Chicago – The “Canuck Girls” have hit town, and they brought a lively, passionate and super fun musical about relationships and the environment to CIMMFest! Toronto-based writer/musician/actor/director Jude Klassen created “Love in the Sixth,” and it plays out at the 2016 festival on Sunday, April 17th (3:45p) at the Logan Theatre in Chicago. Click here for complete details.
The film explores relationships, in the post modern mode of Woody Allen, plus has amazing song breaks in the style of Motown, Punk, The Beatles and even “Grease” (if Grease would have had a song called “F**king Love”). The cinematic freedom of Jude Klassen’s director influence is woven throughout the work, as she portrays a rocker Mom named Dani, who is raising a Hunger-Games-loving-environmentally-conscious 12 year-old named Kat (Mika Kay, in a memorable performance).
Dani’s relationship with Sid (T.C. Folkpunk) is complicated, and gets in the way of...
The film explores relationships, in the post modern mode of Woody Allen, plus has amazing song breaks in the style of Motown, Punk, The Beatles and even “Grease” (if Grease would have had a song called “F**king Love”). The cinematic freedom of Jude Klassen’s director influence is woven throughout the work, as she portrays a rocker Mom named Dani, who is raising a Hunger-Games-loving-environmentally-conscious 12 year-old named Kat (Mika Kay, in a memorable performance).
Dani’s relationship with Sid (T.C. Folkpunk) is complicated, and gets in the way of...
- 4/16/2016
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
By Victoria Charters
(from the 2011 Cannes Film Festival)
Day 11.
I rise sometime around 5 a.m. to get ready for the Short Film Corner (Sfc) Buyers Breakfast. I join a group of nervous-looking Sfc filmmakers on the terrace in the Palais. These breakfasts are invaluable. In 2008, this is how I found a distributor and sold my short “I Heard the Mermaids Singing.”
Today we meet with about 12 buyers from around the world — Canada, Germany, France, Australia, U.K., Hungary — who proceed to introduce themselves with the following information:
What they buy (fiction, animation, documentary, etc.) Maximum running time How many films they buy The percentage of national versus international films on their slate Rate per minute and terms of contract
Tables are set up, and we circulate and pitch to the buyers over coffee and croissants. I manage to pitch to eight of the 12 buyers despite periodic explosions of yelling outside the terrace.
(from the 2011 Cannes Film Festival)
Day 11.
I rise sometime around 5 a.m. to get ready for the Short Film Corner (Sfc) Buyers Breakfast. I join a group of nervous-looking Sfc filmmakers on the terrace in the Palais. These breakfasts are invaluable. In 2008, this is how I found a distributor and sold my short “I Heard the Mermaids Singing.”
Today we meet with about 12 buyers from around the world — Canada, Germany, France, Australia, U.K., Hungary — who proceed to introduce themselves with the following information:
What they buy (fiction, animation, documentary, etc.) Maximum running time How many films they buy The percentage of national versus international films on their slate Rate per minute and terms of contract
Tables are set up, and we circulate and pitch to the buyers over coffee and croissants. I manage to pitch to eight of the 12 buyers despite periodic explosions of yelling outside the terrace.
- 5/21/2011
- by admin
- Moving Pictures Magazine
By Victoria Charters
(from the 2011 Cannes Film Festival)
Day 11.
I rise sometime around 5 a.m. to get ready for the Short Film Corner (Sfc) Buyers Breakfast. I join a group of nervous-looking Sfc filmmakers on the terrace in the Palais. These breakfasts are invaluable. In 2008, this is how I found a distributor and sold my short “I Heard the Mermaids Singing.”
Today we meet with about 12 buyers from around the world — Canada, Germany, France, Australia, U.K., Hungary — who proceed to introduce themselves with the following information:
What they buy (fiction, animation, documentary, etc.) Maximum running time How many films they buy The percentage of national versus international films on their slate Rate per minute and terms of contract
Tables are set up, and we circulate and pitch to the buyers over coffee and croissants. I manage to pitch to eight of the 12 buyers despite periodic explosions of yelling outside the terrace.
(from the 2011 Cannes Film Festival)
Day 11.
I rise sometime around 5 a.m. to get ready for the Short Film Corner (Sfc) Buyers Breakfast. I join a group of nervous-looking Sfc filmmakers on the terrace in the Palais. These breakfasts are invaluable. In 2008, this is how I found a distributor and sold my short “I Heard the Mermaids Singing.”
Today we meet with about 12 buyers from around the world — Canada, Germany, France, Australia, U.K., Hungary — who proceed to introduce themselves with the following information:
What they buy (fiction, animation, documentary, etc.) Maximum running time How many films they buy The percentage of national versus international films on their slate Rate per minute and terms of contract
Tables are set up, and we circulate and pitch to the buyers over coffee and croissants. I manage to pitch to eight of the 12 buyers despite periodic explosions of yelling outside the terrace.
- 5/21/2011
- by admin
- Moving Pictures Network
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