There's no need to convince Wiseman fans to watch this. All I'll say is that it is one of his best films that I have seen (out of only a tiny fraction of his filmography), and critics who have seen much more of his films seem to agree.
There's also no point trying to convince Wiseman haters to watch this. It's more than 4 and a half hours long, and it's about day-to-day city politics.
If you've never seen a Wiseman, or particularly a late-period Wiseman, a film this long is probably not a good place to start. But if you like being shoved into the deep end of the pool, know beforehand that Wiseman is a documentary filmmaker who does not directly interview subjects or insert any commentary. He points and he shoots as a fly on the wall, often looking behind the scenes at how major institutions function. There will be plenty of boardroom meetings. You will either find his films extremely boring or extremely fascinating. I come out of his films feeling smarter and more educated. They don't tell you what to think, but they provide knowledge about the world that often feels useful and applicable.
City Hall was filmed in late 2018 and early 2019. A lot of the film follows Boston mayor Martin "Mahty" Walsh. I tried to analyze throughout the film why I liked him so much. What I came up with was that he was a workaholic who genuinely loved his job as a mayor - not the power that comes with it, but the actual job. In contrast, I found myself thinking of a fictional mayor, Aiden Gillen's portrayal of Thomas Carcetti from The Wire, who writers and political consultants based on Martin O'Malley--a mayor who craved power and popularity, who wanted to do "good" but hated the grunt work.
The film also watches everyone from city hall telephone operators to road workers. We watch meetings where people discuss solutions for the opioid crisis, homeless services, and how to develop neighborhoods without displacing their original residents. One other big thing I noticed: no one debates whether these things are important or necessary, only the best strategy to solve them. Frank Capra wasn't this idealistic.
Which isn't to say the film is all rainbows and sunshine. We get a very long community meeting about the opening of a dispensary in a poor neighborhood where residents vent their concerns and the developers don't always have answers. Throughout the film, many point out Boston has a reputation as a racist city and it's racial and ethnic conflicts can't be solved overnight. Some meetings are about trying to contain the damage by Trump administration policies, such as changes to the Fair Housing Act of 1968's Desperate Impact Rule, or the emotional fallout of his Muslim bans on Boston's immigrant communities.
This year in particular, City Hall is surreally hopeful. But that is very welcome.
