A retired military investigator works with a police detective to uncover the truth behind his son's disappearance following his return from a tour of duty in Iraq.A retired military investigator works with a police detective to uncover the truth behind his son's disappearance following his return from a tour of duty in Iraq.A retired military investigator works with a police detective to uncover the truth behind his son's disappearance following his return from a tour of duty in Iraq.
- Nominated for 1 Oscar
- 3 wins & 21 nominations total
Roman Arabia
- Private Robert Ortiez
- (as Victor Wolf)
Greg Serano
- Detective Manny Nunez
- (as Greg Serrano)
Storyline
Did you know
- TriviaThis film was originally a potential starring vehicle for Clint Eastwood, who directed Paul Haggis' screenplay for Million Dollar Baby (2004). Eastwood turned it down, despite liking the script very much, and recommended his friend Tommy Lee Jones for the role of Hank Deerfield.
- GoofsThe opening subtitle says that the Deerfields live in "Munro, Tennessee", but the address on the side of Hank's truck says "Munroe, Tennessee".
- Quotes
Chief Buchwald: But didn't you just say that you would do whatever you were told?
Det. Emily Sanders: Yeah, I sometimes exaggerate for effect.
- SoundtracksShu44le
Written by Robin Davey and Jesse Davey
Performed by The Davey Brothers
Courtesy of The Davey Brothers
Featured review
I just saw this film and consider it to be one of the best anti-war films I've seen in quite a long time. And that makes me wonder at what the various critics are thinking. Roger Ebert gets it right, but some film critics are far too dismissive of a very serious, important film. James Berardinelli, in particular, seems curiously _angry_ that this film depicts the moral degradation of war in a frank and honest fashion.
Berardinelli is basically wrong in every single thing he says about the film. Since this film is not a "politcal message" film, it has no requirement to "show both sides equally". It is a story about a group of soldiers basically driven beyond the area of traditionally human behavior. Berardinelli thinks that it's "obvious" that war changes the way people feel about their country.
I sense a person utterly detached from history when I read that. A recent study concluded that the English were, as a group, fairly happy during WWII, even when their nation was under attack. Why was that? Because they believed in what they were doing. The notion that war _necessarily_ results in moral breakdown is, while hardly novel, also not true. That is part of what is important about "Elah". Jones' character is a veteran of the Vietnam war, and is hardly a delicate flower when it comes to the matters of war and its effect on the psyche. And yet even he is floored at what the Iraq war has done to the soldiers.
It is easy for a film critic to simply reject what is essentially reporting on the state of the military today. That Berardinelli does so with such vitriol makes me guess that he is injecting his own bias into the review.
Berardinelli is basically wrong in every single thing he says about the film. Since this film is not a "politcal message" film, it has no requirement to "show both sides equally". It is a story about a group of soldiers basically driven beyond the area of traditionally human behavior. Berardinelli thinks that it's "obvious" that war changes the way people feel about their country.
I sense a person utterly detached from history when I read that. A recent study concluded that the English were, as a group, fairly happy during WWII, even when their nation was under attack. Why was that? Because they believed in what they were doing. The notion that war _necessarily_ results in moral breakdown is, while hardly novel, also not true. That is part of what is important about "Elah". Jones' character is a veteran of the Vietnam war, and is hardly a delicate flower when it comes to the matters of war and its effect on the psyche. And yet even he is floored at what the Iraq war has done to the soldiers.
It is easy for a film critic to simply reject what is essentially reporting on the state of the military today. That Berardinelli does so with such vitriol makes me guess that he is injecting his own bias into the review.
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Death and Dishonor
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $22,000,000 (estimated)
- Gross US & Canada
- $6,777,741
- Opening weekend US & Canada
- $133,557
- Sep 16, 2007
- Gross worldwide
- $29,541,790
- Runtime2 hours 1 minute
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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