80
Metascore
15 reviews · Provided by Metacritic.com
- 100The Globe and Mail (Toronto)Barry HertzThe Globe and Mail (Toronto)Barry HertzAnne is such a startling and overwhelming work that the act of discussing it can feel unapproachable and crippling.
- 91Original-CinLinda BarnardOriginal-CinLinda BarnardNikolay Michaylov’s up-close and occasionally claustrophobic, documentary-style camerawork pushes the realization that Anne’s giddiness is always flirting with a dark rebound. We sometimes feel we’re in it with her as the camera whips around Campbell’s face.
- 90The Hollywood ReporterDeborah YoungThe Hollywood ReporterDeborah YoungOn his third feature after "Tower" and "How Heavy This Hammer," Radwanski hits his quiet stride here, and the directing matches Campbell’s intuitive approach. Ajla Odobasic’s delicate, fast-moving editing reflects Anne’s uncertain hold on reality, while the open ending lets the viewer decide whether Anne or reality wins in the end.
- 90VarietyJessica KiangVarietyJessica KiangAnne at 13,000 ft might look like mumblecore, but it plays as a psychological horror and a ticking-clock thriller that morphs into a wild, windswept tangle of incipient, but never quite arriving tragedy.
- 88RogerEbert.comPeter SobczynskiRogerEbert.comPeter SobczynskiIf watching a low-key portrait of a person struggling through a personal crisis with a refreshing lack of cheap melodrama sounds intriguing, well, that's exactly what director Kazik Radwanski has delivered with undeniably compelling results.
- 83Paste MagazineAndrew CrumpPaste MagazineAndrew Crump[Campbell] and Radwanski pair well. Together, they make Anne at 13,000 Ft. into a work that may leave the audience gasping for air.
- 75The A.V. ClubMike D'AngeloThe A.V. ClubMike D'AngeloThat Radwanski so expertly navigates the fraught subject of mental illness, avoiding most pitfalls, makes it at once harder to understand and easier to forgive the lack of subtlety in Anne At 13,000 Feet’s titular controlling metaphor.
- 75Slant MagazineMark HansonSlant MagazineMark HansonThe film intimately immerses us in the psyche of a woman for whom each day is a minefield of uncomfortable interactions.
- 40The New York TimesManohla DargisThe New York TimesManohla DargisThe title character is one of those difficult women that the movies just can’t quit and rarely prove as interesting as filmmakers seem to think. Anne obviously has issues — psychological, behavioral, familial — but the movie isn’t big on specifics. It’s a pretty, uninvolving blur.