Bitch Slap

An entertaining film. I about gave up on it a time or two, but I hung in there and it redeemed itself. Better than any Russ Meyer film I have seen, and maybe even a notch above Tarantino. Much effort went into this film especially by the three female leads, well chosen for their role. There were the boobs and blood and all-out raucous catfights. If Tarantino style turns you off, you may not like it, but if not I suggest you watch this one and watch it to the end. The plot twists and ending are worth it. And a worthwhile and revealing view of women which one of the female trio expressed as "We are all just bitches in the end". I like that and late in the film a quote from a several hundred B.C. Chinese text which begins "All warfare is based on deception . . .", a thoughtful commentary giving a certain meaning to the film and raising it above the usual grindhouse fare for those paying attention to more than just the action.

This is a stupid movie and it knows it! And that's why it works. It's over the top, ridiculous fun with a couple of classic lines and some memorable scenes. The special effects are designed to be noticed and WTFu**ed and it works really well especially the yo yo shuriken (classic) Also look out for the classic department logo and tagline 'Homeland security...we bomb them so you don't have to' sooo good.

Where the movie kind of fails is in it's sexuality, its grindy and sleazy but ultimately pointless. Any teenager looking to 'enjoy' that will be watching internet porn instead anyway. So either skip it or ramp it up.

Recognizing this was made in 2009, if it was made now I'm totally confident they would have worked a shark into the movie somehow and they would have gotten away with it!

Put your brain in the fridge and whoop it up :)

Since ratings and reviews of "Bitch Slap" are apparently dependent on just how much or how little one enjoys this sort of thing, what this viewer must say right up front is that he tends towards the former camp. The problem there is that while it is enjoyable enough, it's not entirely satisfying. Yeah, it does come across as a wish fulfilment fantasy for horny guys everywhere, and is basically silly, over the top, attitude driven, highly stylized (perhaps TOO stylized), violent, leering exploitation fare meant to be an ode to the kind of tough movie gals whom we see in clips during the opening credits. But, unfortunately, it doesn't really go far enough; it's likely not depraved enough or just not exploitative enough to suit some of its audience (For one thing, while there is sex, there just ain't that much nudity, folks.). The story, such as it is, features three stunning young ladies united in their scheme to get their hands on some jewels being held by an underworld figure. They often spend as much time fighting with each other as they do working towards their goal. The review written by one of my associates at this web site is right on the money when describing this movie as an almost 110 minute long cat fight. The ladies are also, commendably enough, shot from lots of fetishistic angles and it does indeed seem as if the filmmakers would rather focus exclusively on the breasts of the actresses instead of their faces. The dialogue is often hilarious yet has an obvious self-conscious air about it; the writers are trying too hard to come up with what they clearly believe to be instantly quotable raunchy lines. It also takes a cue from "Pulp Fiction" as it constantly moves back and forth in time in order to create a series of events that the viewer has to put in the right order to understand just where all of these characters are coming from. The soundtrack is loud, and so is the volume on a lot of the performers. One of the big twists in the end is probably something most people could figure out. The actors, while not necessarily all "good", are fun. Erin Cummings is Hel, the "smart" one / mastermind, America Olivo (chewing the scenery and then throwing it up again) the pill popping wildcat Camero, and Julia Voth is Trixie, the "nice" one. Cameos include TV stars Kevin Sorbo, Lucy Lawless, Renee O'Connor, and Michael Hurst, as well as stunt coordinator Zoe Bell who'd shot to fame in Tarantino's "Death Proof". At the least, "Bitch Slap" does have enough crazy energy to keep it from ever getting what I would consider boring. It does have its moments. Six out of 10.

What, you say? You didn't know Robocop was a satire? Hmm, then you might want to skip Beyotch Slap (note: thanks, IMDb's profanity filter). Much in the tradition of the brilliant cinematic satirist Paul Veerhoven who did Robocop and Starship Troopers, Beyotch Slap is a cheeky, sarcastic jab at the hyper violence genre with a poignant message just below the surface.

The story unfolds in a teasing, non-linear way, beginning with an apocalyptic aftermath and then jumping back a few hours where most of the story takes place but frequent jumps to the weeks and months prior. That is, nothing is spelled out, and it's almost 3/4 through the movie before you realize why these 3 buxom babes are out in the middle of the desert with dead bodies piling up.

Beyond the twisty mystery, racy plot, witty dialogue ("Lick my love pump!"), cool action scenes, great cat fights (complete with a screeching cat sound effect or two when one of the ladies happens to get punched in the fun bun), what really makes this film is the fantastic dynamic between the 3 very different personalities of our protagonists and the excellent way each of the 3 leading ladies brings her character to life. There is the leader "Hel" who is the brains of the bunch, "Camaro" who is the muscle as well as sheer psycho element, and then there's "Trix" who is the ditzy tagalong who, despite being a sultry hot stripper, has the air of being someone who still believes in the Easter bunny.

Throw the 3 together along with a couple of awesome criminal characters, a few buckets of blood, a bunch of unapologetically gratuitous cleavage shots and a slow motion water fight, and of course the aforementioned biting satire of every chixploitation flick from the 70s, and you've got one bona fide cinematic work of art. I'm not even being sarcastic when I say that. If you grasp the tongue in cheek nature of this film, you'll find yourself very impressed and thoroughly satisfied at this gem of a movie.

I'm shocked that IMDb has rated this so low (4.5 as of the time I'm writing this), and my only guess is that the people rating this movie so low are the same people who think Spinal Tap is a real band.

I think this movie is an excellent example of its genre . Great non-linear story-line , over the top insanely intense characters , lots of action. Very "Quintin-esk". great twists in the story.