IMDb RATING
4.6/10
1.3K
YOUR RATING
A CIA assassin attempts to break out of the contract killing business to try to lead a normal life.A CIA assassin attempts to break out of the contract killing business to try to lead a normal life.A CIA assassin attempts to break out of the contract killing business to try to lead a normal life.
- Awards
- 2 wins
Julia Denton
- Lindsay
- (as a different name)
Storyline
Did you know
- TriviaCredits indicate the actors had genuine SWAT-team training which apparently they enjoyed.
- GoofsAs soon as Jane starts to tell the computer guy to bring up the last entry, the window containing it pops up, but once she tells him to bring it up, it cuts to him typing and back to the monitor to see the window pop up again.
- Quotes
[last lines]
SWAT Team, SWAT Team Leader: I'm Not An Evil Man
[Jane gains the upper head and shoots him with his own gun]
- SoundtracksNO WAR
written by Ken Marlon Charles, Machel Montano, and Antonio Theodore
Lead Vocals: Machel Montano feat. Fresh Life
Background vocals: Machel Montano, Fresh Life, and Nadia Baton
Produced By: Ken Marlon Charles for King Dog Heart Production
Recording Engineer: Kenny Phillips and Kasey Phillips
Featured review
I ordinarily comment about movies I like. This is an exception. Frida looks the part of of a hardened, stealthy assassin. Nevertheless, a weak script, disjointed segments and sloppy direction supplant her latent talent and place it under a thinly veiled insult to her ability.
By no means a Robert Ludlum thriller, the film is merely an inept reprise of the Bourne trilogy. Tougher, smarter and much more gutsy, Jason rarely used a firearm to execute his agenda, but that is Frida's only counter to the loosely conceived threats she faces. Her unwitting English accomplice bears little resemblance to Jason's love interests.
Always the bad guys, the C.I.A. hierarchy and subordinates lack the sophistication we have come to know in the film media. Easily duped, they are outwitted at every turn, and their "assets" are more like liabilities. Humanizing them weakens their ability to pose a serious threat to Frida as she unravels a truly ludicrous scheme that would effectively undermine the economy of the world.
The fights, the car chases, the helicopter intervention (why didn't the asset just shoot it down?) and the predictable climax made a dismal excuse for an action thriller. I hope Frida's paycheck compensates her for the what is truly a stab at her credibility as an actor.
By no means a Robert Ludlum thriller, the film is merely an inept reprise of the Bourne trilogy. Tougher, smarter and much more gutsy, Jason rarely used a firearm to execute his agenda, but that is Frida's only counter to the loosely conceived threats she faces. Her unwitting English accomplice bears little resemblance to Jason's love interests.
Always the bad guys, the C.I.A. hierarchy and subordinates lack the sophistication we have come to know in the film media. Easily duped, they are outwitted at every turn, and their "assets" are more like liabilities. Humanizing them weakens their ability to pose a serious threat to Frida as she unravels a truly ludicrous scheme that would effectively undermine the economy of the world.
The fights, the car chases, the helicopter intervention (why didn't the asset just shoot it down?) and the predictable climax made a dismal excuse for an action thriller. I hope Frida's paycheck compensates her for the what is truly a stab at her credibility as an actor.
- hitechcleaning5
- May 9, 2009
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Details
Box office
- Budget
- $1,000,000 (estimated)
- Runtime1 hour 26 minutes
- Color
- Aspect ratio
- 1.85 : 1
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