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6.8/10
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"Emily" imagines the transformative, exhilarating, and uplifting journey to womanhood of a rebel and a misfit, one of the world's most famous, enigmatic, and provocative writers, who died, t... Read all"Emily" imagines the transformative, exhilarating, and uplifting journey to womanhood of a rebel and a misfit, one of the world's most famous, enigmatic, and provocative writers, who died, too soon, at age 30."Emily" imagines the transformative, exhilarating, and uplifting journey to womanhood of a rebel and a misfit, one of the world's most famous, enigmatic, and provocative writers, who died, too soon, at age 30.
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What a wicked, wicked film this is and the depths to which non-academics misunderstand Wuthering Heights reeks throughout this lush and engaging period drama.
Emily Bronte never had an affair, she never married, and she is quoted in an earlier biopic from 1979 in her preference for friendship over the fleeting illusion of romance, in her preference for holly over wild dog's roses.
Wuthering Heights is many things but it has never been a silly romance novel. The first thirty pages or so are hilarious pitch black comedy, making a mockery of middle class manners in the rudeness and brutal company of "the inmates of Wuthering Heights."
As the story of Heathcliff and Cathy unfolds, it becomes readily apparent that Heathcliff is a full blown sociopath and Cathy is criticized for throwing her life away on him. The last 200 pages of the book feature a psychopathically evil Heathcliff, a dead Cathy, and a rather obvious derision of their unholy union in favor of other characters like Nelly Dean and Cathy's daughter Catherine.
Someone who doesn't have the background in literature to understand the novel should definitely not be making a movie about Emily Bronte's life, but it's a fun film if you can get over the horror of the blatant lies.
Emily Bronte never had an affair, she never married, and she is quoted in an earlier biopic from 1979 in her preference for friendship over the fleeting illusion of romance, in her preference for holly over wild dog's roses.
Wuthering Heights is many things but it has never been a silly romance novel. The first thirty pages or so are hilarious pitch black comedy, making a mockery of middle class manners in the rudeness and brutal company of "the inmates of Wuthering Heights."
As the story of Heathcliff and Cathy unfolds, it becomes readily apparent that Heathcliff is a full blown sociopath and Cathy is criticized for throwing her life away on him. The last 200 pages of the book feature a psychopathically evil Heathcliff, a dead Cathy, and a rather obvious derision of their unholy union in favor of other characters like Nelly Dean and Cathy's daughter Catherine.
Someone who doesn't have the background in literature to understand the novel should definitely not be making a movie about Emily Bronte's life, but it's a fun film if you can get over the horror of the blatant lies.
Frances is a decent actress ..and technically she is semi decent director so far..but as a creator of art..she is far from it
we had many of those ( reimagining of famous authors lives ) in which these authors were seen through their works and made part of it.. the results were absurd always from ( shakespeare in love ) to ( becoming jane )..till this one.. these fictional works suggest a writer can not write anything not autobiographical ..that there is no such thing as imagination ! Or simply these authors lives were so boring unless we spice it up by a spicy love affair...that has no source in real life
actually the handsome curate in question has never been linked to this bronte AT ALL in any source.. rather it was the other tow who were allegedly connected to him ( as he was alleged to have been interested in anne in a platonic sort of way ) but alas .. all of this is so boring for todays public and creators.. so we make emily bronte something of a DH lawrence INSTEAD
I cant wait for tolstoy biography inspired by anna karenina ..next.
Over-long, plotless and pointless with a highly improbable, corny drawn out story line. If I had been on my own I would have left an hour and a half earlier!! Overall the acting was mostly wooden with fluctuating accents from main characters. There was far too much atmospheric thunder and heay rain (its not like that in Yorkshire!) in outdoor and some indoor sequences. Predicatble story. Filled with groan inducing cinematic cliches too numerous to list and discuss here. The six star rating is for the authentic looking interior sets and excellent lighting . I sure that I will soon forget it. But some might like it.
"Emily", the debut directorial effort of English-Australian actor, Frances O'Connor, is focused on Emily Bronte from the late teens to the finishing of her only novel "Wuthering Heights". She was the middle of the three remarkable young ladies who made a mark on English literature in the mid 18th century. The movie is worth seeing for the trip back to the time and place, aided by the authentic Yorkshire setting and the excellent cinematography by Nanu Segal. Acting was generally good and Frances shows potential as a director. I felt it could have been a bit shorter and tighter. Music was pleasant and unobtrusive apart from a couple of times it built up to a portentous rumble
--and nothing happened.
Emma Mackey looked the part as the introverted but then wilful and free spirited Emily, the 'smouldering' nearing 11. Fionn Whitehead was fine as the wayward artist brother Branwell who was expected to be the shining light. The 'close' relationship between brother and Emily may be largely fiction as was the romance between Emily and the curate. There apparently was some sibling rivalry as suggested in the film, but that is endemic where there are siblings. And Charlotte did value Emily's work.
Despite the liberties with the story, I gained some feeling of the place and time, and more admiration for the achievements of those three young ladies in their brief allotted time. I shall re-read "Wuthering Heights".
Recapping the Brontes; There were 5 progeny. The 2 eldest girls died as children, probably from Tb and possibly helped by the privations of a dodgy 'charity school' for parsons' children. The famous trio were- Charlotte, 1816-1855, -"Jane Eyre"- died at 39.
Emily -"Wuthering Heights"-1818-1848, 30, Tb.
Anne -"Tenant of Wildfell Hall"- 1820-1849, 29, Tb.
One son, Patrick Branwell 1817-1855, 31, Tb.
Their mother died young. They were raised by the widowed parson father and an aunt.
Emma Mackey looked the part as the introverted but then wilful and free spirited Emily, the 'smouldering' nearing 11. Fionn Whitehead was fine as the wayward artist brother Branwell who was expected to be the shining light. The 'close' relationship between brother and Emily may be largely fiction as was the romance between Emily and the curate. There apparently was some sibling rivalry as suggested in the film, but that is endemic where there are siblings. And Charlotte did value Emily's work.
Despite the liberties with the story, I gained some feeling of the place and time, and more admiration for the achievements of those three young ladies in their brief allotted time. I shall re-read "Wuthering Heights".
Recapping the Brontes; There were 5 progeny. The 2 eldest girls died as children, probably from Tb and possibly helped by the privations of a dodgy 'charity school' for parsons' children. The famous trio were- Charlotte, 1816-1855, -"Jane Eyre"- died at 39.
Emily -"Wuthering Heights"-1818-1848, 30, Tb.
Anne -"Tenant of Wildfell Hall"- 1820-1849, 29, Tb.
One son, Patrick Branwell 1817-1855, 31, Tb.
Their mother died young. They were raised by the widowed parson father and an aunt.
Emily is a real shame as it is a film that had some great promise but failed to engage me.
This is largely because I felt like I was never actually let behind the curtain, and was kept at a frustrating distance from the characters. I never got under the skin of Emily, or any of the Bronte's really, and left the film with far more questions than answers. For a biopic, even a highly embellished one, this is unforgivable.
Given what the film was trying to achieve and the angle it took, I was surprised by how little emotion was stirred in me. I wanted to feel more watching this film but just never felt like I was part of it.
This lack of connection and emotion wasn't helped by the fact that the colour palette (whilst appropriate) was very bleak, the runtime was quite unforgiving, and the acting was rarely noteworthy.
Unfortunately all this adds up to create an unremarkable film about a remarkable woman. Which in itself is an impressive feat I suppose.
This is largely because I felt like I was never actually let behind the curtain, and was kept at a frustrating distance from the characters. I never got under the skin of Emily, or any of the Bronte's really, and left the film with far more questions than answers. For a biopic, even a highly embellished one, this is unforgivable.
Given what the film was trying to achieve and the angle it took, I was surprised by how little emotion was stirred in me. I wanted to feel more watching this film but just never felt like I was part of it.
This lack of connection and emotion wasn't helped by the fact that the colour palette (whilst appropriate) was very bleak, the runtime was quite unforgiving, and the acting was rarely noteworthy.
Unfortunately all this adds up to create an unremarkable film about a remarkable woman. Which in itself is an impressive feat I suppose.
Did you know
- TriviaActress Frances O'Connor's feature-film directorial debut.
- GoofsA first edition of "Wuthering Heights" is shown as being attributed to Emily Brontë. It was originally published under the pen name Ellis Bell and only appeared under her real name after her death.
- Quotes
Emily Brontë: I do wonder though... how does God squeeze himself into all that rain? Won't he get wet?
- SoundtracksNocturne No. 2 in C Minor, H. 25
Written by John Field
Performed by Elizabeth Joy Roe
Courtesy of Decca Music Group Ltd
Under licence from Universal Music Operations Limited
- How long is Emily?Powered by Alexa
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Емили
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- £6,000,000 (estimated)
- Gross US & Canada
- $1,097,067
- Opening weekend US & Canada
- $40,287
- Feb 19, 2023
- Gross worldwide
- $4,304,588
- Runtime2 hours 10 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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