Call center worker by day, sensitive painter by night, Mason (Joel David Moore) is not all there. He has had emotional breakdowns many times in recent years... but now he has met Amber (Amber Tamblyn) and things seem to be looking up. Can he hold himself together?
Moore breaks out here. As both director and star, he strays away from the silly, nerdy, dorky guy roles we know him from. Here he is edgier, manic, violent at times... he strays into acting territory that should earn him attention from bigger names, maybe put him on a path towards Oscar.
Amber Tamblyn is a beautiful model, and perfect for the artwork featured here. The script is intelligent, with great insight into art, the idea of contrast and the construction of jazz music being harmony from discord. I'm sure there are deeper messages than I was able to pick up, but the writer gave this psychological thriller a smart wit and makes it a cut above the rest.
What is Adam Green's role in this film? He is listed as co-director, but this is clearly Moore's baby. I suspect Green was more of a support for Moore, helping him with technical stuff and boosting recognition for this one in the horror community... but I shouldn't assume.
As of this review, the film has been out three years with little buzz. Let me make some buzz right now: this is a film that you will love if you like thinking, mindbending films... some parts are deliciously ambiguous.
