User reviews

Kevin Klaven (Paul Rudd) hasn't a friend in the world - or so he realizes when he becomes engaged to Zooey (Rashida Jones) and finds he can't come up with a single male buddy to be in his wedding party. The solution? Go out and make some platonic guy friends, even if it means having to rely on your mommy (Jane Curtin) and your gay younger brother (Andy Samberg) to help you do it. Eventually, after a number of faltering attempts, Kevin alights on Sydney (Jason Segel), a mucho macho bundle of testosterone who, like a latter-day Henry Higgins to Kevin's Eliza Doolittle, instructs the awkward lad on the fine art of "being a man." But as with any good teacher/pupil relationship, each side winds up learning a little something from the other before it's all over.

A straight man far more comfortable in the company of women than of men, Kevin emerges as the ultimate metrosexual figure: fastidious in demeanor, sensitive to the needs of others, and courteous to a fault (he even admits to liking "The Devil Wears Prada" in a moment of unguarded weakness). He doesn't really know how to roughhouse it with the boys, and any efforts he makes in that direction inevitably lead to failure. Until our man Sydney steps into the breach to give him a few badly needed pointers, that is.

Smoothly directed by John Hamburg, "I Love You, Man" is a relaxed, breezy and sharply written male-bonding comedy that - miracle of miracles - doesn't play down to its audience (it may be crude at times, but it's rarely childish). The Hamburg/Larry Levin screenplay does a clever job poking fun at the double entendres inherent in any modern-day bromance, though one wishes certain characters - Kevin's family members, in particular - had been allotted a little more in the way of screen time. That being said, the performances are all first-rate, with Rudd and Segel playing to their respective strengths - Rudd's of the tongue-tied, self-effacing Mr. Nice Guy who needs lessons in "manning up," and Segel's of the refreshingly blunt but socially indelicate Man/Child who clearly needs to do some growing up.

There's additional excellent work from J.K. Simmons, Jamie Pressly, Sarah Burns and Rob Huebel, among others.

It's also a bit of a casting coup to get both Jane Curtin from the first generation of SNL players and Andy Samberg from the current one together in the same film. Finally, some unlikely cameo appearances by Lou Ferrigno and the band Rush, all appearing as themselves, add to the spirit of fun that permeates the film.

Peter Klaven (Paul Rudd) is a real estate agent, and his girlfriend Zooey Rice (Rashida Jones) just accepted his marriage proposal. Everything is looking great, but then she along with her friends start to notice that he has no male friends. He goes on a search for a best friend and encounters Sydney Fife (Jason Segel) at one of his open house.

It's a little awkward at the start before Jason Segel. It has some funny moments especially with Thomas Lennon and throwing up on Jon Favreau. But Paul Rudd solo desperately needs a wing man. That's what the movie is about. But the comedy is hit and miss without it. Rudd and Segal have good chemistry. Mostly it works well. There are some good funny jokes in this.

Delightful and hilarious comedy that celebrates friendship, love, and the awkwardness of adult bonding. This film is a feel-good gem that had me laughing out loud and smiling from ear to ear throughout the entire ride.

First and foremost, the chemistry between Paul Rudd and Jason Segel is pure gold. Their bromance is the heart and soul of I Love You, Man, and their comedic timing is impeccable. Rudd's endearing awkwardness and Segel's laid-back charm create a dynamic duo that's an absolute joy to watch.

The film's humor is smart and relatable, with plenty of laugh-out-loud moments that hit the mark. The witty banter and hilarious situations the characters find themselves in add to the film's charm. It's a comedy that doesn't rely on cheap gags but instead delivers genuine and authentic laughs.

At its core, I Love You, Man is a celebration of friendship and the importance of having meaningful connections in adulthood. The film explores the sometimes awkward and challenging process of making new friends as an adult, a theme that resonates with many viewers.

The supporting cast is another highlight, with great performances from Rashida Jones, Andy Samberg, and the always-funny JK Simmons. They add depth and humor to the story, creating a well-rounded ensemble that elevates the film.

The film's heartwarming moments are just as delightful as its humor. It balances comedic moments with genuine emotional beats, making you invest in the characters' journeys and root for their friendships.

Furthermore, the film's soundtrack is an absolute delight, adding to the overall enjoyment of the movie. The music perfectly complements the tone of the film and enhances the viewing experience.

In conclusion, I Love You, Man is a heartwarming and hilarious comedy that celebrates friendship, love, and the joys of adult bonding. With its brilliant performances, smart humor, and genuine heart, it's a movie that leaves you with a warm and fuzzy feeling inside.

If you're in the mood for a feel-good comedy that celebrates the beauty of friendship, I Love You, Man is the perfect choice. It's a charming and uplifting film that reminds us all of the importance of having great friends in our lives.

I Love You, Man may feel like another Apatow company production, but it's mostly because some of its "stock" company players (I put quotes as it's both a loose term and just about right) like Paul Rudd and Jason Siegel. They give the air of using the screenplay as the easiest of diving boards into just shooting-the-hell-of-it with one another as two friends. Rudd plays a guy about to get married and is embarrassed to find out, from all those around him more than anything, that he doesn't have many, or really any, true friends. He meets Siegel at an open house for Lou Ferrigno (he's a real estate agent and Ferrigno fills the oddball cameo choice, it's a great choice though), and the two hit it off as a "bromance" develops.

It's this "bromance" that makes I Love You, Man a little interesting as a double-edged romantic comedy. It's already about Rudd and his to-be played by Rashida Jones, their little moments of fun and their arguments too (there's a cute running gag involving Rudd's imitations of the band Rush sounding like an Irishman), but then it's also got plenty of innuendo to this being really about the guys, how Siegel gets attached to Rudd in that way that surely isn't gay but is more than just casual acquaintance stuff (see his "investment" plan unfold). But truth be told it's not even this that makes I Love You, Man so funny.

Rudd and Siegel are simply funny guys, but naturally so; there's a new trend to put a somewhat straight face on gross out gags in these movies, Apatow or its spin-off groups (one can equate it to the good rip-offs of Tarantino in the 90s to a certain extent), and it works very well here. It's like a sweet blending of Curb Your Enthusiasm awkwardness (if, of course, nowhere near the genius of that, especially with story) and some of the low-brow Adam Sandler stuff and joyfully useless banter and non-jock male bonding. It's not any better or lessor than recent stuff from Siegel and Rudd; you could watch this with either Forgetting Sarah Marshall or Role Models and be satisfied about the same. Again, plot is not at all the strong suit, but if you just want some cleverly obvious comedy dialog it's a good detour.

At the least, we get one of the funniest lines of the year, or just in years, near the very end: "I love you... Broseph Goebbels!"

Funny movies have to be funny. That's the only rule about funny movies. They don't have to live up to any expectations, they can be about the same thing that movies always are. It really doesn't matter. As long as they are funny.

I Love You, Man is a funny movie. In case the plot is of any interest to you, it's about this guy (Paul Rudd) who is getting married to this woman (Rashida Jones), but he realizes that he doesn't really have any male friends to fill out his side of the wedding party. So he starts on a quest with the aid of his brother (Andy Samberg) to find a best man. When he finally thinks he finds one (Jason Segel), hilarity ensues.

On the spectrum of comedies, this is a bro movie. One made basically for guys, a little raunchy. But honestly, it's not too R-rated. It cusses a bit, discusses sex a lot, things like that. But not nearly as R-rated as say... Role Models, which I feel is sort of along the same lines. Comparable at least. They are both very funny movies, and both have Paul Rudd.

But this is about I Love You, Man. The highlight of the movie, for me, is Thomas Lennon as Doug. I have been a fan of his for a long time, at least since Reno 911 came out. Which is a brilliant show. Paul Rudd is very, very cute, but not always convincing, the same with Rashida Jones as his fiancée. It's a movie that Ben Stiller would have made if he were younger. Jason Segel does what Jason Segel does. He plays his role very capably as Sydney, the crazed friend.

And that is I Love You, Man. It's a rather simple, but funny movie.

Peter Klaven is set to marry, but doesn't have a best man, he attempts several man dates, and eventually finds Sydney Fife, a wild ocean of testosterone.

It's an enjoyable movie, and it's funny, but best of all, it is so incredibly easy to relate to. There's almost a stigma attached to finding friends, and it can be really difficult to find male friends. I don't actually have many friends that are guys, I have one, so I hoped for some tips.

Lots of laughs out loud moments, it's a good script, Peter's man dates were really funny. Seeing their bromance blossoming was actually really food,

Paul Rudd does a fine job here, his delivery is excellent, and he is very funny. Jason Segel is the perfect contrast, the pair combine so well.

Very well meaning, enjoyable.

7/10.

I normally wouldn't review a movie that wasn't just released on DVD or still in theaters, but I honestly couldn't believe there were negative reviews of this movie! How can you not like it!? In my opinion the only people who probably won't like this movie are those who are offended by cussing and sex talk (there's a lot. Less than "The Hangover" but more than "Something about Mary") or those who read WAAAAAY too much into things. I mean, TV and movies are not meant to be your moral compass in life. It's supposed to be funny and slightly over-the-top...it's a comedy, not a documentary.

Someone was complaining that it makes men look bad? Come on. You can't be serious. I think that Peters character is a little shy in the beginning (which A LOT of men are) but Sidney brings him out of his shell and shows him how fun life can be if you let loose once in a while. Once he and Sidney meet, he really starts enjoying himself. He's kicking a** at fencing, he's "slappin da base" again, etc. It's a definite bro movie but it's also a couples movie. I know some women who find it offensive...like my mom (which I still think is ridiculous), but I honestly can't imagine a man being so overly sensitive that they think it's anti-men. If anything, it's PRO-men. It's showing how guys need time with their friends, not just sitting at home with their girlfriends every night.

Bottom line, it's quite possibly one of the funniest movies I've ever seen. I can watch it 100 times (and probably have lol) and it still makes me (and my husband) LMAO at the same jokes every.single.time. To me, that is how I know if something is REALLY funny. I will say that I didn't laugh very much the first time I watched it. I honestly don't know why (maybe I was in a bad mood), but the second time I watched it I had to keep pausing it so I could laugh and it's been like that ever since.

Paul Rudd and Jason Segal together are a match made in heaven. All of the "klavinisms" are beyond awkward and beyond funny. They are things that come into my head when someone says a certain word in a conversation and I just bust out laughing b/c I'm thinking of this movie. and Sidney is so hilariously, love-ably, honest, it makes me wish I had a friend just like him.

I Love You, Man is a delightful film not just for its brand of humour which worked almost all the time, nor because it stars the bunch of contemporary jokers who have taken Hollywood by storm, but because it had a meaningful story to tell, and has translated that key insight of friendships and relationships for the big screen effortlessly, wrapping up some deep, intrinsic behavioural observation deceptively behind a curtain of laughter.

Like the 40 Year Old Virgin in its quest for a woman to get laid with to pop his cherry, this film works on the reverse in its protagonist's quest for a male friend, since Peter Klaven (Paul Rudd) has no problems with female friendship as he's the quintessential ladies man, only that he's about to marry his fiancé Zooey (Rashida Jones). Since the bride has a maid of honour, it's up to Peter to find a balance in a best man, only that he hasn't really had a man friend for the longest time, and so begins a crazy montage of hooking up with casual friends in the hope of striking gold.

It might seem like a hypothetical situation, but as the film progressed, it brings to mind how many of us have friends (male or female) that we sometimes take for granted in knowing that they'll always be there for us. Only a reality check brings up the fact that everyone has their own personal lives to lead, and it wouldn't be nice to impose (mid-life crisis singles, hands up here), especially not with an ulterior motive. Some of us too when having a girlfriend, tend to allow male friends to fall on the wayside as we skirt chase, and depending on whether you get someone who provides that much leeway as Zooey, you can kiss goodbye to those male-bonding sessions.

Then there's the difference between the premise of a girl's night out, and a guy's, and the dynamics of what happens within the groups. It can be somewhat stereotypical here in the film, but you get the drift as the film lays it all out on the table, with the girls talking about the boy-stuff behind their backs, and the worst bit being that cause for comparison, and the guys, well, talk about what else, sex! There are some lines clearly drawn here in what can, or cannot be discussed, and how much of that you can bring to the table, and how much you can take away from. A secret's a secret, and should stay that way with clear segregation in order to prevent upsetting anyone. Talk about compromises and "truth".

If what you're saying is that it reeks of hypocrisy, then yes, sometimes it does, and the married couple played by Jaime Pressly and Jon Favreau (yes, he who directed Iron Man) epitomizes the crankiness of a marriage with its idiosyncrasies, and the hypocrisies that come with presenting a united front, and worse of all, trading favours in both directions. They have some of the best lines and insane moments in the film, and poor Jon has got to suffer two verbal abuses (for you to watch and find out).

Many of us who have remembered Jason Segel's comical turn in Forgetting Sarah Marshall, and here he cuts his Sydney Fife both ways, one an alpha male type who seems way cool with his frat boy sensibilities, which is actually a facade for a lonely life he leads in his garage where he can be the man he actually is. As the friendship between Peter and Sydney grow from their numerous hanging out sessions, from short drinking sessions to weekend rendezvous just to jam to their favourite tunes, so too does the strain in Peter and Zooey's relationship, because as the saying goes, two's a company, and three's a crowd. This aspect serves as an adversary in the film, though it doesn't come unexpected when it suddenly dawns upon Peter that he can't have two birds in one hand. Being the novice in this aspect of a man-friend relationship here, there are many times Peter trips up, and the experienced us would know that it's perfect danger territory to find yourself in.

And who would have thought friendship and relationships could be such a chore, especially when expectations start flying around being that spanner ready to be thrown in the works. As a comedy, this film hit plenty of right spots in eliciting laughter from the audience, with funny lines that do work, and carefully crafted characters in Peter (with his nonsensical one- liner conversation endings, and nicknames), and Sydney being quite multi-dimensional. And what's a film like this about man-friends without that dose of fanboy-dom in it, with the Incredible Hulk Lou Ferrigno playing himself in a very short supporting role, and many other film references thrown in for good measure too?

I Love You, Man is an excellent story on friendship, and what makes friendship tick. For that and its healthy dose of comedy, and a great spin on the tired romantic-comedy genre, it goes without a surprise into my list of contenders for top films of the year.

When I first heard about this movie, I became a little irritated. The premise seemed to me like a "romantic comedy for gays" except with a few lines to make it a "bromance." It makes sense, as most guys in the target age group (high schoolers and college aged) are quite uncomfortable discussing sexual orientation in any context (Don't believe me? Try raising the topic with your best buddies). It seemed like it was wimping out instead of taking a chance and really making a movie that could make said guys comfortable about this sort of thing.

This may be the film's intention, but it hides it well. The romance between Peter (Paul Rudd) and Zooey (Rashida Jones) is well-integrated and quite important to the story. If anything, it represents a major stepping stone.

I approached this film with much trepidation; I don't especially like Judd Apatow movies. Some of the stuff is funny, but a lot of it is too understated, like Clark Duke in "Sex Drive" or "Kick Ass" (watch the trailers of either one of those movies and when the dorky kid with glasses talks, you'll see what I mean). Worse, Jason Segel wrote and starred in "Forgetting Sarah Marshall," a movie of that ilk that I didn't like at all. Fortunately, none of those characteristics made into this movie. The jokes flow naturally and the film has energy and chemistry between the actors. This result is 90+ minutes of absolute hilarity.

Peter (Paul Rudd) has always been a ladies man. Women love him, and he finds them very easy to talk to. That's one of the reasons why Zooey (Rashida Jones) falls head over heels for him, and when he proposes, she accepts. But once wedding plans get underway, he realizes that he has no best guy friends to make up his share of the wedding party. So with his friends encouragement, he sets out to find a new best guy friend. After a few disastrous "man dates," he runs into Sydney (Jason Segel), a fun loving guy with a lot of advice on how to break loose and have fun.

The best thing about this movie is that everything unfolds naturally. True, it follows the familiar beats of the genre, but nothing that happens is contrived. The characters actions are genuine and make sense from what we know about them, and that makes it more honest (not to mention effective.

The leads are great. Paul Rudd tones down the "funny smartass" personality that made him famous and instead acts like a likable guy, albeit without male/male social skills and a penchant for creating bad nicknames and catchphrases. Peter is an easy guy to like, and he has good chemistry with both of his co-stars, Rashida Jones and Jason Segel. Segel is a revelation. He's one of the most likable characters I've seen on screen in a long time. He's easy going and earnest, the type of guy anyone would want as a best friend. However, some of his philosophies on life and social skills come off as scripted, and try as he might, Segel isn't able to make them sound otherwise. Rashida Jones is also very good (looking and sounding like Jessica Alba, only more relaxed). When Peter tells her about Sydney, she's excited for him. If us guys could all have such wives, we'd be in heaven. As the gay brother who is on hand to give advice about "man dating," Andy Samberg is far less irritating and obnoxious than he was in the utterly awful "Hot Rod," which is near the top of my list of one of the worst movies ever made.

John Hamburg is making a comedy, and like the best ones, he lets everything flow naturally. The humor isn't kept on mute, or drained of energy, or kept low-key. It's totally natural, and that's what makes this such a funny, and dare I say it, touching, comedy. I was actually discussing this film with my best guy friend, and the movie reminded us quite strongly of the sort of things we would do when we were in college together. Movies that have establish that kind of a connection with a viewer don't come along very often.

Peter (Paul Rudd) is engaged to Zooey (Rashida Jones) and he suddenly realizes he doesn't have any close friends...no one who could be his best man. So, he goes about trying to meet more guys and develop friendships...but mostly very unsuccessfully. However, one new guy he seems to hit it off with is Sydney (Jason Segel)...a strange guy who definitely walks to his own drummer. But because Sydney is such an odd guy and Peter is spending so much time with him, it also causes complications. What type and how do they all get worked out? See the film and find out for yourself.

I really enjoyed this film but can pretty much guarantee many won't...such as my wife. This is because the film is filled with many awkward moments....scenes that make your skin crawl a bit. I actually LIKE that sort of humor...but it's certainly not for everyone.

I don't know why I still hold out hope that movies like this will actually make me laugh or feel good. My wife really wanted to see this, but I was having doubts, after disliking similar "comedies" like "Forgetting Sarah Marshall" and "Knocked up". It was more awkward and painfully embarrassing than funny. I don't think I laughed once. Pretty much all of the characters ranged from bland and boring (Paul Rudd, his fiancé,) to enraging jerks (Jason Segal, John Favreau, who played the most vile, despicable character, ever. The one married to the annoying stick figure Jamie Pressley. I wanted to kill him.) Also, I own two dogs. Letting one's dog crap on a busy sidewalk or beach is NOT FUNNY. It should earn you a good beating. The wedding at the end was especially horrible. People don't act like that! Also, while I have nothing against gay people, the portrayal of the gay brother who tries to have sex with straight men (and succeeds?!?) is not funny, just really skeevy. Why this got so many favorable reviews is just wrong and sad.

This movie was good...I laughed out loud at a number of parts. Peter Klavin is awkwardly searching for a friend, and it's relatable. The acting was quite good for a comedy. I think what helps this movie the most is it has a good heart. One of Paul Rudd and Jason Segel's best.

While most romantic comedies offer a simple formula, "I Love You, Man," offers a slight variation of the tried and true. In this film, our main character has already found the one and is instead in search of a some bro-love. While the concept may sound awkward at first, rest assured that the film keeps the laughs coming often enough that things never get weird.

Paul Rudd, whose resurrected career has been on a roll as of late, plays Pete, a successful real estate agent on the verge of marrying his dream girl, played by Rashida Jones ("Cop Out"). There's just one kink, though, as Pete is socially awkward and without male companionship, which means he's going to have a difficult time locking down a best man for his wedding. Enter Sydney, played by Jason Segal ("How I Met Your Mother"), who stumbles into Pete's life after crashing one of his open house events. The two hit it off, jam to a bit of Rush here and there, and before long, the two have a relationship that rivals that of Pete's impending nuptials.

"I Love You, Man" is a simply fun twist on an old genre. Rudd and Segal have great chemistry together (as hinted at in "Forgetting Sarah Marshall") and you buy that they are best-buds. Not only is the film heavy on Rush tunes (always a plus, in my book) but the band themselves perform within the movie. Also in house are roles from the likes of Jane Curtain, J.K. Simmons, Andy Samberg, Jon Favreau, Jaime Pressly and the Incredible Hulk himself, Lou Ferrigno. On the downside, the film doesn't really offer anything new outside of its "bro-mance" angle, and in turn, is as by the numbers and predictable as it gets. In spite of this, though, it's a fun, feel-good film that is never short on laughs. Worth a watch for anyone who appreciates the Judd Apatow generation of comedies.

Another cookie cutter movie ridden with lots of sex jokes. I am not a big fan of these types of movies (movies like The 40 Year Old Virgin and The Wedding Crashers) and that is how this movie starts. The acting was average at best, at most times, below average, the character playing Zooey (Rashida Jones)was particularly bad, but she had a small part. This movie was going to receive almost a failing rating (like a 4 or a 5) but then they inserted Sidney (Jason Segel) and he played an amazing part. He makes the movie alone and up my rating to a 6. The movie really moved with him and left all of the sex jokes and the ones that were inserted were well places. The movie moved the same way most movies do and ended the way I expected. So to sum up this movie, it was bad, then saved by a good actor, and pretty much ended the way I expected. Nothing great, not bad, worth watching if one has the time but nothing worth watching twice, 6 out of 10.

Everyone would like to have a best friend or best man like Sydney Fife (Jason Segel). Peter (Paul Rudd) is engaged to the girl of his dreams and faced with an upcoming wedding realizes he has no male friends and certainly none close enough to be his best man. That is where Sydney comes into play. This movie strikes at the heart of all men who have either had their own version of a Sydney or are still looking for one. Sydney is a charming guy, he's personable, and opinionated, and before long he and Peter have become inseparable. Of course none of this is what Peter's fiancé has in mind.

While there are some laughs to be had, and I think you see where I'm going with this, this is your basic romantic-comedy which means that it is very formula based. The movie is like a dozen other films with just a little bit of new stuff thrown on top. Paul Rudd is good, as always, and give his standard nice guy act. It was also great to see Lou Ferigno without green paint though he still could not escape the Hulk reference and probably never will. Jason Segel provides one of the better performances in the film, but he has plenty of models to refer to in other films in order to get it right.

Certainly the movie can only be credited with all the great actors in the film. Rudd is joined by J.K. Simmons and Jane Curtain as dad and mom and little brother is Andy Samberg. It is always good seeing Jon Favreau on screen and he's paired up with Jaime Pressly. John Hamburg makes his leap from directing television with I Love You, Man and some great scripts.

The film has to get in line with a lot of other very similar movies but that doesn't make it too much less funny. The film would do a lot better to have relied on its original material rather than the heavily formulated script. Given Hamburg's ability to turn out a decent script it is too bad that he could not save an entirely new script for himself to direct here.

Though you won't find the name Judd Apatow on this film at all, he certainly has a hand in it, as his influence is all over the film. However, unlike most of the movies that can certainly be grouped with this one, 'I Love You, Man' is a movie almost anyone can enjoy, even women and kids. It's the lightest, warmest, and the best for buddies of either sex to see. It's a delightful comedy that will make you laugh throughout and brighten your day.

Whether it be the great buddy chemistry between the leads, or the simply hysterical supporting cast, I found myself loving this movie. Like director John Hamburg's previous effort, 'Along Came Polly', the movie is incredibly likable because it relies on the awkward humor that Paul Rudd does pretty much perfectly, playing off the happy-go-lucky humor of Jason Segel.

Rudd is likable and reliable as usual in a role showcasing the best of his abilities (I really can't say how happy I am that he's finally getting leading roles), and unlike in 'Role Models', he's the undisputed lead here. Segel is a character in Rudd's story, his life, and his journey to find a friend, and essentially, become a complete person before his life changes for the better. Segel is at his best in a role as what appears to be the perfect friend (I would hang out with this guy for days). Rashida Jones is adorable and likable as Rudd's fiancé, and it's a role that most actresses would've over done (Jaime Pressly's performance should remind people of how it could've been over done), and Jones plays it with an ease that makes her likable.

The supporting cast is what makes the movie great. It's the foundation of characters played by Thomas Lennon, Joe Lo Truglio, Jon Favreau, Jaime Pressly, and Andy Samberg that completes the movie and makes it worth watching (because, let's face it, the movie wouldn't be that great if Rudd and Segel just sat around bro-ing out for 2 hours). Lennon and Truglio are hilarious as candidates for Peter's best man position, and Lennon will bring down the house as Doug, with his classic monologue about how he feels when his advances towards Peter are rejected. Truglio is great in yet another small cameo that stacks up with his previous appearances in 'Pineapple Express' and 'Superbad', as well as the icing on the cake that was 'Role Models' (he's an example of the whole "everyone will like this movie" thing. Jon Favreau is hysterical in his part as a cynical ass that makes you go, "this guy directed 'Iron Man'?".

I think the reason most people will like this one is because it'll put a smile on most people's faces. It's a generally happy movie that is a good movie to see in a group to start off a night, and is even a decent date movie. It's got jokes that even kids can like (though most of the film is obviously not appropriate for them...what I'm saying is if they HAVE to see one of these movies, this is the one for them). I really enjoyed this movie, it left a good taste in my mouth, and my friends loved it too.

The makers of the film tried to follow in the style of director Judd Apatow, you know add in some raunchiness, but not too much of it, but at the same time make it heartwarming and relatable. Like The 40-Year Old Virgin(2005), and Knocked Up(2007) where.

The story starts with Peter(Paul Rudd) who purposes to his longtime girlfriend Zooey(Rashida Jones), and she says yes. And should be smooth sailing from there right, well not so much. Peter quickly discovers that he has no best man for his wedding, the painful fact is that Peter has never really had a male friend, most of his best friends are females. So Peter goes out on a search by going on a couple of man dates, in hopes to find the perfect B.F.F.. But comes close to giving up, until he meets Sydney(Jason Segel), a wild fun loving guy. Peter and Sydney soon become the best of friends, has Sydney shows Peter on how to be wild and crazy. But will it put a strain on his relationship with Zooey?

One funny comedy, that hits it's mark perfectly. And a great bunch of characters, that don't over do it either. Paul Rudd is great, always, he had better chemistry with Rashida Jones and Jason Segel, then he had with Elizabeth Banks and Seann William Scott. Rashida Jones is also great in her role, although she doesn't quite get the big laughs, she endearing and believable in her role. Jason Segel was perfectly cast also, he managed to get some good laughs. And rest of the supporting cast are memorable. Including Lou Ferrigno as himself.

Here's a comedy that, undeniably and more than something like "Role Models", contains many elements of Judd Apatow's cinema. It's something that has to be said when you see a cast led by Paul Rudd and Jason Segel, a script that is based on the idea of male friendship and one or two characters who suffer of what I once called –actually, probably everyone did- the 'Apatow Syndrome'. However, it has nothing to do with Apatow and, as in "Role Models", there are some differences to be found and in these differences "I love you, Man" emerges like a good comedy. It's another thing altogether to say that it's a good movie.

What the film carries (we could say 'drags' too) from Apatow is a certain familiarity of ideas. The script by director John Hamburg and Larry Levin centers on Peter Klaven, a lonely man who's about to marry Zooey. The thing is that Zooey and her girlfriends are worried about the fact that Peter doesn't have any friends. It's fair to stop and to say that the Peter character is played by Paul Rudd, in what's an extension of the role established in "Knocked Up" and slightly modified by David Wain in "Role Models": a laid-back man, not very sociable, dedicated to his wife and work, not sure of who his truly friends are. It's a role Rudd plays beautifully; by heart, yes, but it's brilliant. The fact that he meets Sydney and that he turns to be this lovable, sensitive, musical, honest, charming, hippie man played by Jason Segel takes us inevitably back to the character Segel played in "Forgetting Sarah Marshall". Why wouldn't someone become a friend of Sydney? He's cool and he plays the guitar.

Anyway, the thing is that Sydney starts gaining importance in Peter's life and this drives Peter and Zooey apart…And they're getting married in two weeks. There's not much more than that as far as the plot goes, and you know how it ends. So, I don't know if Hamburg was trying to pay Apatow tribute or what. His last directing credit is "Along Came Polly", a film which is far from Apatow land. But the truth is that, at the end of the day, "I love you, Man" is not more Apatow than the things I've mentioned, and Hamburg makes a rare comedy of it by taking some chances…Not without being sentimental, of course.

You see, Apatow's first idea of cinema was one of a non-stop comedy (you can watch "Anchorman" any time) that slowly evolved into a more complex, dramatic line –probably the result of his own personal life- that, as a director, reached its peak in "Knocked Up". An idea of more developed characters, a detailed treatment of male bonding (friendship, yes), a particular interest in husband/wife relationship and a sometimes excessive sentimentalism recently concluded in complete failure: "Funny People". But what we shouldn't forget is that, no matter how and when, Apatow was always looking for comedy, and we could laugh with his films. Well, "Funny People" is not funny.

All the elements of a modern American comedy can sometimes confuse the viewer or even a director. The good news is that Hamburg knows what he wants his picture to be: a comedy, just a comedy. He plays his cards there and because he does it with balls he succeeds. The romantic elements are very few, the sentimentalism is there, but more as an excuse than ever before during this decade. Meanwhile, the friendship thing is natural and real, but not revealing, as in introducing a new light to the matter.

Where "I love you, Man" has its heart is in the comedy. A comedy that consists in putting the right characters in the right place at the right time so they can say the right things to make us laugh. This sounds redundant, but it has to because it has to be noted that it is planned: the casting is perfect (the two leads of course, and supporting characters by Jon Favreau and Jamie Pressly leading the game; with a nice appearance by Thomas Lennon) and the camera is not too risky so the actors can do what they have to.

But it's not that simple, because the planning includes the complexity of characters, and that's precisely why the actors need to be perfect. Say what you want, but there's not a comic line in the film that doesn't com from one of the characters' sheer nature. The rare quality of "I love you, Man" has to do with the fact that everything that makes us laugh truly seems like something a character, male or female, would say. That character, in that place, at that time. It's basic stuff, but it's rarely seen in a genre that depends, desperately, on moments that are simply there for the sake of a laugh. Here, in a film with not a lot of music, in a film that could be categorized at times of "quiet comedy", we believe what people say. And of course, we laugh.

The pretext is a cute idea. The future groom doesn't have a close friend who can be the best man. Also, his would-be bride's friends assert that he will be clingy and smothering without friends of his own. Unfortunately, that is where the good ideas end. The movie is rife with filthy language and behavior. Isn't there enough crudeness in the world? Yea, so I am a stick in the mud when it comes to this kind of humor. Cheap laughs. Lazy writing. Foul language, fart jokes, and characters debasing themselves in various ways. I say again. Lazy writing. None of this is creative. None of that is clever dialog. These aren't likable people. I would be embarrassed to have any of them as friends or family. So who cares about them? I sure didn't. I would much rather be a part of a nicer, more honest, kinder, and gentler world than the one portrayed here. LOL I guess I'll stay in Utah.