44 reviews
Where to begin? Anachronism? High tech cross bow with a scope in about 500AD? Arrows with explosive charges in 500AD? A monster Grendel that looks like a robocop and obviously never interacts with any of the weapons fired or swung against him? The heart torn out of his victim's chest without any sense of contact? Possibly the blond who would fit in on a recent fashion show with her make-up and streaked hair? The ancient Danish court represented in Classical Greek style? The queen played by Marina Sirtis more savaged by her makeup artist than by madness? The effects are way too weak to carry this story. There are some stories that don't mind or even benefit from cheap effects, but this Grendel isn't one of them.
What about characters who seem to jump about in their attitudes without motivation? A bravado idiot prince whose home has already been savaged more than once by the monster Grendel seems to have less respect for the danger he faces than Beowulf who was sent from afar from the land of the Geats to help the desperate Danes. In this it feels more like an old cowboy western than any kind of myth.
Beowulf is an ancient tale from an era with almost no literary tradition and much of both its sentiment and its drama is obscure. I suspect that any modern telling which doesn't make an intelligent attempt to penetrate the obscurity must fail. I didn't love the recent "Beowulf and Grendel" which sees Grendel essentially as human and sees Hrothgar and his Danes as too arrogant and stupid to recognize Grendel's attacks as well-justified vengeance, but I had to respect its revisionist position that Hrothgar's Danes were a bunch of macho thugs who never grasped, even after it was all over, that they had brought this nightmare on themselves, and therefore, the original story of Beowulf, as it was written, was a misrepresentation of the real story. I think there's a more complex meaning to be understood than that, but this "Grendel's" terrible secret that Grendel's attacks are tied to previous human sacrifice doesn't really bring us closer to the shame experienced by Hrothgar and the Danes.
This Beowulf has little to recommend it as traditional myth or as modern fantasy. I give it a 4: higher than it deserves, but always hopeful that a poor effort will draw attention by someone who is up to telling the story intelligently. In the meantime, Sci-Fi's movie-making seems to be following the NASA policy that it's better to build lots of probes that fail than a few that succeed.
What about characters who seem to jump about in their attitudes without motivation? A bravado idiot prince whose home has already been savaged more than once by the monster Grendel seems to have less respect for the danger he faces than Beowulf who was sent from afar from the land of the Geats to help the desperate Danes. In this it feels more like an old cowboy western than any kind of myth.
Beowulf is an ancient tale from an era with almost no literary tradition and much of both its sentiment and its drama is obscure. I suspect that any modern telling which doesn't make an intelligent attempt to penetrate the obscurity must fail. I didn't love the recent "Beowulf and Grendel" which sees Grendel essentially as human and sees Hrothgar and his Danes as too arrogant and stupid to recognize Grendel's attacks as well-justified vengeance, but I had to respect its revisionist position that Hrothgar's Danes were a bunch of macho thugs who never grasped, even after it was all over, that they had brought this nightmare on themselves, and therefore, the original story of Beowulf, as it was written, was a misrepresentation of the real story. I think there's a more complex meaning to be understood than that, but this "Grendel's" terrible secret that Grendel's attacks are tied to previous human sacrifice doesn't really bring us closer to the shame experienced by Hrothgar and the Danes.
This Beowulf has little to recommend it as traditional myth or as modern fantasy. I give it a 4: higher than it deserves, but always hopeful that a poor effort will draw attention by someone who is up to telling the story intelligently. In the meantime, Sci-Fi's movie-making seems to be following the NASA policy that it's better to build lots of probes that fail than a few that succeed.
Why oh why can't anyone make a decent film out of a legendary tale? This is the second adaptation of "Beowulf" I've been disappointed with in a year. But I have to say, the previous version ("Beowulf & Grendel", starring Gerald Butler) was far superior to this. That one was only a little disappointing. This one is a mess!!!
What bugged me most? Was it the useless plot elements they added in for no particular reason (Human sacrifices? Pointless love interest?), or the bad CGI, or the inconsistency of the characters or the uninspired acting? Even worse was the way they made beautiful Marina Sirtis look so horrible!!! And lets not even talk about that ridiculous crossbow?
And why did they continually remind us that Beowulf had the strength of 30 men, and yet he never showed the slightest sign of such strength throughout the entire film. He was tossed around by both monsters he fought, relying on his sidekicks to save his bacon. Even when he slugged the arrogant prince, he didn't knock him out. He was much too reliant on weapons. Beo-wimp is more like it. This was certainly not the powerful Beowulf of the epic poem!
I'd like to end this on a positive note but I can't really think of one offhand. All I can say is, if you've ever read "Beowulf", you'll be infinitely disappointed by this dismal, inaccurate excuse for an adaptation!
What bugged me most? Was it the useless plot elements they added in for no particular reason (Human sacrifices? Pointless love interest?), or the bad CGI, or the inconsistency of the characters or the uninspired acting? Even worse was the way they made beautiful Marina Sirtis look so horrible!!! And lets not even talk about that ridiculous crossbow?
And why did they continually remind us that Beowulf had the strength of 30 men, and yet he never showed the slightest sign of such strength throughout the entire film. He was tossed around by both monsters he fought, relying on his sidekicks to save his bacon. Even when he slugged the arrogant prince, he didn't knock him out. He was much too reliant on weapons. Beo-wimp is more like it. This was certainly not the powerful Beowulf of the epic poem!
I'd like to end this on a positive note but I can't really think of one offhand. All I can say is, if you've ever read "Beowulf", you'll be infinitely disappointed by this dismal, inaccurate excuse for an adaptation!
- YGoodwriter
- Jan 13, 2007
- Permalink
It's hard to say what was the worst thing about this show: the bad acting, poor acoustics of different portions, bad CGI, improper sets for the period, the poor script. It would have been nice if the script followed the original tale a bit closer -- there's enough tension and good material in Beowulf to provide a great deal of good material, and a better story line, than the scriptwriters could come up with.
And why introduce a strange new weapon like a crossbow that fires explosive bolts?
I see that this movie was made in "only" 21 days. It shows in the lack of quality. I'm beginning to think this is general (poor) attitude taken by Sci-Fi channel (and others) when it comes to making movies out of classic tales in the past few years.
What a waste!
And why introduce a strange new weapon like a crossbow that fires explosive bolts?
I see that this movie was made in "only" 21 days. It shows in the lack of quality. I'm beginning to think this is general (poor) attitude taken by Sci-Fi channel (and others) when it comes to making movies out of classic tales in the past few years.
What a waste!
Just once I'd like to see a version of Beowulf where it appears the screenwriters have at least a passing familiarity with the original poem. Yet again, after watching this Sci Fi presentation, I'm disappointed.
I'm not suggesting the writers need to understand and analyze the poem in Old English, but I wish they could at least try to read a translation in modern English and attempt to construct a story based on what actually transpires. The story is exciting enough; why add plot elements that are non-existent and ruin the story? What's wrong with being faithful to the text?
Grendel is immune to weapons of any kind; why introduce some super-crossbow that is unbelievable and could not have possibly existed in this time period (as correctly pointed out by the previous reviewer)? The fight with Grendel was Beowulf vs. Grendel. That's it. No one else took part in the battle. The only way Beowulf could have defeated him was by choosing specifically to engage the monster without any weapons, the mistake made by all previous challengers. Yet, in this version, Danes and Geats fight the beast and Beowulf hacks off Grendel's arm with a sword! Again, why couldn't they portray what really happened? Personally, I think a one-on-one grappling match between the two would be much more exciting.
Overall, this is a pathetic and abysmal depiction that is faithless to the true tale. Why add in a pact with Hrothgar and Grendel's mother that includes sacrificial offering? Why create extra characters, like Finn, that add nothing to the story? There was no love story in the poem. They couldn't even set the scenes in the appropriate locations (a forest instead of the swamp and no lair under the lake). They fail to notice the metaphor that Grendel's lair signifies it's supposed to be underground to represent hell. Why not instead center on the symbolism inherent in the epic poem? Even my high school students last year were able to do immensely better when they created a short film based on Beowulf, since they focused on the themes and symbolism underlying the story. If Hollywood could create a film that centers on these elements and is faithful to the plot, then that would be a truly great movie.
I'm not suggesting the writers need to understand and analyze the poem in Old English, but I wish they could at least try to read a translation in modern English and attempt to construct a story based on what actually transpires. The story is exciting enough; why add plot elements that are non-existent and ruin the story? What's wrong with being faithful to the text?
Grendel is immune to weapons of any kind; why introduce some super-crossbow that is unbelievable and could not have possibly existed in this time period (as correctly pointed out by the previous reviewer)? The fight with Grendel was Beowulf vs. Grendel. That's it. No one else took part in the battle. The only way Beowulf could have defeated him was by choosing specifically to engage the monster without any weapons, the mistake made by all previous challengers. Yet, in this version, Danes and Geats fight the beast and Beowulf hacks off Grendel's arm with a sword! Again, why couldn't they portray what really happened? Personally, I think a one-on-one grappling match between the two would be much more exciting.
Overall, this is a pathetic and abysmal depiction that is faithless to the true tale. Why add in a pact with Hrothgar and Grendel's mother that includes sacrificial offering? Why create extra characters, like Finn, that add nothing to the story? There was no love story in the poem. They couldn't even set the scenes in the appropriate locations (a forest instead of the swamp and no lair under the lake). They fail to notice the metaphor that Grendel's lair signifies it's supposed to be underground to represent hell. Why not instead center on the symbolism inherent in the epic poem? Even my high school students last year were able to do immensely better when they created a short film based on Beowulf, since they focused on the themes and symbolism underlying the story. If Hollywood could create a film that centers on these elements and is faithful to the plot, then that would be a truly great movie.
I just read a review defending this film because it had a low budget, now my take on things.
The CGI monsters was reasonable well animated but was implemented in the worst possible way. The fight scenes weren't even fights it was just one shot of an actor then one shot of monster with very interaction at all. When the monster did interact it looked like it was done in paintshop pro. In my opinion if you have a low budget you should use models and puppets. They may not look as fancy but at least they interact, just look at Peter Jacksons early films.
As for the acting Beowulf did an descent job but the rest of the cast were either not trying or they forgot where they where.
The script seemed confused to me. One minute they would be talking as if it were a modern day setting the next you get drama club Shakespeare speech. I'm not say it should be all 'ye' and 'that it be' but you need to find a cohesive balance so the lines sound like they come from the same person.
I did notice one part near the start when Beowulf was quoting the old testament which would have been find had he not spent the rest of the films talking about the gods and portents.
In short, this film is a very slightly polished turd, but a turn none the less.
The CGI monsters was reasonable well animated but was implemented in the worst possible way. The fight scenes weren't even fights it was just one shot of an actor then one shot of monster with very interaction at all. When the monster did interact it looked like it was done in paintshop pro. In my opinion if you have a low budget you should use models and puppets. They may not look as fancy but at least they interact, just look at Peter Jacksons early films.
As for the acting Beowulf did an descent job but the rest of the cast were either not trying or they forgot where they where.
The script seemed confused to me. One minute they would be talking as if it were a modern day setting the next you get drama club Shakespeare speech. I'm not say it should be all 'ye' and 'that it be' but you need to find a cohesive balance so the lines sound like they come from the same person.
I did notice one part near the start when Beowulf was quoting the old testament which would have been find had he not spent the rest of the films talking about the gods and portents.
In short, this film is a very slightly polished turd, but a turn none the less.
- irvine-stuart
- Jan 15, 2007
- Permalink
- garrett-62
- Jan 13, 2007
- Permalink
This movie lost me with the crossbow RPG (rocket-propelled grenade). It was like someone cut and pasted a scene from Robocop. I half expected Beowulf to say exclaim, "I LIKE IT!"
I watched this because I like Chris Bruno from "The Dead Zone" TV show and he did his part. He chose a strange accent, but at least he kept it consistent for the whole movie -- unlike any of his costars. They kept slipping into all kinds of speech from old English to modern English, sometimes in the same sentence.
There are already many comments on how this movie is different from the source material. However, even on its own, this movie's plot is not good. It's just boring, which even the low budget doesn't excuse. Having a low budget means that you need to at least have a good story, dialog and decent acting. Those things don't cost much. Instead, they spent their money on half-assed CGI and some decent costumes and sets.
Life is too short to watch this movie.
I watched this because I like Chris Bruno from "The Dead Zone" TV show and he did his part. He chose a strange accent, but at least he kept it consistent for the whole movie -- unlike any of his costars. They kept slipping into all kinds of speech from old English to modern English, sometimes in the same sentence.
There are already many comments on how this movie is different from the source material. However, even on its own, this movie's plot is not good. It's just boring, which even the low budget doesn't excuse. Having a low budget means that you need to at least have a good story, dialog and decent acting. Those things don't cost much. Instead, they spent their money on half-assed CGI and some decent costumes and sets.
Life is too short to watch this movie.
After having seen the Canadian/Icelandic/British 2004 production of "Beowulf & Grendel," which I thought brilliant and stunning, I approached this--the first of 3 newer Beowulf movies due out this year--with trepidation. As soon as I heard "Viking" and saw the horned helmets, I groaned. These were Migration Era Swedes and Danes, not Vikings (they came later). And even the Vikings never wore horns on their helmets (horns make it easy for your enemy to knock your helmet off and then brain you). Then there's Hrolfgar's palace, which looks like a set for a movie about Greece or Rome, not 6th-century Denmark. The swords and armor look like props left over from earlier films set in various historic periods. I spotted weapons that might have been used by Crusaders in "Kingdom of Heaven," and one character was even wielding a Windlass Steelcrafts reproduction movie sword from "Beowulf & Grendel"! Beyond the basic plot of the original epic poem, the writing was dismal and the acting totally wooden and unconvincing. The biggest yuk was a secret-weapon crossbow, complete with sighting scope and exploding projectiles, that looked like something bought from Iraqi insurgents. The special-effects monster and his mom were so on steroids that Beowulf could never have torn off an arm, as he did in the poem. Thank the gods for bazooka crossbows! I could go on, but I won't.
May the saints preserve us, because this movie is not going to help.
Someone with access needs to e-mail Mel Gibson and tell him we need a faithful production of Beowulf. Something that actually has something in common with the epic poem that is the foundation for all modern western literature.
The recent (since 2000) versions of Beowulf make we wonder two things. First, why is there so much interest in the story. Second, why are all these filmmakers squandering mountains of cash on this crap.
The only reason this got a two is that the version with Lambert in it (Beowulf 2000) was worse and needed the 1.
What is even worse, some people will watch this and get the wrong idea about the poem. How can an industry where Peter Jackson gets a literary conversion to film so right can get it so wrong. I mean really, the Roman Forum as a model for Heorot is too much.
And PLEASE, horns on helmets? Spare me. This is insulting.
/hjm
Someone with access needs to e-mail Mel Gibson and tell him we need a faithful production of Beowulf. Something that actually has something in common with the epic poem that is the foundation for all modern western literature.
The recent (since 2000) versions of Beowulf make we wonder two things. First, why is there so much interest in the story. Second, why are all these filmmakers squandering mountains of cash on this crap.
The only reason this got a two is that the version with Lambert in it (Beowulf 2000) was worse and needed the 1.
What is even worse, some people will watch this and get the wrong idea about the poem. How can an industry where Peter Jackson gets a literary conversion to film so right can get it so wrong. I mean really, the Roman Forum as a model for Heorot is too much.
And PLEASE, horns on helmets? Spare me. This is insulting.
/hjm
- expos_panthersdude
- Jan 12, 2007
- Permalink
I don't think anyone here would expect an Oscar nod for a Sci-Fi original movie, so let's keep things in perspective. This production actually had a budget of only 1.4 million, as you well know that's almost more than they pour into one episode of BattleStar Galactica.
For what it is worth (meaning taking the budget into consideration), It's pretty damn good. Sure let's all make fun of the CG monster and the fact that it didn't bleed even when it's head got cut off. But there was a pretty epic setting (Bulgaria), and aside from a couple bad seeds the acting was pretty good, and the Photography was much better than average.
Let's consider the behind the scenes too... "Script", and let's pretend the director had a bit of latitude. The direction was very good. Most people say "garbage in - garbage out". I feel given what there was to work with the director made the most of it and pulled it off deserving praise. And you don't have to even have liked the flick to approach it in a critical way like this.
In my opinion this is a great forum to discuss all aspects of any release. My only piece of advice is to please not react in a knee-jerk way immediately after you've condemned someone's creative work. Great constructive criticism takes just as much effort and introspection. It's really easy to say something sucks; people likely won't pay you much attention though unless you do it constructively.
For what it is worth (meaning taking the budget into consideration), It's pretty damn good. Sure let's all make fun of the CG monster and the fact that it didn't bleed even when it's head got cut off. But there was a pretty epic setting (Bulgaria), and aside from a couple bad seeds the acting was pretty good, and the Photography was much better than average.
Let's consider the behind the scenes too... "Script", and let's pretend the director had a bit of latitude. The direction was very good. Most people say "garbage in - garbage out". I feel given what there was to work with the director made the most of it and pulled it off deserving praise. And you don't have to even have liked the flick to approach it in a critical way like this.
In my opinion this is a great forum to discuss all aspects of any release. My only piece of advice is to please not react in a knee-jerk way immediately after you've condemned someone's creative work. Great constructive criticism takes just as much effort and introspection. It's really easy to say something sucks; people likely won't pay you much attention though unless you do it constructively.
I work at a Blockbuster store and every week we have movies that come in with just a few copies, these are the kind of movies that the Sci-Fi channel shows. The kind of movie that nobody ever wants, and only that idiots rent, when they bring it back I ask them "was it any good?", they say "no we turned it off after 15 minutes!" Movies with terrible computer generated, super imposed monsters and such like, very unappealing.
This is the same type of movie that Grendel is, and absolute waste of time, if you want a reasonably (and only reasonably) good Beowulf based movie then try Beowulf & Grendel , starring Gerard Butler, who is also starring in the eagerly anticipated 300, as King Leonidas of Sparta.
Plus, later this year we have another Beowulf movie, with a star studded cast ranging from Anthony Hopkins and Brendan Gleeson, to Angelina Jolie and John Malkovich.
But don't let that get your hopes up like we all did with Eragon, or we are all in for another big disappointment.
And regarding rentals, here is my rule of thumb: If there is only one or two copies, don't rent it because its a load of crap.( This is true 99.9% of the time, usually not true if the title is foreign, or a documentary.)
This is the same type of movie that Grendel is, and absolute waste of time, if you want a reasonably (and only reasonably) good Beowulf based movie then try Beowulf & Grendel , starring Gerard Butler, who is also starring in the eagerly anticipated 300, as King Leonidas of Sparta.
Plus, later this year we have another Beowulf movie, with a star studded cast ranging from Anthony Hopkins and Brendan Gleeson, to Angelina Jolie and John Malkovich.
But don't let that get your hopes up like we all did with Eragon, or we are all in for another big disappointment.
And regarding rentals, here is my rule of thumb: If there is only one or two copies, don't rent it because its a load of crap.( This is true 99.9% of the time, usually not true if the title is foreign, or a documentary.)
- englander_13
- Jan 13, 2007
- Permalink
- AnimeKingGT12
- Jan 12, 2007
- Permalink
I first became acquainted with the story of Beowulf when, in high school, I was forced to read the first twenty lines of it in the original Anglo-Saxon (with a glossary, of course). It's an old story about a champion who comes to the aid of the Kingdom of the Danes which has been beset by a monster by the name of (Surprise!) Grendl. If you've read the story already, you know how it comes out. If not, try this film.
This is a fairly accurate retelling of Beowulf, which is the reason I gave it a "5." However, certain of the characterizations are not terrific, and production values aren't very valued. Chris Bruno, in the lead role, works hard to bring dimension to a role which, at the very best, is one-dimensional. Beowulf, after all, is a Hero, and heroes don't have to be well-rounded -- just strong and brave. Ben Cross doesn't seem to have his real voice, and Marina Syrtis, of Star Trek Next Generation fame, looks haggard and old. The supporting players, I think, were chosen more for their willingness to work for scale rather than for their talent.
The CGI monsters, unfortunately, are poorly executed and not very scary. If it wasn't for the fact that the original story has a strong plot, the writing, which tries very hard to be good, winds up being long-winded and silly. The production design and costuming is about what one might expect from a low-budget film -- Suffice it to say that Beowulf's troop all wear horned helmets -- something that one usually only sees in grandiose productions of Wagner.
All in all, the movie is about what one would expect to see on a boring Saturday night. And you need to be very bored to enjoy it.
This is a fairly accurate retelling of Beowulf, which is the reason I gave it a "5." However, certain of the characterizations are not terrific, and production values aren't very valued. Chris Bruno, in the lead role, works hard to bring dimension to a role which, at the very best, is one-dimensional. Beowulf, after all, is a Hero, and heroes don't have to be well-rounded -- just strong and brave. Ben Cross doesn't seem to have his real voice, and Marina Syrtis, of Star Trek Next Generation fame, looks haggard and old. The supporting players, I think, were chosen more for their willingness to work for scale rather than for their talent.
The CGI monsters, unfortunately, are poorly executed and not very scary. If it wasn't for the fact that the original story has a strong plot, the writing, which tries very hard to be good, winds up being long-winded and silly. The production design and costuming is about what one might expect from a low-budget film -- Suffice it to say that Beowulf's troop all wear horned helmets -- something that one usually only sees in grandiose productions of Wagner.
All in all, the movie is about what one would expect to see on a boring Saturday night. And you need to be very bored to enjoy it.
I understand this movie was made on a very low budget but that is no excuse for the monstrosity that is Grendel. Deathstalker, The Throne of Fire, Barbarian Queen, Conquest, the Invincible Barbarian were all done on shoestring budgets and poor special effects yet they still managed to create cult classics by adding some scantily clad women warriors and a good sense of humor. The primitive costumes, dark castles and beautiful Bulgarian landscape gave Grendel the potential to be a very good low budget sword and sorcery film, but the makers completely ruined this opportunity by using extremely poor CGI effects and colorless characters. Compare this film to Beowulf (1999). It may not be Citizen Kane but it is a good example of how an entertaining low budget sci-fi/ adventure movie can be made by using credible special effects and appealing characters.
- fearfulofspiders
- Sep 26, 2008
- Permalink
And thats about all that is. This thing is slow. The actors have ability, they just don't seem motivated to put forth the effort. The plot isn't that great and is hampered further by the aforementioned slowness of it all. The accents, when there are any, are British. Uh, lots of these folks are supposed to be Danes. OK, OK, accents aren't that important. But language is. I don't think they used words like "yeah" and "OK" in Beowulf's day. And that supposedly way cool weapon his king gave him? Did he ever reload that thing? Did he ever sight it in? Or was Beowulf just that bad an aim? Well, his aim did at least match the computer graphics used in generating the monsters. Those were rather off too. Bad special effects. Bright spot? Just one that I can think of. Marina Sirtis has held up well over the years.
- KennethEagleSpirit
- Jan 12, 2007
- Permalink
For such a great classic tale, the setting (location), Grendel was disappointing. As a writer, I blame the script which completely lacked dramatic tension. The rubric of the club story is useful and would have provided a new take on the literary classic. For some weird reason that rubric was dropped early on. To know this was shot in 21 days says to me, "rushed" and it unfortunately shows. Now we'll have to wait for the Hollywood version on the big screen. I word on FX, I can tolerate really crappy CGI but the script has to rock and this one was just too slow, spartan and lacking in drama. I'd blame it on the actors but... since I know writing more than acting, I'll pick on my colleague.
I watched this movie on Sci Fi Channel and I really enjoyed it. It was a fun movie. The animated monsters were a bit fake sometimes, but also really good sometimes. But all in all, the story was well told and the acting was good. I especially like Ben Cross and the guy who acted Unferth. But Beowulf was also good. I think that for a TV movie it also had a nice style and looked really good. Not like some other things on that channel. Different than other stuff. Admitedly, I don't really know the original Beowulf tale, and I'm sure he didn't have a crossbow that fires explosive heads. But it was a retelling, so why not. It's in good fun and well done. I hope to see more like it from the Sci Fi Channel!
MissBulg
MissBulg
- supervixen7
- Jan 14, 2007
- Permalink
- Captain_Quint
- Jan 16, 2007
- Permalink
I had to read Beowulf several times in high school and college for English lit classes. I'm gong to find my old books and see how far off the movie was from the poem.
Just to get through the movie (I taped it) I started doing something else. Rewinded a scene or two.
The acting was so-so. I kept thinking, okay, Ben Cross has found steady work over the years, but steady, quality work?
Like someone previously posted, the sets were the highlight. Don't know if the sets actually existed or were in a studio. Need to check that out.
Just to get through the movie (I taped it) I started doing something else. Rewinded a scene or two.
The acting was so-so. I kept thinking, okay, Ben Cross has found steady work over the years, but steady, quality work?
Like someone previously posted, the sets were the highlight. Don't know if the sets actually existed or were in a studio. Need to check that out.
I was expecting the movie based on Grendel, the book written by John Gardner in the late 1970's. It was based on the Beowulf epic, but told from the perspective of the monster.
Whatever you may think of Gardner's book, a movie based on the Beowulf epic should not be entitled Grendel, when it doesn't say anything more about the monster beyond the few pathetic scenes in which the CG monster is shown as nothing more than a modified Predator.
On top of this, the writers should also be punished for screwing up the original story so badly and contributing to the continued growing ignorance of mass TV audiences throughout the US.
Typical Hollywood to get this so wrong.
Very disappointing and a complete waste of time.
Whatever you may think of Gardner's book, a movie based on the Beowulf epic should not be entitled Grendel, when it doesn't say anything more about the monster beyond the few pathetic scenes in which the CG monster is shown as nothing more than a modified Predator.
On top of this, the writers should also be punished for screwing up the original story so badly and contributing to the continued growing ignorance of mass TV audiences throughout the US.
Typical Hollywood to get this so wrong.
Very disappointing and a complete waste of time.