Mr. Denton on Doomsday
- Episode aired Oct 16, 1959
- TV-PG
- 25m
The town drunk in the old-west faces his past when Fate lends a hand.The town drunk in the old-west faces his past when Fate lends a hand.The town drunk in the old-west faces his past when Fate lends a hand.
- Narrator
- (voice)
- Barfly
- (uncredited)
- Barfly
- (uncredited)
- Stagecoach Driver
- (uncredited)
- Barfly
- (uncredited)
- Barfly
- (uncredited)
- Barfly
- (uncredited)
Storyline
Did you know
- TriviaIn his 1959 promotional film shown to potential sponsors, Rod Serling summarized an earlier version of this week's plot under its original title, "Death, Destry, and Mr. Dingle." As told by Serling, the basic premise is similar, but the earlier version seems to have been more comedic in tone, involving a meek schoolteacher who quite unintentionally gains notoriety as a top gunslinger. The name "Mr. Dingle" (originally intended for the Dan Duryea character) would be used by Serling for a future episode, Mr. Dingle, the Strong (1961) with Burgess Meredith playing the eponymous character.
- GoofsRight after Denton drinks from the broken liquor bottle at the beginning of the story, he's shown with a large scratch on the right side of his face. In the next scene with Liz, the scratch is gone.
- Quotes
Al Denton: I was good. I was real good. I was so good that once a day, someone would ride into town to make me prove it. And every morning, I'd start my drinkin' a few minutes earlier. Until one morning, the guy who asked me to prove it turned out to be sixteen years old. I left him there on his face. Right there in front of the saloon. I left him there bleedin' to death with my bullet in him. I guess it'll start all over again, now. Every fast and fancy man who owns a gun will come riding in down that street. Only this time it'll be me face down, bleedin' to death. I think I'll go in and get a shave. I wanna look proper on the day I die.
- ConnectionsEdited into Twilight-Tober-Zone: Mr. Denton On Doomsday (2020)
- SoundtracksStenka Razin
(uncredited)
Russian folk tune
played throughout
I thought it an inspired touch of casting on Serling's part to cast this once uber-villain in a part that could singularly reveal both aspects of this character in one, brief 1/2-hour episode. Martin Landau was effective as the black-clad heavy (a role hauntingly foreshadowing his role in "North By Northwest"), and it was a singular pleasure seeing a nearly post-pubescent Doug McClure in what may qualify as a cameo at the conclusion. Morality tales can be tricky, but once again Serling the supreme storyteller, pulls it off with aplomb.
It always amazes me how these wonderful B&W episodes still hold up after all these years (and multiple viewings) later. I never, ever seem to grow tired of watching them. I noticed that many years later they tried (in vain) to bring back this much venerated series, only to have it fail miserably. When you combine superior writing, inspired directing, and casting the strongest character and leading actors alive into one television program, it's a tough combination to beat.
On my very favorite TZ episode, "Walking Distance," the sound track was actually written by, for my money, the greatest film composer of all time, Bernard Herrmann ("Psycho," Citizen Kane"). That fact, more than just about anything, stands in tribute to the kind of talent that Serling's landmark TV series attracted. After all of the great television I've enjoyed over the years, there is no one series that has engendered the kind of devotion and wonder that these thought-provoking episodes inspire in their loyal following, myself heartily included.
Details
- Runtime25 minutes
- Color
- Aspect ratio
- 1.33 : 1