Directed by
Jim Issa |
Writing Credits
Anthony Stephenson | ||
Michael Lucker |
Cast (in credits order)
Produced by
Robert Ballentine | ... | associate producer |
Carl Clifford | ... | supervising producer |
Elaine Hendrix | ... | co-producer |
Pamela Peacock | ... | executive producer / producer |
Rip Russell | ... | associate producer |
Richard Sampson | ... | executive producer / producer |
John Stanier | ... | associate producer |
Cinematography by
Jordan McMonagle |
Editing by
Joe Linton |
Casting By
Pam Bouvier | ... | (as Pam Gilles) |
Valerie McCaffrey |
Production Design by
Elliott Boswell | ||
Frank Galline | ||
Dan Post |
Set Decoration by
Dan Post |
Makeup Department
Teresa Foshee | ... | makeup department head |
Production Management
Katie Willard Troebs | ... | production manager |
Second Unit Director or Assistant Director
Evans Griffin | ... | first assistant director |
Art Department
Alex App | ... | storyboard artist |
Jon Bass | ... | storyboard artist |
Heather Bowers | ... | on-set dresser |
Sedrick Lakpa | ... | intern |
Konrad Lewis | ... | set dresser |
Mary Beth Miller | ... | art department production assistant |
Kenneth Nelson | ... | set dresser |
Windi Robinson | ... | props |
Roland Spence | ... | property master (as Roland Heart) |
Sound Department
Chris Conover | ... | sound effects assistant |
Greg Crawford | ... | re-recording mixer / sound designer |
Aron Siegel | ... | sound mixer |
Thomas Ward | ... | boom operator |
Special Effects by
Lisa Reynolds | ... | special effects |
Stunts
Bob Fisher | ... | stunt double |
Lonnie R. Smith Jr. | ... | stunt coordinator |
Camera and Electrical Department
Rob Acox | ... | grip |
Reid Andrews | ... | electrician |
Chris Birdsong | ... | grip |
Marivee Cade | ... | gaffer |
Guy D'Alema | ... | still photographer |
Jeff Dillon | ... | best boy electric |
David Ellis | ... | electrician |
Ronald 'Ronnie' Martin | ... | electrician |
Derek Page | ... | electrician |
Billy Sherrill | ... | key grip |
Joseph Thomas | ... | first assistant camera |
Troy Toebben | ... | electrician |
Mike Torino | ... | second assistant camera |
Casting Department
Carmen K. Jones | ... | casting assistant (as Carmen K. Brown) |
Costume and Wardrobe Department
Elizabeth Palmer | ... | key costumer (as Liz Palmer) |
Linda N. Robinson | ... | seamstress |
Editorial Department
D.C. Cardinali | ... | colorist |
Ruckus Skye | ... | additional editor |
Location Management
Stephen Dirkes | ... | location manager |
Script and Continuity Department
Robin Meyers | ... | script supervisor |
Transportation Department
Dennis G. Carter | ... | driver |
Keith N. Collis | ... | transportation coordinator |
William Gillespie | ... | production driver |
Chuck Graydon | ... | driver |
Oranz Walker | ... | transportation captain |
David Carlton White | ... | driver: honeywagon |
Sharon Williams | ... | driver |
Additional Crew
Roberto Fuertes Astór | ... | set production assistant (as Roberto Fuertes Astor) |
Craig Bolt | ... | assistant to director |
Sylvia Boykin | ... | stand-in |
Sharon L. Craig | ... | production accountant |
Shaun Gilmer | ... | stand-in: Luke Perry |
Mason Glenn | ... | utility stand-in |
Samuel Jerome Johnson | ... | production secretary |
Carmen K. Jones | ... | production assistant (as Carmen K. Brown) |
Melody S. Jones | ... | craft service |
Zach Kane | ... | key craft service |
Brian McCrossin | ... | chef |
Eric Packham | ... | stand-in |
John Fitzgerald Page | ... | photo double: Luke Perry / stand-in: Luke Perry / utility stand-in |
Sia Sapoundjieva | ... | production secretary |
Michael S. Thompson | ... | stand-in |
Thanks
Christopher Goodman | ... | special thanks |
Mary Hendrix | ... | special thanks |
Carl Peoples | ... | special thanks |