A young woman who was missing reappears, but she claims to be someone else entirely.A young woman who was missing reappears, but she claims to be someone else entirely.A young woman who was missing reappears, but she claims to be someone else entirely.
- Awards
- 8 wins & 4 nominations
Garcelle Beauvais
- Agent Julie Bascome
- (as Garcelle Beauvais-Nilon)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaLindsay Lohan's legal issues became a problem during filming. Some days she showed up late, some days she didn't show up at all. While filming the climax and reshoots, Chris Sivertson used a body double, and digitally replaced her face with Lohan's for the days she wasn't on set.
- GoofsThe tape of the autopsy report for the first victim states that her fingers were cut off first, then the metacarpals (palm bones) were removed later. Given that when she is found her entire limb is missing up to her mid-forearm, how could the coroner possibly tell not only that the missing part was not all removed at once, but which bits were cut off in which order?
- Quotes
[after having sex with Jerrod]
Dakota Moss: Did she ever fuck you like that?
[pause; Jerrod doesn't answer]
Dakota Moss: Did she ever fuck you at all?
[again, Jerrod doesn't answer]
Dakota Moss: Do you think she'd start now?
- ConnectionsFeatured in Siskel & Ebert: The Worst of 2007 (2008)
- SoundtracksObscene Strategies
Written and Performed by Trans Am
Courtesy of Thrill Jockey Records
By Arrangement with Bank Robber Music
Featured review
This movie was bad. Just bad. It wasn't scary or interesting or even unintentionally funny in the slightest. The acting was so wooden and unbelievable it was like a high school production. The lines were some of the corniest I have ever heard this side of "Stay Alive". The plot made absolutely no sense. I really didn't care who Dakota or the serial killer were or where the Aubrey had gone. This is Screen writing 101: You need to care about the characters! I guess the writer of this movie missed that class.
So much of it was just disgusting, too. Some scenes were so graphic I actually had to turn my head away. For example, where Dakota sews on a bloody and gangrenous finger with a needle and thread, or where the "killer" or whatever puts Aubrey's hands between dry ice and when he pulls them apart her rotting hand is pulled in half. Other repulsive scenes were the ones where Lindsay Lohan was pole dancing at a strip club. It's like the writer couldn't decide which avenue he wanted to take the movie down, gory violent thriller, or a drama/suspense movie, and in the end compromised with a boring, lifeless story with lots of blood and gore.
And what was with all the blue items everywhere? Did the director think he was being "artsy"? The blue computer, the blue curtains, the blue roses, even the knife the killer used was blue! It was not like "The Sixth Sense" with the color red, where it was subtle and if you weren't looking for it you wouldn't notice. Every item was blue, and the whole film looked tinted blue like the director was using a blue filter. That was one of the only things consistent throughout this movie. It was as if the director needed to make certain you couldn't forget which movie you were watching, just in case you nod off for a few minutes or something.
Another irritating thing were the police officers. Honestly, I don't know if the writer/director of this film figured that no one would have the slightest idea of how real cops work, or if they just didn't want to put in the research to find out for themselves, but every scene with the cops was so unbelievable, and the actors portrayed them too like they'd never seen one before. Maybe it was the lines that were poorly written, but they had no emotion! Turn on Law & Order or CSI once and a while and see how cops really talk and what terms they really use. And then they just suddenly inexplicably disappeared for the rest of the movie, like so many other plot holes. Did they solve the case? Did they lose interest? Or was the writer just too lazy or disinterested to fix that particular plot hole? There are so many nonsensical parts to this movie it's just embarrassing.
Towards the end of the movie the "plot" starts unraveling and the ending itself makes absolutely no sense, and you really don't care to make sense of it, you just want it over! I guess there's an alternate ending that might shed some more light on this, but I haven't seen it and all I have to go off of was the movie I saw in theaters. I wasn't able to figure out if Dakota was just made up or if she was real, and by the end all I cared about was leaving the theater.
So much of it was just disgusting, too. Some scenes were so graphic I actually had to turn my head away. For example, where Dakota sews on a bloody and gangrenous finger with a needle and thread, or where the "killer" or whatever puts Aubrey's hands between dry ice and when he pulls them apart her rotting hand is pulled in half. Other repulsive scenes were the ones where Lindsay Lohan was pole dancing at a strip club. It's like the writer couldn't decide which avenue he wanted to take the movie down, gory violent thriller, or a drama/suspense movie, and in the end compromised with a boring, lifeless story with lots of blood and gore.
And what was with all the blue items everywhere? Did the director think he was being "artsy"? The blue computer, the blue curtains, the blue roses, even the knife the killer used was blue! It was not like "The Sixth Sense" with the color red, where it was subtle and if you weren't looking for it you wouldn't notice. Every item was blue, and the whole film looked tinted blue like the director was using a blue filter. That was one of the only things consistent throughout this movie. It was as if the director needed to make certain you couldn't forget which movie you were watching, just in case you nod off for a few minutes or something.
Another irritating thing were the police officers. Honestly, I don't know if the writer/director of this film figured that no one would have the slightest idea of how real cops work, or if they just didn't want to put in the research to find out for themselves, but every scene with the cops was so unbelievable, and the actors portrayed them too like they'd never seen one before. Maybe it was the lines that were poorly written, but they had no emotion! Turn on Law & Order or CSI once and a while and see how cops really talk and what terms they really use. And then they just suddenly inexplicably disappeared for the rest of the movie, like so many other plot holes. Did they solve the case? Did they lose interest? Or was the writer just too lazy or disinterested to fix that particular plot hole? There are so many nonsensical parts to this movie it's just embarrassing.
Towards the end of the movie the "plot" starts unraveling and the ending itself makes absolutely no sense, and you really don't care to make sense of it, you just want it over! I guess there's an alternate ending that might shed some more light on this, but I haven't seen it and all I have to go off of was the movie I saw in theaters. I wasn't able to figure out if Dakota was just made up or if she was real, and by the end all I cared about was leaving the theater.
- littlebittypretty1
- Jan 21, 2008
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Tôi Biết Kẻ Giết Mình
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $12,000,000 (estimated)
- Gross US & Canada
- $7,498,716
- Opening weekend US & Canada
- $3,506,291
- Jul 29, 2007
- Gross worldwide
- $9,669,758
- Runtime1 hour 45 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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