When a machine that allows therapists to enter their patients' dreams is stolen, all hell breaks loose. Only a young female therapist, Paprika, can stop it.When a machine that allows therapists to enter their patients' dreams is stolen, all hell breaks loose. Only a young female therapist, Paprika, can stop it.When a machine that allows therapists to enter their patients' dreams is stolen, all hell breaks loose. Only a young female therapist, Paprika, can stop it.
- Awards
- 6 wins & 5 nominations
Megumi Hayashibara
- Paprika
- (voice)
- …
Tôru Emori
- Inui Sei-jiroh
- (voice)
Tôru Furuya
- Tokita Kohsaku
- (voice)
Kôichi Yamadera
- Osanai Morio
- (voice)
Hideyuki Tanaka
- Guy
- (voice)
Satomi Kôrogi
- Japanese Doll
- (voice)
Daisuke Sakaguchi
- Himuro Kei
- (voice)
Mitsuo Iwata
- Tsumura Yasushi
- (voice)
Rikako Aikawa
- Kakimoto Nobue
- (voice)
Shin'ichirô Ôta
- Reporter
- (voice)
Satoshi Kon
- Jin-nai
- (voice)
Yasutaka Tsutsui
- Kuga
- (voice)
Brian Beacock
- Hajime Himuro
- (English version)
- (voice)
- …
Doug Erholtz
- Dr. Morio Osanai
- (English version)
- (voice)
Michael Forest
- Dr. Seijiro Inui
- (English version)
- (voice)
Shin'ya Fukumatsu
- Magician
- (voice)
- (as Shinya Fukumatsu)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaWhen Paprika interviews Konakawa in his filmmaker guise, his mannerisms and appearance resemble that of Akira Kurosawa.
- ConnectionsFeatured in WatchMojo: Top 10 Beautiful Animated Movies (2014)
- SoundtracksParade
Composed and Performed by Susumu Hirasawa
Featured review
I saw this two days ago at the New York Film Festival.
The plot: What happens when we acquire technology that allows us to migrate the boundary between dreams & reality, and what happens when that boundary blurs?
The Animation: Stunning; Madhouse always does good work and Kon's movies always produce some fun reality bending sequences.
The Music: Susumu Hirasawa who did the Paranoia Agent soundtrack came up with the score here too. The opening song is a particularly infectious number. It makes you smiley. It's like the opening song from Paranoia Agent on steroids. I really could not get the grin off my face till the beginning sequence ended.
The Cast: The voice cast is headed by Megumi Hayashibara, probably the most prolific and well known female seiyuu ever, with roles such as Rei Ayanami (Evangelion), Lina Inverse (Slayers), and Faye Valentine (Cowboy Bebop) to her credit. Akio Ohtsuka and Koichi Yamadera, Batou & Togusa of Ghost in the Shell fame, both play major roles as well. All do a fabulous job as usual, but Hayashibara really shines in her Paprika role.
This film has great animation, music & actors, but the plot is really just a thin veneer for the lucid dreaming sequences that permeate so much of Satoshi Kon's work. I still recommend seeing it because it's a really light fun film, but I don't think it adds up to being more than the sum of some really great parts. I think this one needs to be enjoyed in pieces rather than as a whole.
The plot: What happens when we acquire technology that allows us to migrate the boundary between dreams & reality, and what happens when that boundary blurs?
The Animation: Stunning; Madhouse always does good work and Kon's movies always produce some fun reality bending sequences.
The Music: Susumu Hirasawa who did the Paranoia Agent soundtrack came up with the score here too. The opening song is a particularly infectious number. It makes you smiley. It's like the opening song from Paranoia Agent on steroids. I really could not get the grin off my face till the beginning sequence ended.
The Cast: The voice cast is headed by Megumi Hayashibara, probably the most prolific and well known female seiyuu ever, with roles such as Rei Ayanami (Evangelion), Lina Inverse (Slayers), and Faye Valentine (Cowboy Bebop) to her credit. Akio Ohtsuka and Koichi Yamadera, Batou & Togusa of Ghost in the Shell fame, both play major roles as well. All do a fabulous job as usual, but Hayashibara really shines in her Paprika role.
This film has great animation, music & actors, but the plot is really just a thin veneer for the lucid dreaming sequences that permeate so much of Satoshi Kon's work. I still recommend seeing it because it's a really light fun film, but I don't think it adds up to being more than the sum of some really great parts. I think this one needs to be enjoyed in pieces rather than as a whole.
- Rustmonster
- Oct 8, 2006
- Permalink
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Kẻ Trộm Giấc Mơ
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- ¥300,000,000 (estimated)
- Gross US & Canada
- $882,267
- Opening weekend US & Canada
- $35,593
- May 27, 2007
- Gross worldwide
- $961,196
- Runtime1 hour 30 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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