Zack and Miri Make a Porno

Zack Brown and Miriam Linky are platonic best friends, roommates, and underachievers who've known each other since the first grade. They're both perfectly content with their below average status, until they find themselves eyeball deep in debt and facing the threat of eviction. Their solution? Make an adult video hoping that it'll provide the financial stability they so desperately need, but can their lifelong friendship survive the complication of sex? On the surface this raunchy comedy is nothing more than an outrageously vulgar, foulmouthed version of When Harry met Sally, but at its heart is a sweet, genuine, and believable analysis of the frailties prevalent in a male-female friendship. Not always uproariously funny, but easily likable with a spicy script that challenges viewers to keep track of enough sexually explicit dialogue for three films! Rogen and Banks have great chemistry. ***

As Jackie Treehorn laments in The Big Lebowski, pornos these days lack plot, and production values, and feelings. Kevin Smith's "Zack and Miri Make a Porno" would make Jackie quite proud.

The basic plot revolves around two friends, Zack and Miri. The two have a platonic relationship and live together. As they hit dire financial straits, Zack suggests they should make a porno and sell it to make money to pay rent, utilities, etc.

I went into this film with some hesitation. I left quite impressed. Seth Rogen proves he can convey emotion and still be funny. Elizabeth Banks provides the perfect on-screen mate for Rogen. However, I feel, as did others who saw the preview, that Craig Robinson (Darrell from The Office) steals nearly every scene he is in.

Zack and Miri heartily earns its R rating. It is easy to see how the MPAA nearly rated it NC-17. No matter the rating, I would whole-heartedly recommend this movie to anyone (with the exception of grandparents).

Lifelong platonic friends Zack and Miri live together but struggle week to week to make ends meet and keep the bills paid. When they get their water and power cut off on the night they are stumped as to how they are going to get out from under. At the same time a viral video of Miri in her large pants (aka "granny pants") reveals that they have some weird sort of online fame already – a fame they are keen to exploit. Their plan? Well, get a group of locals together, rent a camera and get some basic sets and make themselves an amateur pornographic film. It is all business of course, but will even "performance" sex complicate Zack and Miri's relationship?

I live in a first floor flat on a busy junction in a part of Birmingham and, as well as being a cool place to be, I do get lots of direct marketing from the film posters on the buses going by within about 5m and just below my window level. This was not a particularly pleasant thing when I had to content with Rogen's goofy face every 5 minutes when this film was released – I'm not a big fan of him and I find him to be pretty one note but just happened to come along at the right time. However I was interested enough in Kevin Smith to go and check it out to see if he had managed to get better. It was no surprise (given the title) to find that he had certainly not grown up anymore because this is a film that relies heavily on crude jokes and sexual references above everything else.

This does the job for quite a while because the film is sporadically funny in a childish way. I suppose it will depend who you are because some people love this sort of thing whereas for me, it was just too obvious and forced – even if I still found it quite amusing. It wears off though because, talking of obvious and forced, the actual plot is really poor. It is not just that it is predictable (lots of films are "predictable" if you think about it) but it is more the way it trudges towards the obvious conclusion without worrying about whether or not the audience care (we don't) or if it rings true (it doesn't). The focus on crude jokes in the first half means that you don't really care about the characters and when Smith decides to go all doe-eyed in his plot then you just don't buy it and it only results in being unfunny and dull.

The cast all do the basics and there is only really one "good" performance in the film – which is from Banks. She has a natural presence which is sort of charming and she does work that well here. She isn't good enough to charm the film into being better (Rosario Dawson sort of managed it in Clerks 2) but she does reasonably well considering what is asked of her. Rogen does his usual stuff – if you like that then you will like this but for those who disliked him even once then this is more of the same. Mewes is amusing but his presence only reminds you how much funnier he was as Jay. Long is funny in his small turn and there are a couple of other good comic performances from others in the group as well.

Overall this film is just what we have sadly come to expect from Kevin Smith – a crude film that is funny but nowhere near funny enough to carry the whole film like he once did. The plot is poor and obvious but this will only irritate in the final third – up till then there are at least a hatful of crude laughs to be had if you like that sort of thing.

You definitely need an immature and dirty sense of humor to enjoy this.

I feel like I should let everyone reading this know of the bias I had in favor of this film going in. In spite of my dislike of "Mallrats", "Jersey Girl" and even "Clerks II" (which didn't gel into a cohesive whole for me, although it featured several great individual scenes), I have always liked Kevin Smith as a person, based not only on his podcast and Q&A sessions, but on my one, admittedly short, personal meeting with him. I have also always liked Smith as a writer, and still count "Clerks" as one of the most true-to-life, funniest, and most genuinely inspired screenplays ever written, and all his other movies despite being more flawed in my estimation have something or the other to recommend in them, "Chasing Amy" being his best outside "Clerks". Also influencing my opinion of the film is the fact that if you put Zack in an art-house theater instead of a coffee shop and showed him Robbe-Grillet movies he would basically be me. It also happens that the relationship between Zack and Miri, platonic roommates who have known each other for a long time, is an exact reflection of my own relationship with my roommate. With all that covered, does "Zack and Miri Make a Porno" meet my lofty expectations?

In spite of some forced and unfunny gay and race jokes, it certainly does. I'm almost surprised by it, as I thought there was no way it could meet my expectations. The most instantly noticeable thing about "Zack and Miri Make a Porno" is how good the film looks. Throughout his career Smith has been criticized for his skills as director (or lack thereof), and surprisingly Smith has been one of his biggest critics. On a SModcast episode recently Smith said that he and David Klein (his cinematographer) had really worked hard at making this look like a 'real movie' (perhaps not the exact words, but it was something like that). The effort really has paid off. "Zack and Miri Make a Porno" is a genuinely well-shot film, there's none of the awkwardness and amateurishness of some of Smith's other movies, and if Smith himself says that he thinks of himself as 'not a real film-maker' then he should re-evaluate himself because he has really achieved something quite surprising here.

The screenplay is no disappointment either. In spite of, as I said earlier, some forced and unfunny race and gay humor, "Zack and Miri Make a Porno" still features characters who feel like real people (something Smith has always been able to do) and some really inspired dialogue and even some well-executed sight gags this time around. Oh, it's absolutely filthy, of course, but there's real heart here, and where I personally think "Clerks II" failed at bringing vulgarity and romance together into a cohesive whole, "Zack and Miri Make a Porno" does exactly that, including in the film's key scene between Zack and Miri (which also features a "LOST" joke! Did Kevin Smith make this movie for me?!)

The plot is pretty much what you should expect going in. It's a romantic comedy centered around the making of a porn film to help the two leads get out of a financial crisis. The movie is hardly unpredictable, but it's well-written enough to survive the familiar, conventional outcome. You can't expect something as unconventional as "Chasing Amy" (although this movie might be more consistent and hence better), which was a romantic comedy set in a geek/nerd world, with such accurate reflection of the people I know and the life I live that it remains a favorite of mine in spite of its rough visual look and some bad acting, but "Zack and Miri Make a Porno" is so well-written and contains such genuine emotion that it overcomes all the hurdles which a romantic comedy faces.

The acting is certainly a big part of the movie's success. No offense to Joey Lauren Adams, but Elizabeth Banks has the skill and presence to carry a film like Adams could only hope to, and is a surprisingly great comedienne. Seth Rogen is an affable goofball as he usually is, and Craig Robinson is... Craig Robinson. The two big surprises here are Jason Mewes, who plays a character quite different from Jay very well. There's no real emotional acting for him here, but he's really hilarious and solid here, and Katie Morgan (!), who doesn't have much to do but is a surprisingly decent comedic actress who may actually have a mainstream career in her future.

Some critics have accused "Zack and Miri Make a Porno" of being sappy. I don't know if it's just my being able to identify with Zack so much and my having a Miri of my own, but I felt like the film ended up being genuinely sweet and not sappy. It made me laugh, it nearly made me cry, and it left me feeling very satisfied by the end. Easily Smith's most satisfying movie since "Chasing Amy", possibly since "Clerks", and with the move away from Jersey, away from the View Askewniverse, it sees Kevin Smith maturing as a director and yet still delivering something that's very much a 'Kevin Smith' movie, just a more accomplished version of one. Before this, I thought his horror project "Red State" would be a disaster, after this I'm actually thinking he can pull it off.

8.5/10