66
Metascore
26 reviews · Provided by Metacritic.com
- 100Entertainment WeeklyOwen GleibermanEntertainment WeeklyOwen GleibermanThe Girlfriend Experience is one of Steven Soderbergh's bite-size, semi-improvised, shot-on-DV doodles (like Bubble or Full Frontal), and it's the best one he's made.
- 100Chicago Sun-TimesRoger EbertChicago Sun-TimesRoger EbertThis film is true about human nature. It is not universal, but within its particular focus, it is unrelenting.
- 88Boston GlobeTy BurrBoston GlobeTy BurrFair warning: I had to see The Girlfriend Experience twice before its pieces settled into coherent shape.
- 83The A.V. ClubScott TobiasThe A.V. ClubScott TobiasThe thinking behind Grey's casting, with its obvious sex-industry connections, lends the film a degree of verisimilitude, but it really pays off in a cameo by film critic Glenn Kenny, who brings a hilariously sleazy theatricality to the role of an "escort critic" who expects graft for his reviews.
- 75ReelViewsJames BerardinelliReelViewsJames BerardinelliVoyeurism is a favorite pursuit of Americans, and The Girlfriend Experience works in large part because it indulges that pastime. The fascination with the film is that it offers an arm's-length opportunity to peer through a peephole into a lifestyle that will be exotic and alluring to most in the audience.
- 70VarietyRonnie ScheibVarietyRonnie ScheibFascinating study of free enterprise in free fall. While it may disappoint thrill-seekers, "Girlfriend" should still delight Soderbergh fans and niche auds.
- 70Village VoiceJ. HobermanVillage VoiceJ. HobermanGrey isn't the first porn actress to go straight, but she may be the first to allegorize her own situation--projecting an on-screen self-confidence that’s indistinguishable from pathos.
- 63Philadelphia InquirerSteven ReaPhiladelphia InquirerSteven ReaModerately compelling and clinical. This isn't "Breakfast at Tiffany's"; this isn't even "Klute."
- 60The Hollywood ReporterKirk HoneycuttThe Hollywood ReporterKirk HoneycuttThe effect is impressionistic and provocative, with the emphasis falling differently on scenes because of our knowledge or lack thereof.
- 40New York Magazine (Vulture)David EdelsteinNew York Magazine (Vulture)David EdelsteinMost of the dialogue is listless, and no matter how much Soderbergh snips and stitches, the movie is a corpse with twitching limbs.