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Based on the book by the same title, DEVIL's KNOT is a docu-drama about the 1993 ritual murders of three eight-year-old boys in West Memphis, Arkansas. This film does not contain any basic information that is not already covered in the documentaries PARADISE LOST and WEST of MEMPHIS. It does, however, provide some fairly interesting reenacted personal perspectives of the various parties: victims' families, the accused "Memphis 3" and certain of their friends, the police and prosecution, the defense teams, etc. DEVIL's KNOT makes for a compelling enough show and is expertly filmed with decent but not great acting. Though I'm sure that there are some misrepresentations of certain details, it is faithful to the basic events of this case. The biggest limitation is that those who have read the various books and seen earlier films will not find anything terribly new here while casual viewers who are unfamiliar with the case will find all the various characters and shifting perspectives confusing.

Colin Firth gives a nice performance as private investigator for the defense Ron Lax; ditto for Reese Witherspoon as Pam Hobbs. DEVIL's KNOT might have worked better with a stricter focus on one or maybe both of these characters, even if that meant ignoring certain other people and factors in the case.

Regardless, this film is very revealing of how incompetent police work, selective use of evidence by the prosecution, and public hysteria in this rather superstitious Bible Belt community led to the denial of reasonable doubt for the accused "Memphis 3." Without telling you what to think or pointing the finger unduly, it also cursorily examines other potential suspects. There are some brief bits of courtroom drama, but again, the focus changes just as things get really interesting.

In short, DEVIL's KNOT is quite watchable, but the attempt to tell the entire story in a narrative of less than two hours is inadequate and dissatisfying.

WARNING: Though there's not a lot of gore, there are some brief and graphic post mortem shots of the young victims.

"Devil's Knot" has gotten a lukewarm reception from audiences and this is ill-deserved. The film is a perfect-pitch plainsong retelling of the case of the West Memphis Three. Atom Egoyan is a master of understated film-making, but perfectly depicts the aura, atmosphere, cultural inclinations and Bible-belt provincial biases of the participants without being garish. Marvelous performances from Reese Witherspoon, Bruce Greenwood,Colin Firth and several others are on view here. Mireille Enos's lightning-catching turn as Vicki Hutcheson, in which she brilliantly channels uneducated de classe white-trash coarseness, is worth sitting through the entire film. The esteem in which this competent film is held will grow with time.

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

In 1993, three young boys were found murdered in the river of a southern town in America. The finger of suspicion fell on several heavy metal obsessed teenagers, who were suspected of being involved in devil worship. On learning that the death penalty was being considered, attorney Ron Lax (Colin Firth) springs in to action, assembling a legal team to represent the boys in court and overcome the hysteria of the town. While desperate for closure and keeping a narrow grip on her sanity, Pam (Reese Witherspoon), one of the bereaved mothers, is also unable to clear herself of doubt over the boys guilt.

While not what could be called a fact is stranger than fiction piece of work, Devil's Knot also has a more engaging quality somehow on the grounds that it's based on a true story, serving as it does as an examination of the legal system, and of people's small mindedness and tendency towards knee jerk reactions in the face of acts of over- whelming evil. In as unflinching a style as one can expect from modern films, it dramatizes the true horror and subsequent raw emotions of a small town on the edge. It's helped no end by reliably stellar performances from the lead stars and supporting cast, and it's all pretty on the level, but it's also sadly not the sum of it's parts.

As well as staging it all pretty well, director Atom Egoyan also strives to keep the authenticity to a high standard, with Firth delivering a fine American accent, at the top of every other little minor detail. Somehow, though, he manages to muddle the pace up, delivering a film that while telling a compelling story, is detailed in a slightly meandering, plodding fashion that stops it being the sum of it's parts. The parts this effects most is the conclusion, delivering a pay off that could have been electrifying, but as a result is merely perfunctory.

Still, it's a riveting, interesting real life thriller, boosted no ends from great turns by two reliable lead performers. ***

I had loosely heard of the West Memphis Three for years, but only now do I understand the full story. I'd say that Atom Egoyan is the proper director, since he specializes in grim topics (a school bus crash, the Armenian Genocide, etc). The preacher's claim that satanic music caused the defendants to commit the murders sounds like the typical stuff that we hear from religious nuts. As for the movie's focus on Stevie Branch's family as opposed to all three families, it was most likely because they cast Reese Witherspoon as the mother.

The movie ends by noting what happened in the years after the trial ended. What's most intriguing is that the man who came into Bojangles's and was never seen again. What secrets do all the people in West Memphis hide? Whatever the case, this sounds like one horrifying event. "Devil's Knot" is not a great movie, but I recommend it. Also starring Colin Firth, Mireille Enos, Alessandro Nivola and Bruce Greenwood.

For decades now, Hollywood has been mining the headlines for inspiration. It was only a matter of time before studio executives turned their attention to the West Memphis Three: a trio of teenagers who were convicted - most likely wrongfully - of murdering three young boys and sentenced to life in prison. You might imagine that the resulting movie would be every bit as disturbing, tragic and thought- provoking as the actual case itself. But Devil's Knot is more respectful than effective as a film, covering the facts without really getting to the heart of the matter.

On a summer day like any other, Pam Hobbs (Reese Witherspoon) waves goodbye to her little boy Steve as he heads off on his bike with his two friends. It would be the last time she sees him alive. When three bodies turn up in a rain-washed river, the local authorities conclude that the murders bear shades of a Satanic ritual. As a result, other leads - a bloodied man stumbling into a diner near the scene of the crime, a young man (Dane DeHaan) with an odd interest in the boys - fall by the wayside. Instead, three teenagers with an interest in the occult - Damien Echols (James Hamrick), Jason Baldwin (Seth Meriwether) and Jessie Misskelley Jr. (Kristopher Higgins) - become the targets of a community and legal system eager to find answers, even if it means looking in all the wrong places.

It's easy to see why these murders, which took place in 1993, have remained so compelling and fascinating, even twenty years later. Mixed up in the heartbreakingly tragic loss of three young lives are weighty themes of prejudice, religious bias and the miscarriage of justice. With new leads consistently popping up that continue to throw the original judicial decision into doubt, it's small wonder that private investigators like Ron Lax (played by a rather miscast Colin Firth in the film) find themselves turning over and over the facts of the case, trying to figure out how the police narrowed their search in a way that seemed to lead to obvious - and likely erroneous - conclusions.

But Atom Egoyan's film never really delves into the horror and humanity of the story it wants to tell. At some point along the way, the film shifts into documentary mode, hitting the story beats but never really finding its heart. There are a couple of emotional moments that come courtesy of Witherspoon's shell-shocked Pam, but very little insight is otherwise provided into the psyches of the characters. We spend hardly any time with the parents of the other two victims, and we're never really given the opportunity to come to grips with the seemingly stone-cold Damien or his two alleged accomplices - a befuddled Jason and a haplessly confused Jessie.

For anyone unfamiliar with the West Memphis Three, Devil's Knot will serve as a good enough primer: it's a dutiful version of the story, with the bare facts alone capable of chilling most people to the bone. But anyone who's more interested in the twists, turns, implications and consequences of the case might be better served by looking elsewhere. There are a few actual documentaries out there - the Paradise Lost series and West Of Memphis (produced by Peter Jackson) - that are considerably more incisive in their approach to these murders.

"If you don't have a strong case the state is gonna kill 3 young men and I can't stand by and watch that happen." In 1993 three 8 year old boys were savagely murdered. The state tried three teenagers as adults for the killings and claimed they were murdered as part of a satanic cult ritual. This is the story of the trial and how Ron Lax (Firth) tried to help the defense and how one of the mother's (Witherspoon) dealt with the loss and aftermath. I knew very little of the actual story going in. This is a movie that reminded me of the Aviator in the way that I watched a documentary and read more about the events after it was over and found those to be better and more interesting then the movie. The cast is great and has many big names as well as 3 Oscar winners, but at best this felt like a made-for-TV movie. I found it hard to really get into and was disappointed especially with this cast. I'm not saying it's not worth seeing but if you get a chance read and watch anything else on the West Memphis Three, you will be more informed and more interested then you would if you watch this movie. Overall, not bad but could have been so much better. I give this a B-.

From a competent director like Atom Egoyan, one would certainly expect a bit more than this sub par effort, that looks and feels like a cheap, made for TV movie, in every way. Filled with dull court scenes, and a preachy vibe throughout, as though the film was made specifically to prove that the 3 boys were innocent of the charges. It is hard to imagine that a movie dealing with such a fascinating subject matter, could actually be boring; but Egoyan and his cast manage to deliver a completely lackluster product. Even Reese Witherspoon, who usually turns in good performances, is just awful in this. Somehow her Southern accent sounds completely fake...even though the actress IS Southern! It felt like the actors didn't put any feeling into their roles, perhaps because even they realized that the script was so uninspiring. And if the people involved in the project can't find inspiration, how is the audience supposed to feel anything at all? The only bright spot in this film is the appearance of the up and coming actor Dane DeHaan, who is usually the best thing about any production he appears in. Unfortunately DeHaan is on screen for less than a total of 10 minutes.

For those interested in the infamous 'West Memphis Three' murders, the documentary "Paradise Lost" is still the most interesting film on the subject. Later this year, there is yet another movie on this subject, due to be released in November 2014. Hopefully that film will handle the material better than this lackluster effort..

I have seen a lot of people trash this film, and if you are looking for something on the level of Angelina Jolie's "Changeling", you will be disappointed. If though, you are tolerant of a low budget but effective dramatization of a very tangled, disturbing, and tragic story about 3 young boys losing their lives to murder and 3 young men losing their lives to a group of detectives and justice system blinded by emotion, you will appreciate this film. Reece is fantastic as the mom of one of the victims. She is the big name in the film, though you will recognize several actors who are not quite up to her level of star power. I am a bit of a junkie on this case, and I was not disappointed. I think it does a fair job of presenting the defense's perspective. Granted, if you think they are guilty, and there are many who do, then you will be angered by its presentation. Nonetheless, I was very pleased with it.

As films go, and not being familiar with this particular case (because I'm British) I found it really interesting, and think it might be a good introduction to the real case. Especially since a lot of these reviews say the truth is stranger than fiction?

I liked the fact it didn't seem over dramatic, but I think it would have been nicer to have given the boys put on trial more screen time getting to know them. Especially since they were most likely innocent. The actors who filled the mail roles seemed pretty good too. And none of the lines seemed cheesy or bad either.

I'm aware that if you are looking for facts, dramatisations aren't the best source, but it's really sparked my interest in learning more about what really happened.

This movie is based on a real murder case, and that case is simply far too complex to jam it all in to a logical movie of 2 something hours. The film makers simply missed the mark on this and did a very poor job of turning this murder case into a story line for a film.

As a movie, it felt extremely disjointed. They flicked between different time points very quickly, which made it difficult to grasp how much time had actually passed between events. There is very little character development so viewers are left without any idea of who most of the people actually are, which is especially sad given that there are real people behind every character. In terms of the case details, they had some very odd choices in what to include and what to leave out, and they dramatized certain things but down played others. I feel they misrepresented certain people and certain relationships, and didn't seem to present much of a story.

Overall it was just a terrible movie. Such a shame that they managed to do such a poor job given that this movie is based on a real murder case with plenty of very interesting people.

There are very few instances in this world where the reality of the matter is more interesting than any form of fiction. Such is the case with Canadian director Atom Egoyan's newest film Devil's Knot. Gripping, chilling, and in many instances disturbing, the film is a mildly rewarding take on a story that doesn't need a feature film to highlight anymore high tension than it already has.

Tackling the very daunting task of offering new insight in the on-again/off-again case of the West Memphis murders, Devil's Knot is a short yet ample "For Dummies" version film about a case that has been exhausted through documentaries (the Paradise Lost documentary film trilogy and West of Memphis) as well as various biographies, books and extensive media coverage.

Egoyan's film, which is based on the book Devil's Knot by Mara Leveritt, is really the first high- profile film project (excluding Peter Jackson's producing credit in West of Memphis) with A-List actors who paint a vivid picture of the people involved in the case, the victims and the "accused". From Reese Witherspoon to Colin Firth, the film is a by-the-numbers drama with sub-powerful performances that gives off a satisfactory feeling of relief; a relief that suffices only from the time you leave the theatre, to the time you get home and find out more about the case yourself.

The film follows Ron Lax (Firth), a private investigator who decides to take on the West Memphis case pro-bono in what we understand to be the pursuit of a "rightful conviction". Throughout his investigation, Lax uncovers numerous instances of judicial injustice, inconsistencies in the evidence, and improper police protocol that would have been crucial to solving the case and proving the innocence of the three young accused.

Egoyan is no stranger to dramas centred around the tragedy of the loss of children, or innocence for that matter. It seems as though no one else could have adapted Leveritt's book as throughly as him, yet Egoyan's vision is always second-string to the facts and the reality of the case itself. Often times veering in the direction of a 'made-for-televison film', or treading the fine line of being a special episode on CSI or Law & Order, the film is a washed out, third party perspective that attempts to be unbiased throughout, but still takes a strong side by the time the credits roll.

Much like the case itself, the film was able to round out a very high-profile group of individuals in front of the camera, especially given the small nature of the film and it's light $15 million budget. From Mireille Enos, Alessandro Nivola, Amy Ryan, Dane DeHaan, and Matt Letscher, to television stars Stephen Moyer and Martin Henderson, and Egoyan favourites Elias Koteas and Bruce Greenwood, the film is a star-studded festival entry despite it's surface level insight, cowardly execution and lack of style.

The film succeeds when it trembles the notions of stereotypes and common, misunderstood motifs. Once tragedy struck, the town of West Memphis seemed to be content with the fact that Damien Echols (James Hamrick) and his two friends, Jessie Misskelley Jr. (Kristopher Higgins) and Jason Baldwin (Seth Meriwether), were accused of murder solely because they listened to heavy metal music and dressed in black. The film shows the ridiculousness of society's stubborn ability to shed little light on the truth of misunderstood forms of art.

Set within the small town, low income, 'Bible Belt' of the United States, the film shows the very colourful contentions between the presence of the "unholy", as well as how quick people are to vilify anything it doesn't understand, even if that means sentencing an innocent teenager to death. It is in the scenes where Lax investigates the facts that could potentially lead to these young men's freedom, that the film flourishes leaps and bounds. From unaccredited sources and not-so-expert witnesses, to completely fabricated testimonies, the film acts as Lax's own personal assistant, as he navigates a seamlessly normal town which actually might have a few skeletons in it's closet after all. The film shows just how convenient and perfect the outcasts of society, especially within the small Hillbilly pockets of the United States, really are.

Highlighting the ignorance of small-town Southern US communities, the laughable prediction amidst the accusations of alleged Satanic rituals, and giving a very graphic and unabridged look on how these innocent little boys were recovered from a lake (aptly titled the Devil's Den), Devil's Knot would have worked best as an HBO special. Instead it succeeds best as a visual piece of narrative whose greatest testament is allowing it's audience to indulge in shocking images and discomforting truths. Ironically enough, Devil's Knot is riveting most when no dialogue is spoken–in the scenes involving the search and discovery of the bodies and the reactions of the victim's parents, especially Witherspoon's.

Upon conclusion, and much like the case itself, the film continues to insinuate that within the small town of West Memphis, Arkansas, everybody may be a real suspect in the unwarranted murder of three eight-year old boys. If anything, Devil's Knot is an appetizer size, introductory piece of narrative cinema that will surely serve as a catalyst for people to look into the complexity and uncertainty of one of America's most misunderstood and poorly investigated murder cases of all time.

Atom Egoyan can't seem to decide whether he wants to make a para documentary or a "Twin Peaks" rip off, which distracts the viewers like me (unfamiliar with the West Memphis Three case) and clearly confuses his cast. The best of the bunch were the child actors and Dane DeHaan. Although I must point out that only the little boy playing Aaron was able to master the para docu "Twin Peaks" style his director was desperate to create on screen... Incredibly memorable performance. But the movie itself is just OK if not just meh. And considering the fascinating story based on true events and the talents involved this should have been a great movie.

DEVIL'S KNOT is the film version of a true story about three boys who were brutally murdered in Arkansas in 1993. A public outcry and witch hunt followed, at which point three outcast teenagers were herded up and sent to court accused of the crime. In the subsequent years, many people have come to believe that the teenagers were innocent, and DEVIL'S KNOT explores some of the complexity of the case.

Sadly it's a bit of a disappointing film. It's well shot throughout but that's all you get. The film seems overly distracted by the presence of Hollywood starlet Reese Witherspoon playing the mother of one of the victims. For a relatively minor character in the story she gets way too much screen time and spoils what could have otherwise been an enthralling viewing experience. I was much more interested in the characters of the accused but they seem skirted over in some ways.

Another detraction is Colin Firth as the mild-mannered crime investigator. Firth is too occupied with trying to do an American accent than with properly acting and his subdued turn makes no impact. When the film finished I was just left wanting to know more about the case than in this somewhat sketchy version - perhaps to watch one of the documentaries which I'm sure exist about it. DEVIL'S KNOT is no MISSISSIPPI BURNING, that's for sure.

In 1996, HBO produced a documentary, "Paradise Lost: The Child Murders at Robin Hood Hills", about the much-publicized murder case of three pre-teen boys, Stevie Branch, Michael Moore, and Christopher Byers, who were murdered in the wooded creeks called Robin Hood Hills near West Memphis, Arkansas. The local authorities were convinced the murders were enacted by three older male teens, Damien Echols, Jessie Misskelley, Jr., and Jason Baldwin. According to the present film and the HBO documentaries, the local authorities targeted the older teens as suspects in a kind of modern-day witch-hunt because of their interest in the occult, horror films, and Heavy Metal music. Echols was often seen wearing black clothing, an affront to the predominant Christian community of West Memphis. He later admitted to reading about Aleister Crowley but asserted he had never read any of Crowley's actual writings.

The case against the three teens hinged primarily on the notion that the murders were committed as a kind of sacrifice in a satanic ritual. Also, dubious testimony, particularly that of Vicki Hutcheson and her son Aaron, was later recanted. Hutcheson claimed initially that she had seen the three teens involved in Satanic rituals and that Damien Eckles had bragged about committing the murders at the event. She later said she had been coerced by police to offer false evidence, fearing authorities might take away her son. Her son Aaron in a video-taped interview said he had seen the actual murders, but then later when he was older withdrew his testimony claiming he knew nothing about the crimes. Other evidence, such as the possible involvement of an African-American who ended up in the ladies' room and smeared blood on the walls at Bojangles Restaurant the night of the murders was never adequately followed up on. No actual physical evidence linked the boys with the murders. Their prosecution was mainly based on circumstantial evidence concerning their interest in the occult.

Twenty years after the convictions of the so-called "West Memphis Three" and 17 years after the HBO Documentary "Paradise Lost", the film "the Devil's Knot" based on the book of the same name was released, starring Colin Firth as Ron Lax, a private investigator who became interested in the case, and Reese Witherspoon as Pamela Hobbs, the mother of victim Stevie Branch. First off, the film is beautifully shot. The lush swampy areas portraying the Robin Hood Hills appear almost like photos you might see in a postcard. The night shots are particularly beautiful, although simultaneously horrific as the setting for the brutal murders.

Critics claimed the film didn't add anything new to the understanding of the case, but I don't believe this was the filmmakers' intentions. The point of the film I believe was simply to tell the story in a dramatic/narrative format rather than a documentary. (HBO produced three documentaries in all about the case and probably assisted in the revelation about the poor police investigation, the witch-hunt sensibilities towards members of their community interested in the occult, and the dubious testimonies which led eventually to the release of the West Memphis Three.) Apart from whether or not audiences will believe the West Memphis Three are guilty or innocent, much of the film is about the complexity of such cases. Unless a defendant truthfully confesses to a crime, many questions and strange circumstances surround most cases. In many instances, the whole truth may be nearly unobtainable, such as questions which still surround the JFK Assassination.

An excellent and underrated film. The main reasons "The Devil's Knot" works as well as it does is because of the fine acting, particularly Witherspoon, Firth, and an honorable mention to James Hamrick as Damien Echols, the wonderful direction, and also because of the film's point of view. The film shows both sides of the case. The local authorities were pressured by the community to find the three teens guilty since a rift between conservative Christians and those interested in the occult was growing wider. In the film, one character states that those interested in the occult were bound to become enmeshed in a crime case sooner or later. Of course, the most informative details can be found in the three HBO documentaries, "Paradise Lost: The Child Murders at Robin Hood Hills" (1996), "Paradise Lost 2: Revelations" (2000), and "Paradise Lost 3: Purgatory" (2011).

This is a movie that needed to be made. The documentary is four movies long, and does not hold the attention so well as this movie. Obviously some things had to be left out to keep this under two hours. I had to credit the movie for admitting when they were veering from the truth. The tale of the murdered children and the convicted children is well told here.