Two college friends take a journey home. One of them makes a mistake that may tear a family apart. Sometimes there are no second chances, sometimes there are no mulligans.Two college friends take a journey home. One of them makes a mistake that may tear a family apart. Sometimes there are no second chances, sometimes there are no mulligans.Two college friends take a journey home. One of them makes a mistake that may tear a family apart. Sometimes there are no second chances, sometimes there are no mulligans.
- Awards
- 4 wins & 2 nominations
- Tyler Davidson
- (as Derek James)
- Gramma
- (as Anne Chaland)
- Marty
- (as Tom Orr-Loney)
- Jackie
- (as KimberleyClarke)
- Jim
- (as Ken Mayes)
- Erin
- (as McKenzie Ryan)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaCharlie David is actually a left-handed golfer but golfed right for the film to appear to be a bad golfer.
- GoofsWhen the boys were painting the fence, when one of them was painting the middle of the fence, it kept quavering, as if it was made out of balsa wood., no fence would have been made of that type of wood, meaning, wood that soft couldn't have been painted, because balsa wood is highly soft, the harder you paint it, it would splinter, now wouldn't it?
- Quotes
Tyler Davidson: I love you, man, you know, like... like a brother... Not, like, you know...
Chase Rousseau: Yeah, I know. No sword fights.
Tyler Davidson: Right.
Chase Rousseau: I love you, too.
Tyler Davidson: Maybe we can find a more macho way of saying it. You know, something a little more manly.
Chase Rousseau: Go Steelers?
Tyler Davidson: Yeah. Go Steelers is good. I like that. I love that. Let's use that from now on. Go Steelers. Wow, I never said "I love you" to a guy before.
Chase Rousseau: Yeah, me, neither.
Tyler Davidson: Good talk.
- Crazy creditsThere's a quick scene after the credits.
The biggest problem with this film, as I see it, is that even though (most of the time) I understand what it is that the filmmaker aim for - it's just very poorly executed. There isn't enough flesh on the bones for things to make sense. It's as if whoever wrote the script knows WHAT the characters need to do, but not WHY. For example, in one of the early scenes, the son of the family makes a big song and dance about how his friend should cover up when he's drying off after a swim. A few scenes later (after the friend has come out to him), the son questions why the friend is covering up (after a shower) when he's normally not shy. Rather than saying, "Because you told me to in no uncertain terms," it turns into an argument about whether the friend's coming out has changed things between them. And this is exactly my problem with this film: even though I understand why they argue and I think the question of what changes when someone comes out is valid, it's as if the filmmaker had to rush to explicitly make that point rather than allowing the audience to see for itself.
In this respect, the film is shallow. I don't see that whoever wrote it actually understands what the characters go through and why they act the way they do.
If you're not bothered about what motivates characters, then you might still get some enjoyment out of this film.
- How long is Mulligans?Powered by Alexa
Details
Box office
- Budget
- CA$800,000 (estimated)
- Runtime1 hour 32 minutes
- Color
- Aspect ratio
- 1.78 : 1