An examination of the heavy metal music subculture that tries to explain why, despite the longevity and popularity of the genre, fans are marginalized and ridiculed for their passion.An examination of the heavy metal music subculture that tries to explain why, despite the longevity and popularity of the genre, fans are marginalized and ridiculed for their passion.An examination of the heavy metal music subculture that tries to explain why, despite the longevity and popularity of the genre, fans are marginalized and ridiculed for their passion.
- Awards
- 1 win & 1 nomination
- Self
- (as Denis 'Piggy' D'Amour)
- Self
- (as Bob Ezrin)
- Self
- (as George 'Corpsegrinder' Fisher)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIn one of the film's oft repeated moments, Dunn attempts to interview Mayhem's Necrobutcher at a festival, who clearly appears aggravated at the suggestion that black metal is not as popular as it once was. In 2015, Dunn would interview Necrobutcher again for his Metal Evolution series' "Extreme Metal" episode about the same subject, with a considerably more laid-back Necrobutcher admitting that Dunn's point about black metal being "fractured" to a more melodic and a rawer contingent is a valid one.
- GoofsDunn also mentions the "Filthy 15", a list of artists with lyrics considered obscene in one of a number of ways. Sam mentions that, of the 15, 8 are metal bands- he has miscounted. Upon reviewing the list, Danish black metal band Mercyful Fate make the list but bump the count to 9 bands. They are also not highlighted like the other metal bands sharing spots on the list.
- Quotes
Sam Dunn: Ever since I was 12 years old I had to defend my love for heavy metal against those who say it's a less valid form of music. My answer now is that you either feel it or you don't. If metal doesn't give that overwhelming surge of power that make the hair stand up at the back of your neck, you might never get it, and you know what? That's okay, because judging by the 40,000 metalheads around me we're doing just fine without you.
- ConnectionsFeatures Heavy Metal Parking Lot (1986)
- SoundtracksThe Number of the Beast
Written by Steve Harris (as Stephen Harris)
Performed by Iron Maiden
Licensed courtesy of EMI Records
I saw this movie at an outdoor summer screening in a local park, and it was brilliant to hear the sounds of the metal we know and love pounding out through the park on a Sunday night.
The film was a considered, thoughtful journey through some of the questions that plague the minds of those who aren't part of the metal community. Such as what the fans are like, how they get into metal, why they stay with metal and rarely stray from the various genres that it has. Others include sexuality, girls in metal, and so on.
Each aspect of the documentary was soundly explored, rationally argued, and balanced. For instance, on the one hand you get the perspective of groupies, and then of groupies from bands. You get differing opinions.
In fact, the documentary is a boon for both the metal community and the non-metal community alike. On the one hand, the mettles can revel in the exploration of their community and genres; on the other, the wider community can gain some real insight into the workings of the community.
I must admit that some of the humour that our (predominantly metal) audience felt at the posturing of the Norwegian Black Metal scene, and other parts, the rest of the audience didn't necessarily get. The humour is often something which you must be part of the community to understand, which is why it all appears so serious to the rest of society: they don't get the humour.
All in all, a well-wrought, skillfully crafted, and well argued documentary. Of course there were subgenres and things missing, but you get that with all docos - there just isn't the time to do it. Given the limitations, Metal: a headbanger's journey, makes the most of it and does it well.
Highly recommended viewing.
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Details
Box office
- Budget
- $1,300,000 (estimated)
- Gross worldwide
- $5,095
- Runtime1 hour 36 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1