Forgiving Dr. Mengele

The first half of this documentary is very strange, mostly focusing on Eva's life flashing back and forth with scenes of Auschwitz, like a demented version of Kubrick's famous 2001 switcheroo. Although we do feel sympathetic for Eva by the 20 minute mark, having learned about her troubled adulthood in a world where the Holocaust was silently passed over, the directing is almost too kitschy and weird to be a Holocaust documentary. It was not pleasant viewing.

The film picks up around the 25 minute mark when Eva's quest to raise awareness of the Holocaust takes an unexpected turn. She does not only want guilt and shame, she wants the Germans to know her forgiveness. We hear some fascinating debates, but only for a few minutes. Perhaps the directors didn't want to bore us with real conflict and debate.

Midway through, and again all too briefly, we get to see a real treat: a one-room Holocaust "museum" built not with government dollars and NGO support, but by and for a single woman who wanted people in her small town to know her story. With this you start to understand the real meaning and importance of Holocaust education for ordinary people. But this segment ends abruptly.

Then, two unrelated segments. First, Eva's own capacity to listen and forgive is given a test when she meets with Palestinians. Here, she does not come off as very compassionate at all. This was hard to watch, and again, not pleasant.

Finally, inexplicably, Eva's museum is burned down in an act of arson. This is also dealt with all too briefly. We don't see the museum being rebuilt or a new plan being drawn up -- but a new museum does appear for a split-second shot.

All in all, an uneven and unsatisfying film, that introduces us to an independent thinker, but doesn't seem to take her very seriously.

It is never explained why Eva wears blue every day.

Eva becomes a personal hero. What could have been another grotesque documentary about the horrific offenses of the Holocaust, becomes a graceful and incredibly smart analysis of humanity. Eva, this tiny 60 year old lady, with her head hanging off one shoulder, comes out and says she forgives the Nazis, and Dr. Mengele.

Big deal, right? It becomes quite a big deal. Other holocaust survivors, other Mengele twin victims come out to publicly criticize Eva. The body of the film investigates forgiveness- whether Eva genuinely forgave Dr. Mengele or not (I don't think it would be humanly possible to do when he was responsible for killing her entire family) doesn't matter as much as what it means to everyone else. The word forgive comes with this acidic and powerful bang, it opened the flood gates of criticism from the Jewish community.

"We are not Gods, we can not forgive." "To forgive would be to betray our parents." "It is not my place to forgive."

I had never heard of anyone using these excuses before, much less believing them. I realized that forgiveness is emphasized in the New Testament and in my upbringing. Perhaps in the Jewish community it means something different, perhaps they don't see it as a virtue at all . . . and that seems totally bizarre to me.

Please do not assume that I mean to say Catholics and Christians are more virtuous people- they may speak from the moral foundation I know, but they are by NO MEANS, more virtuous people.

This tiny, Polish woman, then, builds a museum in the Midwest where she raised her family, travels the world faced with opposition from the Jewish community and survivors- the only identity she can claim to be her own; without a family, without her home country- and she fights.

I don't see her forgiveness as being weak- quite the contrary, she just wanted to relieve its hold from her soul, she wanted the suffering to be over, so she let it go.

In Response to the above Poster, I don't want people to be misinformed that Jewish people do not emphasize Forgiveness. One of the MOST important "holidays" on the Jewish Calendar is Yom Kippur- literally meaning The Day of Forgiveness. This is when the Jewish people fast until sundown- and ask anyone they may feel they need to ask forgiveness from- for forgiveness. One can call people from the past they feel they were mean to, or ask a current friend/ or even someone considered to be one's "enemy" for total forgiveness. It is an extremely important day- very spiritual- and some consider it to be the most important day in the calendar. So, with this in mind, remember that all humans have the capacity to forgive, no matter the religion. It is not only the New Testament that says to forgive- but the world that seeks for us to discover the humanity within others. The Holocaust was a dark time. I know many people are tired of literally seeing "corpses." But, we can't forget the past. And for some, it is their only link to their own humanity- knowing that in a time passed they were once innocent as we deal with children in this documentary. There was indeed a time, when they were truly "alive," instead of feeling like the living dead. I hope you enjoy the documentary. It is a great journey into this atrocious event in history.

Forgiving Dr. Mengele is a fascinating. I learned a lot from this movie looking at the historical side of things. The film provides a rare first hand account of the experiments of Mengele. This is a very unique kind of Holocaust survivor story. Another thing this film gets the view thinking about is forgiveness. Eva speaks to various people, both survivors and religious leaders about the concept of forgiveness and their thoughts on forgiving the Nazi's. I admire and respect Eva's ability to forgive the Nazi's, especially as a Christian, it seems to be the morally right thing to do. Even so, I appreciated how the film got me thinking about forgiveness.

The title says it all: Forgiving Dr. Mengele is a short, simple but powerfully provocative documentary about a Holocaust survivor's decision to forgive her Nazi captors and the furor her public act creates. Filmmakers Bob Hercules and Cheri Pugh force viewers to question their own capacity to forgive by detailing the story of a woman subjected to the worst kind of evil and her willingness to absolve those responsible for her suffering.

Eva Mozes Kor was one of thousands of Jews turned into "human guinea pigs" by Josef Mengele, the head Nazi doctor at the Auschwitz concentration camps during World War II. While Kor's other family members did not survive their horrific treatment, Kor somehow managed to live. After the war and liberation of the camp, Kor married and started a family in America, but still lived with the pain of the past. In the 1980s, Kor met the only surviving Nazi doctor of the era, Hans Munch, and persuaded him to come back to Auschwitz with her to declare that the Holocaust occurred. During the ceremony, Kor forgave Munch and a reporter asked her whether or not she could also forgive Mengele. Kor answered yes and started a firestorm.

Unlike most Holocaust documentaries, Forgiving Dr. Mengele looks at a modern-day situation through the lens of the past and tackles a philosophical dilemma along the way. Director-producers Hercules and Pugh ponder whether it is possible, or even appropriate, to forgive evil. Eve Mozes Kor makes her case about needing to heal one's own heart and soul, but other Holocaust victims, including Jona Laks and Vera Kriegel, are outraged by Kor's act.

The viewer gets an unflinching history lesson about how Mengele tortured and killed under the guise of scientific research and experimentation. (The archival footage is gruesome.) There is also an intimate portrait of Kor and her family, including the husband, Michael, she met after World War II, and their two children (now grown) and grandchildren. The less forgiving Holocaust victims get much less of a back story.

Despite the empathetic focus on Kor, Forgiving Dr. Mengele doesn't automatically side with her controversial announcement-at Auschwitz itself-to forgive the Nazis, but it fully explores the issues raised and eventually regards Kor as a courageous and inspiring individual. In one of the many dramatic sequences, as a group of Jews argue with Kor at a Jewish centre, the meaning of the word "forgive" is even debated, but the isolated and outnumbered Kor holds her own.

The conundrum of Kor's message culminates in the passage where Kor travels to a Palestinian neighbourhood and hears from a group of activists and victims of Israeli violence about how they wish to free themselves of their hate. Kor admits later "it was more than I could deal with." This event is followed by an even more hurtful episode: Kor learns her local Holocaust museum, in Terre Haute, Indiana, has been deliberately destroyed by a fire. Yet even in face of this new hate, Kor feels more sadness than anger. She again considers forgiveness. Eva Mozes Kor's strength of spirit should inspire even those who disagree with her view, and Forgiving Dr. Mengele is a valuable document for at least that reason alone.

-Eric Monder