17 reviews
There's nothing invisible about the target in Benny Chan's latest movie Invisible Target. And in actuality, it seems that the constant target for everyone in the movie here, be they the bad guys or the good cops, are the plenty of glass lying around, getting smashed into smithereens by hurled projectiles, or more frequently, human bodies. See that nice looking glass window? It'll be smashed soon. Or that double panel glass facade? Yup, as soon as you notice it, the next scene will show it in a million bits on the floor with a writhing body. It could be aptly titled Glass Target.
But don't get me wrong. Invisible Target is still enjoyable, in that it brings to you the flavour of a typical Hong Kong action movie, with Benny Chan at the helm. As we slowly get nauseated by the frequent mole versus mole plots that Hong Kong crime thrillers formula usually adopted (no thanks to the success of you know what), I thought Invisible Target was reminiscent about an old John Woo movie Hard Boiled, except that it's minus the guns, and instead you get plenty of fisticuffs. A similarly long drawn out ending was a little too tedious to sit through, though it had its fair share of big bangs and segmented action sequences which tried hard to hold your attention. Teahouses remain perfect locales for fights to break out (as in Hard Boiled), and here, it serves as a male bonding moment for our three heroic cops Chan Chun (Nicholas Tse), Fong Yik-wei (Shawn Yue) and Jaycee Chan's Wai King-ho.
But in between the action, are the woefully painful monologues that the villain Tien Yeng- seng (Wu Jing) and his merry gang of 7 (which includes Andy On as brother Yeng-yee) dish out, trying to philosophize their actions as "I'm a villain so I kill", and about justice-injustice in the world. Wu Jing again never failed to disappoint, as he has this charismatic aura around him which doesn't dissipate when he whups everyone's rear, hard! We've seen what he can do in SPL, now watch him do that with double the speed and intensity, and on thrice the number of victims. If anything, Invisible Target is a Wu Jing movie, and one in which I'm not surprised if many actually throw their weight of support behind him. It's a movie that the villain outshines the heroes easily.
With three distinct cops, Invisible Target actually spends a considerable amount of time introducing them one by one. Nicholas' Chan is always brooding, and a reckless one in that he's mourning the loss of his fiancée. He's out to get Tien because she happened to be collateral damage. Shawn's Fong is arrogant, until he's made to eat lead (in a scene you have to see to believe) by Tien, and his bruised ego says he must take the villain down. And Jacycee's Wai is probably the wimpiest of the lot, being a by-the-books street cop who's investigating the disappearance of his brother (do a double take on that cameo!), who might have fallen into Tien's hands. It's no doubt too that all of them are skilled in martial arts, and at any time would prefer to holster their weapons.
Nicholas and Shawn are no newcomers to action, having starred together in recent movies like Dragon Tiger Gate, and thank goodness they've ditched their long locks in that movie for contemporary shorter crop here. And while the two of them are relatively old hands in the industry, I can't help but wince each time Jaycee is on screen. For starters, he's the son of the legendary Jackie Chan, and in Invisible Target, I can't help picture it's a younger Jackie being beaten , battered and bruised. It didn't help that his character, the most naive and innocent of the lot, is in total contrast to the classic cop characters his father portrayed, and I surely think it was deliberate that he remains the least buff of the lot, with many goody-two-shoes scenes occasionally played out for comedy, or to reinforce that he's basically a cut above the rest of the good cops in terms of having a good natured character. Characters like his are hard to come by in an age where grittier cinematic cops roam the street.
So while big brothers Nicholas and Shawn get some fantastical set action pieces to show off their mettle, Jaycee got the shorter end of the stick by being quite a deadweight at times. Oh, and what of Elanne Kwong's role? Sadly there isn't too much for a pretty lass to do since her character Leung works in the Police Intelligence department, and doesn't get directly involved when the going gets tough. A typical flower vase role unfortunately, for a combined screen time of less than 5 minutes.
Despite its reliance on hard hitting action dished out by the actors themselves, and in all purpose are as realistic as they look with the obvious wire work seen in the trailers drastically reduced, a few noticeable continuity errors marred the enjoyment of the movie at times. Invisible Target had all the ingredients for a classic action movie, but the run time of more than 2 hours was due to an overindulgence with the slower moments which were fused with a couple of "I'm a cop" moments, and feel good messages rammed down your throat.
And what do you know, Invisible Target still can't shake off the mole versus mole type plot line, unfortunately. If it could have been a little more compact, and gotten to the point faster than it did, it would have been a tad more enjoyable, given the wealth of cameo/ supporting talent at its disposal, like Sam Lee (Dog Bite Dog) and the evergreen Lam Suet, rather than feel the need to tie up all the loose subplots it introduced, and exposing some technical loopholes in some action sequences.
But don't get me wrong. Invisible Target is still enjoyable, in that it brings to you the flavour of a typical Hong Kong action movie, with Benny Chan at the helm. As we slowly get nauseated by the frequent mole versus mole plots that Hong Kong crime thrillers formula usually adopted (no thanks to the success of you know what), I thought Invisible Target was reminiscent about an old John Woo movie Hard Boiled, except that it's minus the guns, and instead you get plenty of fisticuffs. A similarly long drawn out ending was a little too tedious to sit through, though it had its fair share of big bangs and segmented action sequences which tried hard to hold your attention. Teahouses remain perfect locales for fights to break out (as in Hard Boiled), and here, it serves as a male bonding moment for our three heroic cops Chan Chun (Nicholas Tse), Fong Yik-wei (Shawn Yue) and Jaycee Chan's Wai King-ho.
But in between the action, are the woefully painful monologues that the villain Tien Yeng- seng (Wu Jing) and his merry gang of 7 (which includes Andy On as brother Yeng-yee) dish out, trying to philosophize their actions as "I'm a villain so I kill", and about justice-injustice in the world. Wu Jing again never failed to disappoint, as he has this charismatic aura around him which doesn't dissipate when he whups everyone's rear, hard! We've seen what he can do in SPL, now watch him do that with double the speed and intensity, and on thrice the number of victims. If anything, Invisible Target is a Wu Jing movie, and one in which I'm not surprised if many actually throw their weight of support behind him. It's a movie that the villain outshines the heroes easily.
With three distinct cops, Invisible Target actually spends a considerable amount of time introducing them one by one. Nicholas' Chan is always brooding, and a reckless one in that he's mourning the loss of his fiancée. He's out to get Tien because she happened to be collateral damage. Shawn's Fong is arrogant, until he's made to eat lead (in a scene you have to see to believe) by Tien, and his bruised ego says he must take the villain down. And Jacycee's Wai is probably the wimpiest of the lot, being a by-the-books street cop who's investigating the disappearance of his brother (do a double take on that cameo!), who might have fallen into Tien's hands. It's no doubt too that all of them are skilled in martial arts, and at any time would prefer to holster their weapons.
Nicholas and Shawn are no newcomers to action, having starred together in recent movies like Dragon Tiger Gate, and thank goodness they've ditched their long locks in that movie for contemporary shorter crop here. And while the two of them are relatively old hands in the industry, I can't help but wince each time Jaycee is on screen. For starters, he's the son of the legendary Jackie Chan, and in Invisible Target, I can't help picture it's a younger Jackie being beaten , battered and bruised. It didn't help that his character, the most naive and innocent of the lot, is in total contrast to the classic cop characters his father portrayed, and I surely think it was deliberate that he remains the least buff of the lot, with many goody-two-shoes scenes occasionally played out for comedy, or to reinforce that he's basically a cut above the rest of the good cops in terms of having a good natured character. Characters like his are hard to come by in an age where grittier cinematic cops roam the street.
So while big brothers Nicholas and Shawn get some fantastical set action pieces to show off their mettle, Jaycee got the shorter end of the stick by being quite a deadweight at times. Oh, and what of Elanne Kwong's role? Sadly there isn't too much for a pretty lass to do since her character Leung works in the Police Intelligence department, and doesn't get directly involved when the going gets tough. A typical flower vase role unfortunately, for a combined screen time of less than 5 minutes.
Despite its reliance on hard hitting action dished out by the actors themselves, and in all purpose are as realistic as they look with the obvious wire work seen in the trailers drastically reduced, a few noticeable continuity errors marred the enjoyment of the movie at times. Invisible Target had all the ingredients for a classic action movie, but the run time of more than 2 hours was due to an overindulgence with the slower moments which were fused with a couple of "I'm a cop" moments, and feel good messages rammed down your throat.
And what do you know, Invisible Target still can't shake off the mole versus mole type plot line, unfortunately. If it could have been a little more compact, and gotten to the point faster than it did, it would have been a tad more enjoyable, given the wealth of cameo/ supporting talent at its disposal, like Sam Lee (Dog Bite Dog) and the evergreen Lam Suet, rather than feel the need to tie up all the loose subplots it introduced, and exposing some technical loopholes in some action sequences.
- DICK STEEL
- Jul 16, 2007
- Permalink
Sometimes I'm a bit surprised when IMDb ratings jive with what I'd rate a movie on a 1-10 scale. I think this movie is a pretty solid 7 so I'm glad to see that's pretty much where it is. But enough of that, onto the movie itself.
Released around the same time (and probably competing for much of the same audience) as the fantastic Donnie Yen movie Flash Point, Invisible Target provides some legitimate competition, albeit in the same sort of tired fashion of OCB cops doing the wrong things for the right reasons. If you're at all a fan of HK cinema you've no doubt seen this plot done to death but for some reason you're still a sucker for it. The fight scenes are very well done (would you expect any less from Jackie Chan's son?), the movie seems for the most part well paced, and it's got a solid story.
Now for the bad news. There's not much mind you, but there's some. First of all, for me, the movie seemed too long for it's own good. Yeah, it's only 2 hours but at points it feels stretched and padded for time. Where Flash Point is quite a bit shorter, it leaves you wanting a little more whereas Invisible Target makes you feel like you got too much. And the glass, oh the glass! Don't get too attached to anything breakable in this movie because it will invariably be punched through, kicked through, or fallen through. HK glass makers no doubt loved this movie...it's putting their kids through university.
All in all I'd definitely recommend this movie to anyone who's a fan of contemporary kung fu...just make sure you've got a good chunk of time set aside to watch it.
Released around the same time (and probably competing for much of the same audience) as the fantastic Donnie Yen movie Flash Point, Invisible Target provides some legitimate competition, albeit in the same sort of tired fashion of OCB cops doing the wrong things for the right reasons. If you're at all a fan of HK cinema you've no doubt seen this plot done to death but for some reason you're still a sucker for it. The fight scenes are very well done (would you expect any less from Jackie Chan's son?), the movie seems for the most part well paced, and it's got a solid story.
Now for the bad news. There's not much mind you, but there's some. First of all, for me, the movie seemed too long for it's own good. Yeah, it's only 2 hours but at points it feels stretched and padded for time. Where Flash Point is quite a bit shorter, it leaves you wanting a little more whereas Invisible Target makes you feel like you got too much. And the glass, oh the glass! Don't get too attached to anything breakable in this movie because it will invariably be punched through, kicked through, or fallen through. HK glass makers no doubt loved this movie...it's putting their kids through university.
All in all I'd definitely recommend this movie to anyone who's a fan of contemporary kung fu...just make sure you've got a good chunk of time set aside to watch it.
- Heislegend
- Sep 17, 2007
- Permalink
"Invisible Target" ("Naam Yi Boon Sik") was really an adrenaline rush like none other. And it is well-suited for anyone who went through the late 1980s and early-mid 1990s watching Chow Yun Fat movies. There is a lot of action in the movie, in the likes of gunfights, martial arts and chase scenes.
The story is about three very different police officers in the Hong Kong police who are chasing after a group of criminals on a wild chase taking them wide and far around Hong Kong. The officers are heartbroken Detective Chan Chun (played by Nicholas Tse) who lost his fiancée in an explosion during a robbery of an armored truck, the arrogant Inspector Carson Fong Yik Wei (played by Shawn Yue) and fresh-out-of-the-academy officer Wai King Ho (played by Jaycee Chan). Who is the mastermind behind the well-orchestrated robbery, and whom can they trust?
"Invisible Target" is driven by a great story that comes off a very plausible and realistic, but it is also driven by the non-stop action, not to mention the vivid and detailed characters.
The people cast for the various roles really did good jobs with their given roles, and that really helped the movie well along.
Being a fan of Hong Kong cinema and having lived there myself, I found this movie very enjoyable, especially because it does show off a lot of aspects of Hong Kong, not just showing the glamour, fluorescent lights and the rich and famous.
I will say that that music score for the movie wasn't all that impressive, and it was not standing out in anyway. It was mostly just faded into the background and hardly noticeable. But towards the end, it ticks over and becomes rather irritating.
"Invisible Target" is highly recommendable for people who enjoy Asian movies and action movies in particular. It is a worthy movie in any movie aficionado's DVD collection.
The story is about three very different police officers in the Hong Kong police who are chasing after a group of criminals on a wild chase taking them wide and far around Hong Kong. The officers are heartbroken Detective Chan Chun (played by Nicholas Tse) who lost his fiancée in an explosion during a robbery of an armored truck, the arrogant Inspector Carson Fong Yik Wei (played by Shawn Yue) and fresh-out-of-the-academy officer Wai King Ho (played by Jaycee Chan). Who is the mastermind behind the well-orchestrated robbery, and whom can they trust?
"Invisible Target" is driven by a great story that comes off a very plausible and realistic, but it is also driven by the non-stop action, not to mention the vivid and detailed characters.
The people cast for the various roles really did good jobs with their given roles, and that really helped the movie well along.
Being a fan of Hong Kong cinema and having lived there myself, I found this movie very enjoyable, especially because it does show off a lot of aspects of Hong Kong, not just showing the glamour, fluorescent lights and the rich and famous.
I will say that that music score for the movie wasn't all that impressive, and it was not standing out in anyway. It was mostly just faded into the background and hardly noticeable. But towards the end, it ticks over and becomes rather irritating.
"Invisible Target" is highly recommendable for people who enjoy Asian movies and action movies in particular. It is a worthy movie in any movie aficionado's DVD collection.
- paul_haakonsen
- Jul 16, 2012
- Permalink
Director Benny Chang's fast paced crime thriller follows three Hong Kong cops relentlessly pursuing a ruthless gang of highly skilled crooks and murderers.
More entertaining and absorbing than you might expect, it's not often that action films which are over two hours long can hold the audience's attention for the duration, but in this case the film rarely retreats from the explosive opening scene. Perhaps it dwells for too long on the inherent good nature of the police officers, and there are no strong female characters worth noting. However, if it's violence, explosions and a possibly interpretive subtext you're after, this is a film you are more than likely going to enjoy.
Guns, martial arts, explosions, stunts and a pinch of philosophy: Invisible Target is a film almost as thought provoking as it is entertaining. IT
More entertaining and absorbing than you might expect, it's not often that action films which are over two hours long can hold the audience's attention for the duration, but in this case the film rarely retreats from the explosive opening scene. Perhaps it dwells for too long on the inherent good nature of the police officers, and there are no strong female characters worth noting. However, if it's violence, explosions and a possibly interpretive subtext you're after, this is a film you are more than likely going to enjoy.
Guns, martial arts, explosions, stunts and a pinch of philosophy: Invisible Target is a film almost as thought provoking as it is entertaining. IT
- thisissubtitledmovies
- Aug 30, 2010
- Permalink
The action is great, and all the fight scenes are great. The only issue is that in the middle, the movie trails off and sort of becomes a "buddy cop comedy" thing for a while, which takes the movie down and just adds unneeded minutes to this film.
It is too long and needed some more editing to trim it down to a good 90 minutes. Overall the action is really good even if they are pushing Jackie Chan's kid a little too hard in this movie. They also give him a very very cheesy melodramatic scene towards the end which is kinda cringy. None of it worked and his career kinda went downhill and it is pretty much dead at this point.
Anyways, 7/10.
It is too long and needed some more editing to trim it down to a good 90 minutes. Overall the action is really good even if they are pushing Jackie Chan's kid a little too hard in this movie. They also give him a very very cheesy melodramatic scene towards the end which is kinda cringy. None of it worked and his career kinda went downhill and it is pretty much dead at this point.
Anyways, 7/10.
- RaidersOfTheLostCommunist
- Aug 12, 2021
- Permalink
Summer again and probably most of you think Flashpoint is the one to watch this season. Maybe, but now it sure has its work cut out for it, with an amazingly satisfying, over the top, touching and down right honorable release from dear old Benny Chan.
Mr. Chan's New Police Story was an admitted wink at good action things past, and Invisible Target bears the same hallmarks of quality only much better implemented.
Ostensibly, it's a promising flick with a strong cast finally heralding the return of two of this reviewer's fave tough guys: enigmatic and oft crazed Shawn Yue and sulking, intellectual trouble maker Nicholas Tse.
Of course a lot could still go wrong but it dawns on one that Invisible Target is an awesome movie right from the first scene when they proceed to blow things up with extreme prejudice smack in the middle of Hong Kong's Central business area, namely Queen's Road.
Yes, Eye in the Sky had a heist taking place in the same locale, but that one was pale and forgettable. Here we have a ballsy depiction of crooks on the loose that brings a tear to the most jaded of eyes as you sit there reminding yourself that this isn't merely how they used to make them, here they are, making them like that in this day and age.
Oh yes, just like New Police Story, Invisible Target has kick ass villains, headed by martial artist Wu Jing, whose deranged but respectable streak was previously flexed in SPL. The guy's simply spectacular as a bad guy, as is cool dude Andy On. Andy shone in New Police Story alongside Daniel Wu, and here he's even better, adding a sensible, human side to his nefarious character.
Indeed, the antagonists here are all well done and conspicuously Putonghua speakers. Hmmm. Regardless, they help make Invisible Target an excellent release you must not miss out on.
As we behold, the baddies wreak havoc in jolly HK, setting in motion a storyline that has Inspector Tequila-inspired Shawn and Nicholas go after them with a vengeance, aided by Jaycee Chan who for once is truly impressive and adds much to the story.
The three cops engage with the demented robbers across a variety of locations, using fists, feet, guns, cars and a variety of other tools. This movie is a field day for makers of breakaway glass everywhere, as literally not a single sheet remains intact for more than a second.
Invisible Target isn't a dour-faced, overly serious affair, it gets the balance between crime drama and lunatic fantasy just right as cops and robbers leap huge heights and take more punishment than your average WWII battleship could ever hope to withstand.
With good supporting appearances from Sam Lee, Lam Suet and even Aaron Kwok, this is out and out a fun, thrilling and gripping film. It's aggressively cartoonish at times but always professional and never coming across ridiculous. It's also atypically long for its genre or for Hong Kong releases in general, coming in at a hefty 130 minutes, which still isn't close to enough.
In the end, good triumphs but there really isn't any evil here, as even the vilest of people seen in the story has an explanation for what they do and a tale to tell, which is an added bonus not to be overlooked.
Plus, how can you say no to the first SDU sighting in a long, long, long time? Yes, they return to battle Wu Jing and his crew, and of course promptly get their posteriors handed to them.
Invisible Target is a frenzied, beautiful assemblage of classical themes (there's even a British cop in the briefing room like in the good old days), gorgeous stunts, mind-boggling explosions, intricate fight scenes and ever-shattering glass partitions.
The macho-sensitive cast is a perfect fit and we're delighted to see them together and on screen again. In fact, aside from giving logic and physical reality as we know it the finger, there's nothing wrong with Invisible Target and I, for one, can't wait to get my hands on the DVD version.
Invisible? Anything but! Don't wait for Flashpoint, get your summer kicks right here, right now.
Mr. Chan's New Police Story was an admitted wink at good action things past, and Invisible Target bears the same hallmarks of quality only much better implemented.
Ostensibly, it's a promising flick with a strong cast finally heralding the return of two of this reviewer's fave tough guys: enigmatic and oft crazed Shawn Yue and sulking, intellectual trouble maker Nicholas Tse.
Of course a lot could still go wrong but it dawns on one that Invisible Target is an awesome movie right from the first scene when they proceed to blow things up with extreme prejudice smack in the middle of Hong Kong's Central business area, namely Queen's Road.
Yes, Eye in the Sky had a heist taking place in the same locale, but that one was pale and forgettable. Here we have a ballsy depiction of crooks on the loose that brings a tear to the most jaded of eyes as you sit there reminding yourself that this isn't merely how they used to make them, here they are, making them like that in this day and age.
Oh yes, just like New Police Story, Invisible Target has kick ass villains, headed by martial artist Wu Jing, whose deranged but respectable streak was previously flexed in SPL. The guy's simply spectacular as a bad guy, as is cool dude Andy On. Andy shone in New Police Story alongside Daniel Wu, and here he's even better, adding a sensible, human side to his nefarious character.
Indeed, the antagonists here are all well done and conspicuously Putonghua speakers. Hmmm. Regardless, they help make Invisible Target an excellent release you must not miss out on.
As we behold, the baddies wreak havoc in jolly HK, setting in motion a storyline that has Inspector Tequila-inspired Shawn and Nicholas go after them with a vengeance, aided by Jaycee Chan who for once is truly impressive and adds much to the story.
The three cops engage with the demented robbers across a variety of locations, using fists, feet, guns, cars and a variety of other tools. This movie is a field day for makers of breakaway glass everywhere, as literally not a single sheet remains intact for more than a second.
Invisible Target isn't a dour-faced, overly serious affair, it gets the balance between crime drama and lunatic fantasy just right as cops and robbers leap huge heights and take more punishment than your average WWII battleship could ever hope to withstand.
With good supporting appearances from Sam Lee, Lam Suet and even Aaron Kwok, this is out and out a fun, thrilling and gripping film. It's aggressively cartoonish at times but always professional and never coming across ridiculous. It's also atypically long for its genre or for Hong Kong releases in general, coming in at a hefty 130 minutes, which still isn't close to enough.
In the end, good triumphs but there really isn't any evil here, as even the vilest of people seen in the story has an explanation for what they do and a tale to tell, which is an added bonus not to be overlooked.
Plus, how can you say no to the first SDU sighting in a long, long, long time? Yes, they return to battle Wu Jing and his crew, and of course promptly get their posteriors handed to them.
Invisible Target is a frenzied, beautiful assemblage of classical themes (there's even a British cop in the briefing room like in the good old days), gorgeous stunts, mind-boggling explosions, intricate fight scenes and ever-shattering glass partitions.
The macho-sensitive cast is a perfect fit and we're delighted to see them together and on screen again. In fact, aside from giving logic and physical reality as we know it the finger, there's nothing wrong with Invisible Target and I, for one, can't wait to get my hands on the DVD version.
Invisible? Anything but! Don't wait for Flashpoint, get your summer kicks right here, right now.
There's smashing glass a-plenty in this Hong Kong action flick that's almost one long running battle between a criminal gang and a trio of upstanding cops. It's a film in which the plotting is completely tired and predictable, pitting the flawed-but-human good guys against an array of almost superhuman and sadistic crims in a variety of arresting chases, shoot-outs and martial arts sequences.
Such stories are by-the-by when it comes to Chinese action cinema. These films fall or stand on their action, and in that respect INVISIBLE TARGET doesn't disappoint. There are some outstanding free-running sequences to tie it in with European fare like DISTRICT 13, excellent choreography in the various combat scenes and plenty of explosive destruction. In many ways the action's a throwback to Hong Kong cinema of the 1980s, with an emphasis on the destruction of scenery and props and in particular glass.
Director Benny Chan delivered the goods in 2004's NEW POLICE STORY and he does so again with the spectacular stuff on display here. Inbetween, the dialogue is fairly leaden and the pacing slow as we watch more tired stuff about corrupt cops and villainous plots. Nicholas Tse and Shawn Yue can do this type of stuff in their sleep: they play one dimensional characters but are great when it comes to fighting, and the same can be said of Wu Jing's ultra-villain. Jackie Chan's lad Jaycee is given plenty of emoting which is slightly tiresome when contrasted with the otherwise great action. INVISIBLE TARGET gets 1/10 for its storyline and 10/10 for the fights.
Such stories are by-the-by when it comes to Chinese action cinema. These films fall or stand on their action, and in that respect INVISIBLE TARGET doesn't disappoint. There are some outstanding free-running sequences to tie it in with European fare like DISTRICT 13, excellent choreography in the various combat scenes and plenty of explosive destruction. In many ways the action's a throwback to Hong Kong cinema of the 1980s, with an emphasis on the destruction of scenery and props and in particular glass.
Director Benny Chan delivered the goods in 2004's NEW POLICE STORY and he does so again with the spectacular stuff on display here. Inbetween, the dialogue is fairly leaden and the pacing slow as we watch more tired stuff about corrupt cops and villainous plots. Nicholas Tse and Shawn Yue can do this type of stuff in their sleep: they play one dimensional characters but are great when it comes to fighting, and the same can be said of Wu Jing's ultra-villain. Jackie Chan's lad Jaycee is given plenty of emoting which is slightly tiresome when contrasted with the otherwise great action. INVISIBLE TARGET gets 1/10 for its storyline and 10/10 for the fights.
- Leofwine_draca
- Sep 6, 2011
- Permalink
What can I say that the other rightly so positive reviewers haven't said? Not a lot really.
This was such an enjoyable film. It was reminiscent of the days of old for an Hong Kong action flick....crazy stunts with a second replay (like the old Jackie Chan flicks), plenty of excellent martial arts, explosions and gun play. I felt as if I was watching an early 80/90's film.
What impressed even more was that there was a very strong story to this film. Everything blended nicely. The main leads has good character development and were very likable. The bad guys.....they were bad!! No messing about, no morals...just downright bad.
With some of the so called action movie tosh that America churns out today, the west should start looking to Hong Kong and Korea to take a leaf out of their book to see how things are done (Flashpoint was also very good).
Watch this and you won't be disappointed.
This was such an enjoyable film. It was reminiscent of the days of old for an Hong Kong action flick....crazy stunts with a second replay (like the old Jackie Chan flicks), plenty of excellent martial arts, explosions and gun play. I felt as if I was watching an early 80/90's film.
What impressed even more was that there was a very strong story to this film. Everything blended nicely. The main leads has good character development and were very likable. The bad guys.....they were bad!! No messing about, no morals...just downright bad.
With some of the so called action movie tosh that America churns out today, the west should start looking to Hong Kong and Korea to take a leaf out of their book to see how things are done (Flashpoint was also very good).
Watch this and you won't be disappointed.
Three police officers team up to capture a gang of robbers. One (Nicolas Tse) wants revenge for the death of his fiancée in an explosion caused by the bandits after a robbery. Another (Shawn Yue) wants payback for the humiliation caused by these men, who also injured his companions. And the third (Jaycee Chan) wants to discover the connection between the bandits and his missing brother, also a police officer.
I had to make a certain effort to sympathize with them, the script itself is quite captivating, it lacked a hint of humor, these police action dramas are always very serious, except for the tiny scene with the old man who writes the ticket and the old lady, there is little that escapes the brutal realism of the world of drug trafficking, crime, corruption and police persecution, and as such it does not always have a happy ending, despite the sense of justice and hope for equality. Anyway, an interesting film, although almost tiring, but good...
I had to make a certain effort to sympathize with them, the script itself is quite captivating, it lacked a hint of humor, these police action dramas are always very serious, except for the tiny scene with the old man who writes the ticket and the old lady, there is little that escapes the brutal realism of the world of drug trafficking, crime, corruption and police persecution, and as such it does not always have a happy ending, despite the sense of justice and hope for equality. Anyway, an interesting film, although almost tiring, but good...
- RosanaBotafogo
- Sep 13, 2024
- Permalink
- kampolam-75813
- Jan 21, 2023
- Permalink
Director Benny Chan and staff do a mighty fine job with their cops and robbers story, Invisible Target. Seven orphans who grew up in battle torn countries take on most of the Hong Kong police force. These orphans mean business as they go about their criminal activities. The movie is almost all kinetic action, chases where the actors seem to jump 20 feet down from roof top to roof top, as the HK police try to stop the gang from getting the loot they are after. There are dull sections,especially when Jaycee Chan is describing his bland philosophy of policing, but, hey, the Chinese censors won't allow movies to be released on the mainland unless they put the police in a good light.
In Invisible Target, you don't see any police (aided by goons hired by real estate developers) clubbing farmers whose land was stolen, so a new factory can be built, enriching the local Communist Party boss who gets an ownership share in the factory. In the Shanxi province that would be the brick factories that used kidnapped children and mentally challenged adults as slave labor. But dealing with life's grim reality in one of the world's great bastions of robber baron capitalism would be too dull for most viewers, besides getting the HK filmmaker in big trouble with the People's Public Security Bureau if he or she ever set foot in mainland China.
So Benny Chan and company go the crime drama route, with shootings, car chases and a great explosion sequence at the start that keys in a major plot element. If there is one thing wrong with this movie, it is another scene at the start where Jaycee Chan's cop gives a ticket to a guy for parking illegally, a big mouth who is out with his young son. When Jackie Chan's cop character in Police Story 2 stopped and ticketed a line of trucks (all Nissan trucks, then and now a Chan corporate sponsor), it showed Chan was no nonsense when it came to his job. Jaycee's parking ticket scene is a crummy way to introduce his character, people nowadays don't like cops or anyone else who gives out parking tickets.
Invisible Target is a good way to spend a little over two hours watching a very well made if improbable crime story.
In Invisible Target, you don't see any police (aided by goons hired by real estate developers) clubbing farmers whose land was stolen, so a new factory can be built, enriching the local Communist Party boss who gets an ownership share in the factory. In the Shanxi province that would be the brick factories that used kidnapped children and mentally challenged adults as slave labor. But dealing with life's grim reality in one of the world's great bastions of robber baron capitalism would be too dull for most viewers, besides getting the HK filmmaker in big trouble with the People's Public Security Bureau if he or she ever set foot in mainland China.
So Benny Chan and company go the crime drama route, with shootings, car chases and a great explosion sequence at the start that keys in a major plot element. If there is one thing wrong with this movie, it is another scene at the start where Jaycee Chan's cop gives a ticket to a guy for parking illegally, a big mouth who is out with his young son. When Jackie Chan's cop character in Police Story 2 stopped and ticketed a line of trucks (all Nissan trucks, then and now a Chan corporate sponsor), it showed Chan was no nonsense when it came to his job. Jaycee's parking ticket scene is a crummy way to introduce his character, people nowadays don't like cops or anyone else who gives out parking tickets.
Invisible Target is a good way to spend a little over two hours watching a very well made if improbable crime story.
- gerrythree
- Aug 15, 2007
- Permalink
I'm generally a fan of Benny Chan's movie. The characters portrayed in his movie have charm only he can infuse into them, and this one is no exception. The story is about an outrageously nice cop played by Jaycee Chen who is now under surveillance because his brother who is also a cop is suspected of turning bad.
The fight scenes are pretty brutal, and you'd wonder why a nice guy like Jaycee has to be involved in a situation like this, but he is. Two other undercover police officers along with him battle for their lives against crooks who are trying to carve a living in society.
Jaycee Chen has all the charm, and character of both his mother and his father. He has looks that resembles them also, but the personality is all his own.
This level of brutality is unusual for Benny Chan, but along with the story and its characters, the movie is highly experimental, but it comes together in the end with pretty outrageous fight scenes.
Good movie even if you're not a fan of Benny Chan movies.
The fight scenes are pretty brutal, and you'd wonder why a nice guy like Jaycee has to be involved in a situation like this, but he is. Two other undercover police officers along with him battle for their lives against crooks who are trying to carve a living in society.
Jaycee Chen has all the charm, and character of both his mother and his father. He has looks that resembles them also, but the personality is all his own.
This level of brutality is unusual for Benny Chan, but along with the story and its characters, the movie is highly experimental, but it comes together in the end with pretty outrageous fight scenes.
Good movie even if you're not a fan of Benny Chan movies.
- dbborroughs
- Sep 1, 2008
- Permalink
Some spectacular action scenes, i miss old style Hongkong action movies. So much grit and realism, no stupid vfx .
I wish story had more humor and glamour.
Some slow motion scenes would have helped.
I wish story had more humor and glamour.
Some slow motion scenes would have helped.
- catchrushaalm
- Nov 16, 2018
- Permalink
Nan Er Ben Se is criticized for it being too typical, and the good guys too naive too stereotype, blah blah blah...... But in my opinion, it's uniquely valuable for being positive in information.
Basically it's a story about 3 cops after a gang of robbers, consequently got involved deeper and deeper, and inevitably dig out dirty secrets of the police station. One would definitely be reminded by its storyline of many crime classics, like L.A.Confidential. However, the director didn't invest everything in promoting this one as the HK version of L.A. Confidential, mainly because the sense of social responsibility motivates the makers to create a story of growing up in good directions instead of dirty cop stories.
The movie is very effective in editing the fighting sequences. All the fantastic actions are well paced and deserved a nod only for that. The scenes are very "Hollywood", but it's acceptable. HK movies need change. After all these years, the producers reflected on many mistakes the HK movies have made and all the unsuccessful productions. Although the completely westernized producing pattern may not be accepted, the industry has accepted many concepts of Hollywood. You can definitely sense that from Nan Er Ben Se.
Back to the most important point of the movie. Nan Er Ben Se doesn't enforce any unbelievable values or character relationships in the entire movie. The "good cop" is morally sound but physically incompetent to other ones, while the dirty cops are tough but without much credits to the society. When they mix together, this balance or imbalance has created a sense of social duty. And finally the dirty cops become clean, at the cost of the life of the good cop. Fair enough? Not really. But it's the right way to do. It's simple and not enforced.
Good information can make a bad movie a good one, except that Nan Er Ben Se is not bad at all.
Basically it's a story about 3 cops after a gang of robbers, consequently got involved deeper and deeper, and inevitably dig out dirty secrets of the police station. One would definitely be reminded by its storyline of many crime classics, like L.A.Confidential. However, the director didn't invest everything in promoting this one as the HK version of L.A. Confidential, mainly because the sense of social responsibility motivates the makers to create a story of growing up in good directions instead of dirty cop stories.
The movie is very effective in editing the fighting sequences. All the fantastic actions are well paced and deserved a nod only for that. The scenes are very "Hollywood", but it's acceptable. HK movies need change. After all these years, the producers reflected on many mistakes the HK movies have made and all the unsuccessful productions. Although the completely westernized producing pattern may not be accepted, the industry has accepted many concepts of Hollywood. You can definitely sense that from Nan Er Ben Se.
Back to the most important point of the movie. Nan Er Ben Se doesn't enforce any unbelievable values or character relationships in the entire movie. The "good cop" is morally sound but physically incompetent to other ones, while the dirty cops are tough but without much credits to the society. When they mix together, this balance or imbalance has created a sense of social duty. And finally the dirty cops become clean, at the cost of the life of the good cop. Fair enough? Not really. But it's the right way to do. It's simple and not enforced.
Good information can make a bad movie a good one, except that Nan Er Ben Se is not bad at all.
- honorhorror
- Apr 13, 2008
- Permalink
As this Hong Kong action movie opens a young woman is shopping for wedding rings but is killed in an explosion when robbers blast their way into an armoured car outside the shop; several police officers responding to the crime are also killed. Six months later the gang is back in Hong Kong and her fiancé Chan Chun, a police officer, is determined to get his revenge. Inspector Carson Fong Yik-wai who led the police on the day of the raid is also determined to catch those responsible. They are later joined by Wai King-ho; a rookie officer whose brother was undercover with the gang and is suspected of changing sides. Over the course of the film it emerges that the gang was helped by a serving officer who now has their stolen money. The gang want their ill-gotten money back and our trio of protagonists want to stop the gang... it will all lead to a dramatic confrontation in the police station.
If you want full on action you could do a lot worse than this film. The action starts in the opening scene and is almost constant till the end. This action is a combination of exciting, well-choreographed martial arts, shootings and explosions. Nicholas Tse, Shawn Yue and Jaycee Chan put in really impressive performances as Chan Chun, Carson Fong Yik-wai and Wai King Ho respectively and Wu Jing is a lot of fun as the gang's leader. The story doesn't provide too many surprises; that doesn't matter though as it is still a solid story; besides it is all about the action. The numerous stunts a as impressive as one would expect from Hong Kong cinema; many of them look genuinely painful. Overall I'd certainly recommend this to fans of Hong Kong action or fans of full-on action in general.
These comments are based on watching the film in Cantonese with English subtitles.
If you want full on action you could do a lot worse than this film. The action starts in the opening scene and is almost constant till the end. This action is a combination of exciting, well-choreographed martial arts, shootings and explosions. Nicholas Tse, Shawn Yue and Jaycee Chan put in really impressive performances as Chan Chun, Carson Fong Yik-wai and Wai King Ho respectively and Wu Jing is a lot of fun as the gang's leader. The story doesn't provide too many surprises; that doesn't matter though as it is still a solid story; besides it is all about the action. The numerous stunts a as impressive as one would expect from Hong Kong cinema; many of them look genuinely painful. Overall I'd certainly recommend this to fans of Hong Kong action or fans of full-on action in general.
These comments are based on watching the film in Cantonese with English subtitles.
6.7 is a crime for this movie, first 50 minutes has superb action than most of Hollywood movies. Real action, you can see actors,
I am not going to write about a plot, plot is good, performance is good, movie drags in small patches. But action is very entertaining, be if opening heist seq, or parkour seq or 3 cop fight in tea bar or wu jing entry fight sequence, all this is in first 50 minutes of movie,
Wu Jing, Nicholas tse, Jaycee Chan, Shawn Yue. Wu jing became a big name later in china. He is fantastic performer ,as seen in other movies, so is Nicholas Tse.
Fantastic action , great stunts, fantastic choreography, you can not miss this movie if you are an action movie fan.
A solid 8/10.
I am not going to write about a plot, plot is good, performance is good, movie drags in small patches. But action is very entertaining, be if opening heist seq, or parkour seq or 3 cop fight in tea bar or wu jing entry fight sequence, all this is in first 50 minutes of movie,
Wu Jing, Nicholas tse, Jaycee Chan, Shawn Yue. Wu jing became a big name later in china. He is fantastic performer ,as seen in other movies, so is Nicholas Tse.
Fantastic action , great stunts, fantastic choreography, you can not miss this movie if you are an action movie fan.
A solid 8/10.
- shoba-maksane
- Jul 19, 2024
- Permalink