Director Alexander Nanau follows a crack team of investigators at the Romanian newspaper Gazeta Sporturilor as they try to uncover a vast health-care fraud that enriched moguls and politicia... Read allDirector Alexander Nanau follows a crack team of investigators at the Romanian newspaper Gazeta Sporturilor as they try to uncover a vast health-care fraud that enriched moguls and politicians and led to the deaths of innocent citizens.Director Alexander Nanau follows a crack team of investigators at the Romanian newspaper Gazeta Sporturilor as they try to uncover a vast health-care fraud that enriched moguls and politicians and led to the deaths of innocent citizens.
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The investigative reporting techniques are used professionally, the editing is alert and explains well the main moments of a tragedy that changed the Romanian political landscape for a while. The role of the combative media is excellently emphasized. I assume that for some of the foreign spectators some details will remain unclear. The fact that the investigation team belongs to a sports newspaper says something about the situation of the Romanian press. The technocratic minister of health in the film, Vlad Voiculescu, has since entered politics and is running today for the position of mayor of Bucharest. Reporters and politicians in the film are permanently watching television stations that not only inform but especially comment with visible political overtones. Can documentaries such as "collective" be an alternative to independent investigative journalism? Accompanying the teams of journalists and advisers to the ministers for 14 months, Alexander Nanau and his colleagues help us to get to know the main protagonists, journalists and politicians. In most cases, they manage to make the cameras unbiased and invisible. The voices of the victims are represented by the grieving parents and the young Tedy Ursuleanu, seriously injured in the fire, who will bear the sequels of her wounds for all her life.
I am not surprised by the international resonance of the film, because the problems of medical systems, including lack of equipment and capacity, as well as deeper such as corruption and political interests are increasingly evident in many countries, including the crisis caused by the COVID pandemic. 19. Starting from the Romanian realities, "collective" manages to tell a story with universal validity. The story being well told, the impact is remarkable.
As recovering patients filled the burn wards and Intensive Care Units at Romania's hospitals, something horrible began to happen. 37 more people died. These were not folks that were admitted with a life-threatening status, instead it was bacterial infections that were responsible. What is the one thing we take for granted at hospitals? Yes, cleanliness. As the media began to question this death spree, Romania's Health Minister, Nicolae Banicioiu, a Social Democrat, began boasting about the country's medical facilities. It's at this same time that Catalin Tolontan, the editor of "Sports Gazette", was investigating the cause of these deaths. What we witness is investigative journalism at its best ... in the midst of despicable actions by those people we should be able to trust.
Mr. Tolontan and his team slowly peel back the layers, and discover massive fraud and corruption. A whistleblower leads the reporters down a trail towards Hexi Pharma and its owner, Dan Condrea. Protests and social upheaval follow, as the current politicians continue to spew lies. When tests prove unsterile hospitals due to diluted disinfectants, and that patients were denied or delayed transfers to proper facilities in Vienna or Germany due to pride and greed, outrage ensues ... leading to the ouster of Banicioiu and others.
Former patients' rights activist Vlad Voiculescu is named temporary Health Minister, and he permits total transparency by allowing director Nanau unfettered access to meetings and phone calls. The camera follows as reforms are instituted and Tolontan's research continues. It's stated with deep regret that, "Our healthcare system is rotten", and "We doctors are no longer human life. We only care about money." As more corruption and deception is uncovered, it's clear this was all about money, rather than healthcare.
Nanau's film would be powerful and memorable and important if he had remained focused on the work by the new Health Minister and the journalists, but it's elevated to brilliance by his inclusion of pieces on burn victims, especially Tedy Ursuleanu. Her severe burns left her head scarred and took one of her hands, yet she refused to cower or hide ... choosing instead to be photographed for all to see. It's such an affecting segment, and one that our mind won't soon forget. This is the rare documentary that also works as a political thriller. Rather than talking heads and a stream of interviews, we are invited into the world of journalists and reformists looking to right the wrongs. It's tense and emotional, and the outrage felt at the end is quite unpleasant and will stick with you. Those behind the corruption are described as "a nest of unscrupulous mobsters", and we can't help but wonder what happened to medical ethics and human morals. We witness these stories as they unfold and there may not be a better tribute to the importance of investigative journalism.
Did you know
- TriviaOn Metacritic's list of '50 Best Movies of 2020' as No.3, the highest ranking of any documentary.
- Quotes
Catalin Tolontan: When the press bows down to the authorities, the authorities will mistreat the citizens. This has always happened, worldwide, and it has happened to us.
- ConnectionsFeatured in The Oscars (2021)
- SoundtracksThe Day We Die
Written by Ioan-Andrei Galut and Dragos Alexandru Pascu
Performed by Goodbye to Gravity
Published by Universal Music Romania
(C) 2015 Licensed courtesy of Universal Music Romania
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- Colectiv
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- Gross worldwide
- $200,041
- Runtime
- 1h 49m(109 min)
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- Aspect ratio
- 1.85 : 1