Quantum of Solace

Quantum was my least favorite Bond movie for quite some time. After the over-ambitious Spectre, I look back at Quantum with fondness due to its simplicity. Not necessarily in its plot, but in its treatment of Bond as a character and his coming to terms with Vesper's death. It's an epilogue to Casino Royale; Bond is hellbent on revenge. It effectively functions as a discount Bourne film. Daniel Craig is great as always, as is Judi Dench and the rest of the supporting cast. The problems with Quantum lie mainly in the directing and editing.

The film opens with a car chase - Bond is being pursued by thugs. Why? We find out later, but the fact that we have no information at the start makes it really hard to care about the action. On top of that, the camera is moving and cutting every half-second so it's nearly impossible to tell what's even happening. This shaky-cam technique is used throughout the film and it's as disorienting as it is annoying.

We're eventually led to our Bond Girl, Camille, who is a unique Bond Girl for having her own character arc (and her own villain), then she leads Bond to our main villain, Dominic Greene - a businessman who wants to buy a pipeline to control Bolivia's water supply. Not exactly a James Bond-level threat, is it? Greene is no match for Bond physically in any sense, but their final confrontation is gratifying if only to see a villain genuinely, and rightly, terrified of Bond. It's great fun to watch Greene yelp as he's swinging an axe around for dear life while his fuel cell-ridden desert hotel explodes around him.

The rest plays out like a standard revenge story. Camille wants revenge against General Medrano for killing her family, and Bond wants revenge for Vesper by going after the organization that was blackmailing her. The writing is stilted and unpolished, but where the movie mainly fails is in its directing. It's pretentious and tonally clashes with the dark character study of Bond that the script is going for. It also doesn't help when the action scenes keep cutting away to a nearby horse race or an opera.

What we have here is a Bond-Bourne hybrid that had the impossible burden of having to follow Casino Royale. However, it's nice to see a gritty Bond adventure for a change. It's not a great Bond movie, but it's engaging enough to be a good time if you're able to look past its flaws.

I first saw this in 2008 with my family in a theatre.

Revisited it recently on a dvd which I own.

This is the twenty-second in the Bond series, a direct sequel to Casino Royale, and the second film to star Daniel Craig as James Bond.

Like its predecessor, this one too doesn't rely on gadgets n cgi n has more chases n fast paced action but in trying to cash in on the success of Jason Bourne, Taken n other action movies, this one tried the fast cut editing which ruined the fun.

In quick cut editing one cannot make out who's who n what is going on.

In this film, Bond seeks revenge for the death of his lover, Vesper Lynd and is assisted by a Bolivian agent Camille Montes, who is coincidentally seeking to avenge the murder of her own family. The trail eventually leads them to Dominic Green, well connected with CIA and a businessman working in reforestation and charity funding for environmental science but helping an exiled General to get back into power, in return for support for his sinister plans along with CIA.

This time Bond faces Craig Mitchell, General Medrano, Dominic Greene n Colonel Carlos.

I miss those olden Bond villain's powerful henchmen.

This time the movie being fast paced n Bond on a vengeance, Bond gets to cool off with Gemma Arterton only.

The pioneer of the balcony/window jump is undisputedly Jackie Chan (Rumble in the Bronx).

Jason Bourne in Bourne Ultimatum copied almost the same jump.

Bond too copied almost the same jump in this movie.

Whether or not you liked "Casino Royale", and most people certainly did, Roger Moore fanatics probably excluded (hey, I respect their opinion), it was something Bond had never been before, and it surprised a lot of people and reinvigorated genuine interest in Bond after "Die Another Day" by which point it was frankly becoming an obligation to attend the new Bond film rather than a pleasure. After the emotionally charged story, and particularly the climax, of "Casino Royale", the bar was set very high for the follow-up.

Does "Quantum of Solace" deliver? Well, honestly, the answer to that depends almost entirely on what you were expecting. If you were expecting a lengthy, down-to-earth, 'realistic' ('plausible' is probably a better description for "Casino Royale") character-based revenge flick, "Quantum of Solace" is not it. What "Quantum of Solace" does is weave the characterization into the plot and action to the point where we don't have room to breathe. The criticisms against the movie for lacking in character development are downright absurd- it's all there, the movie just doesn't stop and explicitly tell you what it's doing. If you're paying attention to what Bond's doing throughout the film surely you will understand why he is motivated to do those things. It's pretty careful and refined writing from Neal Purvis and Robert Wade (with the addition of script polisher/editor Paul Haggis).

What "Quantum of Solace" doesn't do is deliver a repeat of "Casino Royale". I'm actually quite amazed at the venomous reaction to the film by fans who seem to adore the more humorous, faster-moving Bond films. I mean, this isn't exactly right up their alley, but it's sure as hell not as drawn-out and slow-moving (although I didn't feel that was a bad thing in CR's case) as "Casino Royale", it surely doesn't spend most of its time on the dialogue and characterization, and it surely isn't as significantly divergent from the Bond formula as that film was. This is, ultimately, not unlike several Bond films we've seen before. There's snarling foreign villains with accents, a shadowy evil organization with political motivations, there's plenty, plenty of action. The "Bourne" comparisons are especially confounding. So, because Robert Ludlum once took from the Bond character and stories to write his "Bourne" novels, the Bond film series can't go back to Bond's roots in Fleming's great novels for inspiration? I'd say that "Quantum" has more in common with Bond films of the past than any of the Bourne films. If they're talking about the action scenes here, then while they lack the coherence of some of the greatest action scenes in Bond history, they are still much easier to follow than anything in Greengrass' "Bourne" films. Outside the first 15 minutes there's barely anything here that resembles a Bourne film at all, actually. The first two action scenes- the car chase and foot chase- are over-edited for sure, but the rest of the action scenes are grand, particularly the plane scene and climactic action scene at the hotel.

The technical aspects of the film are all good, director Marc Forster doesn't mess up (which, given the quality of many of his previous films, was perhaps the greatest danger this Bond installment faced) the David Arnold score is not one of the great Bond scores, and his (or the producers') refusal to use an orchestral version of the score much during the actual film is quite frustrating, but it's quite good and certainly not among the worst scores the series has had. Craig is an absolutely superb Bond, Olga Kurylenko is a find Bond girl and fairly well-developed but not at the expense of Bond or the story, while Gemma Arterton's limited screen time is an unnecessary diversion. Arterton's not the only flaw here, the design is a bit naff at times, and there's several things that could have been done better, especially during the first 15 minutes, but the movie works as a whole, and it's not nearly as humorless as some are suggesting; there's some genuinely funny stuff here, without descending into over-the-top camp. Actually, "Quantum of Solace" sees a welcome return of a deadpan delivery to the one-liners which evokes Connery's best moments. No winking at the camera, no raised eyebrows, just the jokes. Felix grabbing a beer and looking nonchalant as the SWAT team tried and failed to capture Bond, Bond stealing the bike from under the informant ("I missed!"), Bond and M at the hotel... So many great moments.

"Quantum of Solace" is perhaps not one of the great Bond films, and while I would not like to see "Quantum of Solace" become the template which the Bond series will follow in the future (it is only completely satisfying when taken in context as part of a larger storyline), it is still not just a good action thriller, but an often gloriously enjoyable Bond film, and a fine entry in the series.

8/10

Decent story, good pacing but those action scenes sure make you dizzy with all the cuts going on.

Quantum of Solace or Quantum so less, as some of its critics may call it, definitely lacks certain aspects of a traditional Bond movie. It may be eccentric in the sense that it may not be able to titillate the esoteric Bond fans as it may lack their eclectic style and taste but it definitely succeeds in projecting a new Bond for the contemporary world who may not be a coeval of a superhero, who despite being vulnerable has got the killer instinct in him, which is the very defining characteristic of Ian Fleming's larger than life human incarnate. This Bond goes about his business in a fashion which is far more realistic compared to the Bond of the bygone era with an incredible passion and utmost devotion which is nothing but inexorable. Though Casino Royale was the pioneer of this graduation but its Quantum of Solace that consummates it and gives Fleming's agent a mystique which has always eluded him hitherto, an aura which gives him an opportunity to be mortal and hence a chance to qualify to be called a human.

Quantum of Solace is loaded with mind blowing action sequences which makes it a high octane extravaganza. The pace of the movie is such that you hardly get time to breathe freely. The plot though comparatively weaker than its precursor, is still good enough to keep one guessing thereby keeping one at the edge of the seat, all the way through.

The only aspect of the movie which should be under the scanner is its editing which is far from just and at times needless and severely annoying. A bit constraint editing under some meticulous vigilance could have done wonders and would have probably helped it, in its quest to be the best Bond movie of all time.

All being said and given what we have, the movie fails to disappoint the audience and will surely redefine the very prerequisites of an action movie and will definitely serve as a benchmark for the movies in the years to come.

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