K-20: The Fiend with Twenty Faces

Fairly well done light entertainment movie with good computer graphics and retro set-up. Some reviewer says Japanese stole Batman, but I would like to present some facts here. K20 character was created in 1930 by Edogawa Rampo, a Japanese pioneer mystery novelist. http://en.wikipedia.org/wiki/Edogawa_Rampo This movie is based on a recent novel adaptation by a different author. If you think cape and mask means everything MARVEL, think again and do some basic research before saying anything about "originality".

Some other characters like Akechi, and boy-sidekick Kobayashi are also came from Rampo's novels.

Retro set up seems like homage to the original author who wrote juvenile fun novels about K20 vs Akechi before WW2, and I appreciate the director's sensitivity.

K-20: Legend of the mask is considered a Japanese superhero movie although K-20 is not a superhero, he is more of Japanese robin hood but only more evil. The 2 billion yen movie has the realistic special effects that you rarely see in Japanese movies and its action scenes are breath-taking especially the acrobatic stunts and famous Takeshi Kaneshiro with good music

Story: It is set in 1949 where there is no world war, which is lucky. There is K-20, stealing priceless items from the rich. He frames an acrobat, Heikichi Endo (Takeshi Kaneshiro). Heikichi is caught and soon escapes. He then vows to unmask/catch K-20 and proves his innocence. The fight scenes with K-20 and Heikichi are stunning with amazing acrobatic stunts. I wish there will more of the breath-taking stunts in movies. As Heikichi races to find what K-20 is going after, it leads to the final battle between them where there happens to be a twist.

Overall: This is not to be missed for Takeshi fans or those who are fans of Japanese movies. K-20 may be a little long- the runtime is 2 hours 17 minutes but the plot is engrossing that you won't care about the time and watch how K-20 battles with Heikichi with wits and power. It is nice to see a big-budget Japanese action movie as the past few years, there are mostly Japanese thrillers like 20th century boys and death note.

American remakes of Asian movies are becoming common nowadays... well, take this Hollywood! "Japanese Batman-meets-Spiderman" pretty much describes this movie. Explanation of plot not necessary.

Despite the lack of originality and the absurdity of the story, it turned out to be a very entertaining movie for me. The cast is all-star, and not only that, they fit their part very well.

One thing I really have to praise about this movie is the CG. The special effects in this movie was by far the best I have seen in any Japanese films. It's true this is nowhere near the Hollywood level, but at least it's not ridiculously fakey like every other Japanese movies that attempted to create an entire world with CGI.

A funny and exciting thriller, don't think too much and just enjoy the movie.

Quite frankly I dislike most of the Hollywood comic to screen adaptations that have been made possible with high budget CGI and motion control. The most positive thing about a cheaply made film is that either the makers deliver shoddy goods (nearly every SciFi Channel movie) or they focus on story, drama and comedy which can result in the most satisfying movie.

K-20 inhabits a world that's very familiar to comic book readers, alternate history what-if. Here the Japanese have avoided WW2 and have evolved into a strange combination of the Taisho era with the totalitarian leanings of the Showa with technology seemingly mired in the 1920's even though the film is set in the late 1940's. German is used instead of English when a universal language is needed. The film revolves around a Japanese invention that finally brings Tesla's dream of wireless energy to fruition. Unfortunately it can also be used as an extremely powerful weapon.

The look of the film is excellent and the effects are, as others have pointed out, very good and well conceived. But that is true of many other big budget films like this. What makes this film different is the drama that fleshes out the fantasy. It's not perfect, some of the acting is old-school over-acting, the main characters are very familiar to anyone with familiarity with Japanese entertainment especially the Duke's daughter. And there are some moments that strain the viewer's credibility but The Dark Knight had moments like that as well. Overall the film ended and I had enjoyed myself.

There are way worse ways to spend your time, (The Spirit anyone?) hopefully this film will see a wide release.

I was surprised by how much fun I had with this film. I was skeptical, but this turned out to be a really enjoyable Japanese film. It reminded me of 90's action adventure period pieces like The Shadow and The Rocketeer, which were some of my favorite films to watch as a kid. If you also enjoyed films like those, and to a lesser extent, films like Indiana Jones and other period action adventures, you will no doubt enjoy the film too.

The film takes place in Japan, 1949. World War II never took place and Japan remained with the feudal system, while the poor and the wealthy remained separate with no middle class. The wealthy rule, while the poor are left to starve and die on the street. None help the poor, with the exception of K-20, a master thief who steal priceless artifacts from the rich.

The film's main focus is Endo Eikichi, a circus performer who is tricked by K-20 into committing a crime and taking the blame for being K-20 himself. From there one, Eikichi is set on a quest to catch K-20 and clear his name.

The best thing about the film is its lead, Takeshi Kaneshiro as Eikichi. He's highly entertaining, as usual, and does a good job as he goes from agile circus performer to competent thief. He's funny, exciting, and plays up all the right things for this kind of film. The supporting cast is great as well, made up of several veterans of Japanese film and TV. They deliver in their performances with the right mix of adventurous spirit, drama, camp, and humor.

The film is also big, with some big sets, and few decent cg sets, and some big action moments. The best action sequences utilize parkour-style stunts, but less in the way B13 does it and more in common with something like Assassin's Creed, which came to mind during the big training sequences. These sorts of action scenes are a lot of fun and create for some excellent foot chases.

While the film does get a bit preachy about its rich versus poor plot line, it remains fun and, even when it slows down, the acting keeps you engaged. There is also a great deal of humor mixed in, which keeps things light. Suffice to say, the film never feels too heavy handed. Although it could have played up it's issues much more seriously, it thankfully never does.

Overall, I have to say that this is one of the more enjoyable Japanese films I have seen in a while. Much like America, I can't say I have seen too much I have thoroughly enjoyed as I enjoyed this film. If there were more films that aimed for the scope and Hollywood scale of this film, with as much talent as went into this film, we might see more enjoyable pictures from Japan.