Superior acting performance by Pamela Brown... very steady, intelligible, personable, effectively controlled. She's a complex and sympathetic divorce lawyer with a nicely impressive capacity to be open to unfolding situations even when she personally needs to shut down outside inputs. She is moved especially by the pleas of injured and ill women, and is incredibly brave and competent in her dealings with criminal men.
Michael Rennie is low key considering his disturbing art work, his understood temper tantrums, and his criminal plottings, but somehow this works better, especially in his scenes with the Brown character.
If you're looking for a hidden gem, this fits the bill. This episode is as surprisingly unknown as it is successful.
