The Unicorn and the Wasp

Even with the legendary Graeme Harper at the helm, "The Unicorn and the Wasp" fails to excite. In fact, some viewers may find events distinctly underwhelming and the humour a little tired.

Having already encountered giant wasps in "Torchwood" this year, the alien in this episode left me feeling a case of deja vu.

The cast is excellent, as you'd imagine from this series, but even the talent on display can't save a rather uninteresting script. Fenella Woolgar, last seen in "Jekyll", plays Agatha Christie. Woolgar is rather splendid in the part but the performances aren't enough to save this one.

7 out of 10. The series started well but seems to be in a bit of a slump at the moment. Perhaps next week will bring a return to form.

My Series 4 Review: Episode 7

The Unicorn and the Wasp

This story has the Doctor and Donna attending a garden party in the 1920s and meeting Agatha Christie just prior to her famous real life temporary disappearance. Then there is a murder mystery involving a giant wasp from outer space! It sounds ridiculous but the unbelievable nature of events and the coincidences are all deliberately used to great comedic effect.

Writer Gareth Roberts tends to write comedy episodes and this one is exceptionally witty and knowing in its humour. Tennant and Tate are hilarious. The idea of a murder mystery involving Agatha Christie is very cleverly made to work and it is quite inspired and fun.

The giant wasp is done well in terms of effects but is perhaps an idea a little bit too far. The wasp aspect, especially the buzzing of the human side of the character, is the only little thing in the episode I wasn't so keen on. But this is still an excellent entertainment with many great features.

It reminds me of the 5th Doctor story Black Orchid which is probably not a total coincidence.

It is lovely to get an appearance from Christopher Benjamin who had appeared brilliantly more than once in the classic series so many years earlier plus Felicity Kendal of The Good Life fame and Felicity Jones of Star Wars Rogue One fame. The period setting is lovely too.

David Tennant and Catherine Tate are superb as usual.

My Rating: 8.5/10.

I recently rewatched this episode to find that a lot of elements worked very well indeed. It's greatest strengths, I think, are in its idyllic evocation of upper-class 1920s England and the sheer blithe charm that it brings along with this. Fenella Woolgar is perfectly suited to the piece and very believable in her performance as Agatha Christie, and the script is an extremely witty one. David Tennant's Doctor is in his element here in the earlier decades of the twentieth century, jumping into the mystery with relish, and it makes one wish he would spend more time in this time period.

The main failing of "The Unicorn and the Wasp" is that, in an episode about a mystery writer getting involved in a real mystery, the actual mystery and alien-involvement plots get a little bit of the short shrift. This means that the long scene near the end in which the Doctor and Agatha Christie solve the mystery, while fun in its evocation of a genre-staple scene, seems a little unnecessary. This episode unashamedly goes over-the-top in its mimicry of the 1920s and '30s mystery genre. Sometimes this is really clever, and sometimes it feels a little too clever or gets a little too sweet in its loving homage.

However much it ironically lack fully-developed mystery plot while paying tribute to a classic crafter of mystery plots, it wins us over by being purely funny and fun all the way through, with a lot to love for those who appreciate the books and films of Agatha Christie's era, several great comic scenes, and many great turns for the Doctor and Donna. They, by the way, are developed very well through action as far as their friendship and working relationship are concerned, and Donna especially gets some nice character moments. It's nice to see the Doctor's relationship with a character grow quietly like that, without being underscored six times by a script and director eager to make a point of it.

I'll admit to three of my pleasures in life, Agatha Christie, Starbucks coffee and of course Doctor Who. While 2 out of 3 are a frequent to have all three seemed like a dream come true!! but was it?

It's England 1926, mint and lime fill the air, Lady Eddington is giving a party to a range of socialites, where one guest turns out to be none other then Agatha Christie. We learn a jewel thief, the Unicorn is at large.

The Doctor informs Donna that it's the actual date that Agatha Christie did indeed disappear, and what was to follow would explain how she landed up in a Hotel in Harrogate.

There is some wonderful humour, The Doctor referring to Donna as the plucky young girl is so funny, I loved her reaction, and her referral to Dickens. The recollections of where the cast were too, The Captain's recollection is side splitting. The number of her books they reference is a nice feature too.

Stunning production, the house itself, the cars, the outfits, right down to the Royal Worcester Howard Blue china and Stuart Crystal Beaconsfield glasses. The attention to detail is glorious.

I've mentioned Catherine Tate's performances in each episode and had nothing but plaudits for her, again she's glorious. However, the plaudits in this one go to Fenella Woolgar, I've always been a huge fan of hers, and she is ridiculously good, so stiff upper lipped and British. Her summing up of the crime is just delightful.

I love the Unicorn and the Wasp, it's a total one off, it's clever, it's funny, it's different, it tries to answer a true life mystery, it's just glorious. It literally feels like a BBC Agatha Christie production which has been invaded by Doctor Who. Impossible to watch without smiling. The little acknowledgement of her brilliance was welcome 9/10

I remember a time when Gareth Roberts was well-regarded by Who fandom. His New Adventures novels were well-liked and his Missing Adventures efforts were seen by many as some of the best of the 90's Who novels (including myself). Granted Roberts didn't help his dwindling reputation (a result of silly revisionist thought when fans decided to be pretentious and ignore these fun romps in favor of the 'challenging drama' of some of the NA's) with last year's extremely disappointing "The Shakespeare Code", but he has matched some of his finest work such as "The Romance of Crime" and "The English Way of Death" with "The Unicorn and the Wasp", a fun and exciting little adventure reminiscent in several ways of Doctor Who's other television murder-mystery, "Black Orchid".

The only real flaw in this episode was essentially the plot and the way it was executed. This has always been a flaw in Gareth Roberts' writing but he more than makes up for it (again) by injecting ample wit and style into his dialogue, which the actors really do justice here. I did think Catherine Tate slipped into her comedy routine a bit here which does injustice I think to the fantastic way she's developed her character over the last few episodes, but that's a minor complaint.

This is possibly one of the best-directed Doctor Who stories, well... ever. Graeme Harper first directed Doctor Who in 1984, debuting with the truly legendary "The Caves of Androzani" and following that up with the excellent "Revelation of the Daleks". Returning for the revived series of Who with "Rise of the Cybermen", Harper has proved to be one of the best and most unjustly ignored television directors out there. "The Unicorn and the Wasp" succeeds largely thanks to his direction of the episode, as he creates fantastic atmosphere and chooses his shots very carefully and very well.

Fenella Woolgar is terrific here as Agatha Christie herself and the story is just excellent, fun, humorous entertainment all the way through. The CGI effects in series four thus far have been miles ahead of what we've seen previously and the very, very well-done wasp(s) are proof of this. What a memorable and fun tale.

8.5/10