to be happy about it.

First time director, Talia Lugacy did an admirable job to explore this twisted world. One might think that she's overdone with Maya's downfall by putting excessive madness into the protagonist that almost overkill it. But with this powerful opening and ending, It's obvious that she has a rightfulness to tell this story straight.

One can also admire the lead (and first time producer), Rosario Dawson, to put herself into an interesting career path. It's the role that any praises for her acting overshadowed by its controversial. But it's also a role that will re-define her body of work and create a significant part in her life. As she feels that she's capable to do everything from now on.

In the final moment where the film just simply captures at Maya's face, it's effective. As they're both haunting and yet, strangely beautiful. There's not a single moment to show our protagonist satisfied in what she did, even she just thought so. It shows how much we wrong thought about "Revenge is a dish best served cold". Because it's ain't.

From word go the movies frustrating attempt at enigma drove me to almost turn it off. It was somewhat curious to begin with but with its depth constantly shaded until the explosive last moments it wasn't something to be watched with others. Although the character performances were intriguing i thought they were restricted somewhat and should have been a little more in your face. Don't get me wrong, i love plot hooks but this one had just a little too many and lacked a lot of explanation. Its one of those movies you want to see the end of, but you want it sooner rather than later. Powerful ending, I wouldn't recommend this film though IF you still insist on watching it then do watch it through till the end. Just Don't watch it with dad :)

This is not the british horror movie that also goes by the name/title Descent! It also is anything but decent - in more ways than one. And it is a movie that will not be for the faint hearted or easily offended. The beginning alone might be too much for you - and it is a theme I personally do not like see explored - even in a fictional way. Although clearly this is a message and unfortunately still a truth that exists in the world, whether we like to admit it or not.

And it also ends in a place that will be hard to stomach. But as others have stated - and whether they liked the movie or its theme and more importantly its execution (no pun intended) and the morality of it in the end: there is a lot of running time that unfortunately is not doing much. And I don't mean it literally (although that is also true), but in the sense that it seems stuck. And while that is something that could work for the theme, it does not work with the tone of the movie that is all over the place.

I really like Rosario Dawson and I think no one will dismiss her as artist and an actress - but even she can't save the movie. Good intentions (if you want to call them that) be damned - it just doesn't work ... other than for the shock factor - which to be fair is one of the main goals. In that it does succeed ... but that is only a small part of it all. And could have been told in a short movie - in a way better fashion. Because there is not enough to maintain a stable pace and have this be feature length movie.

Let's hope this review will stay - the orignal one I did somehow got deleted - I am guessing by accident. Anyhow, I understand if you feel differently - you may be more leniant in respect to what I would call a movie filled with flaws and just be intrigued by the (social) message the movie tries to deliver ... as much as it did surely shock people who watched it, it did not achieve changing the root problem it adresses ... unfortunately.

For once, I finally get to see a movie that portrays the reality of the aftermath of rape. This film digs deep into the psyche of what it can feel like after being violated and humiliated by another human being. Everyone talks about the ending but the true horror of the film is the very long middle segments that explores Dawson's character true descent into depression and darkness. She just doesn't "move on". She goes from living a normal college life to exploring the dark side of pain and trauma by failing out of school, drugs, alcohol and finally revenge. This is not a pure revenge story. It's more about the thin line between being prey or being the predator. At the end of the film , Rosario's character still feels empty, she still has a void. She crosses the line to become the predator but found out that it's extremely easy to become a predator. The difficult part of life is healing. With that said, the revenge is pretty sweet. I did not see that coming at all and honestly enjoyed it from the viewers perspective but not from the perspective of reality. Excellent film.

My wife and I couldn't appreciate this film, evidently. We're fans of Rosario Dawson. The editing seemed disjointed, almost as though each small scene were meant to be independent.

"Descent." Yeah. Boy... I haven't seen anything this powerful and scintillating since Bruno Dumont's, "Twentynine Palms" (2003). (By the way this film is not to be confused with another fairly recent pic about the topic of "female empowerment," "THE Descent" (2005), directed by our Splat Pack friend, Neil Marshall, who also happens to be a major talent his own right.) But getting back to this "Descent," the NC-17 rated (uh-oh) effort on which the lovely Ms. Dawson takes a producer's credit (congratulations) and directed by Talia Lugacy (strong chance that's not a real name), as good as it is (in moments), it will not be appreciated by most lay people out there because the script is pretty flawed. As a producer, you really have to tighten up that script. Of course, in the premise alone, you have the promise of rising conflict, but there still lies the task therein of accomplishing rising conflict.

At times, this thing plays like an interesting piece of experimental theater and, well, I guess I'll let the others who've already commented here speak to the boringness of it, namely that which occurs in the second act -but find me a second act that isn't boring? There's also this Catch 22 that goes along with these quasi-independent films like "Descent" in which Rosario happens to be attaching herself to and leveraging her "fame-identity" to get a script into production that would, under usual circumstances, not get made at all while at the same time she is basically a miscast in the film's leading role. Rosario Dawson is gorgeous and, apparently, you can shoot this girl from just about any angle all day long, but, oh, wow-wee, how fast the time just slips away: Rosy ain't no undergraduate no more. That's part of the confusion about the screenplay: "Is she a graduate student? A TA? No, graduate students don't really have these type of qualms with football players, do they?" Again, if you are Rosario Dawson, Executive Producer, that's the one of many, many aspects to the professional film process you'll have to think about as you embark on this wonderful new role in your film career. And if you don't have the answer to why you're movie isn't convincing, let me tell you: there is a boatload and a bevy of vivacious, well-qualified, undergraduate aged talents, pining to get involved in the business, who might have nailed that lead character down, all the while, looking just as darn good as you know who; but unfortunately without Ms. Dawson -no Honey, NO money. I have to say, the camera department did an outstanding job, however, because this film is really well shot (i.e. lit) in all its dreary/dreamy darkness. The nightclub scenes look wonderful; one can tell all those music videos are starting to pay off and the play with time... The shooting/framing is all quite excellent which makes the picture a rewarding watch.

"Descent" is good not great. However, I have a feeling, thanks to NetFlix, this movie will find a life of its own. I hope this group continues making films. If you're into experimental American film-making, cinematographic imagery of implausibly well formed college studs (or male model drop-outs) in their early twenties, or if you're an undergraduate, just plain angry at the hormonally aggressive young men that comprise less than half of your American university, "Rosario Dawson's Descent" might be your flavor of RockaRoll.

Love Rosario Dawson, think she's one of the finest actresses of the modern era.

Descent seems to be more about self-empowerment than anything else. It's the consistent undertone in everything in the film. The dialog is flat, the characters seemingly intentionally bland and one sided. The only consistency is the representation of self-empowerment in the characters and Rosario's journey from self empowerment to loss of empowerment and back again.

Pitching this as a rape classic isn't appropriate, and that's probably why so many people don't enjoy the film. The standard 'rape' audience wouldn't particularly like this film, and maybe that's the point? The film asks more questions than it answers, and it does confront it's target audience, whether they like it or not. There's a compelling relationship between the characters and the target audience and while the film doesn't slap the audience across the face with self-righteous audacity it does engage the viewer for what may or may not be, all the wrong reasons.

Descent is a good film which IMHO is severely under-rated.