User reviews

www.eattheblinds.com

I can't remember the last time Hollywood offered me anything mind-blowing. An industry now controlled by bankers for shareholders, even filmmaking geniuses like Martin Scorsese have been reduced to making pointless kids movies. Not even the so-called independent cinema in the US has been spared Hollywood's fixation with the bottom line, where the few table scraps left are thrown to a dwindling numbers of original voices still relevant. If ever we needed another Easy Rider inspired industry revolt, then now is the time.

With American cinema (not unlike the country itself) irrelevant and hopelessly behind the times, the only option North American cinephiles have, is to go abroad. One of the countries that's long since surpassed American cinema for shock and originality is South Korea. And it's not like Hollywood is oblivious, they're actually cannibalizing SK cinema by remaking Korean gems into pointless American knockoffs. The latest SK gem ripe for reproduction is Hong-jin Na's The Yellow Sea (Hwanghae).

Like Ravel's Bolero, The Yellow Sea understands the patient reward of crescendo: starting slow and building to a fevered climax. By the end of this, we're left with what seems impossible for an epic 156 minute film: wanting more. With the exception of one car chase marred by phony green screen cutaways (see the video below), the breakneck action, extreme violence and hyper-realistic gore is virtuosic. Guns noticeably absent, whooshing knives, devastating hatchets and the blunt trauma of gnawed animal bones provide The Yellow Sea with brutal, bloody and refreshingly lo-tech weapons of choice, a grim example of how Hollywood and it's obsession with appeasing demographics can't compete.

But The Yellow Sea is much more than just a knife brandishing ballet that hearkens back to early 90s HK bullet ballets, it's exceptionally well written and acted with none of HK cinema's clichéd melodrama. The characters here are many shades of grey, avoiding archetypal absolutes, allowing us to identify with and like even the worst of the worst. All of the action is beautifully composed with kinetic, hand-held photography that compliments the bleak color palette, which results in a gritty and ultra-realistic film, not unlike so many American masterworks from the 1970s.

If you enjoy The Chaser or The man from nowhere, You will absolutely love this film. In fact, if you love thrillers...this is for you. The villain, is probably one of the worst villains ever, is also very funny. The main character who has questionable orals is still very likable and found myself rooting for him. The basic plot in one sentence is pretty much an assassination of a professor gone wrong. The main character find himself being chased by the police, the villain, and someone else (which I won't reveal or else it will be a spoiler.) The action scenes are so brutal but realistic. The scenes are fast and real tense. There twists are so good and fitting for this thriller. The action will keep you on the edge of your seat but your mind will be asking a few questions which will be all answered if you pay attention close enough. All the actors were excellent. The guy who played the villain was the "good" guy in the The Chaser. He played his character so well, I didn't even recognize him. His speech, mannerisms, and expressions had me believe his character. I also loved the ending which could be debated.

another near perfect thriller out of south Korea. i don't know what and how most movie festivals giving out award, but all movies directed by this director and screenplays written by this specific several movies directed by this specific director, the screenplay writer(s), both should have received the highest honors of awards. based upon my forty years movie viewing experience, i've never seen anything like these kind of well written, well directed and well performed korean movies. these movies mentioned by other reviewers are just on different level, making hollwood's films in similar genre like worthless garbage. watching every one of these movies just became a psychiatric treatment, the perfect and ultimate catharsis to drain the stress caused by the financial burden and bore-to-death day in and day out urban living, because nobody could be more down and out like the main characters portrayed in these movies, and not any common person, you or me, could be less lucky like these characters faced in their lives. korean movie thrillers are just so uniquely different from other countries, in my opinion, they are definitely on a higher level, higher than where the Hollywood, bollywood, Japanese, Chinese stand. because every time when i finished a korean movie like 'the yellow sea', 'the man from nowhere', 'i saw the devil'....i felt the stress that constantly burdened on my mind and shoulders would go away temporarily, i actually felt better and more alive. no other country's movies could have such catharsis-like effect.

highly recommended to those who got the similar burden like me.

This film is quite a ride. If you like nonstop action, you might like it. If you like stories about desperate people stuck in desperate situations and struggling to get out of them, you might like it.

Unfortunately, you have to be willing to suspend quite a bit of disbelief to keep watching it, as each five minutes takes the main character further into unbelievable territory. By the end of the film, he's outsmarted several police organizations and several crime organizations, all of which have been chasing him through most of the movie, and it tells in several scenes where, rather than showing how he got out of an impossible situation, the film simply cuts to him driving or running away with nobody in close pursuit, suggesting he did it . . . Um, somehow?

Other reviewers talk about gritty realism, and while it is gritty, it isn't within miles of realistic. In the real world, the main character of this film would have been either killed or put in prison within thirty minutes of this 2.5 hour story.

It's time to fete our Director Na Hong-jin for making a masterpiece like this. This is about his noir thriller "The Yellow Sea". His second film after a bang like The Chaser. The main success of this movie is for it's fast screenplay and some nail biting chasing scenes. Inspite of its long running time the movie tightly grips us during most of its running time.

Coming to story, The protagonist Goo-nam(Ha Jeong-woo) is a Joseon(Chinese of North Korean descent)is a taxi driver living in Yenji, China. Goo-nam's wife went to South Korea for work to lift their family. She promised that she would send money to him, but there has been no money sent by her, let alone any news from her. Goo-nam really loved her and meanwhile tortured by the possibility of her infidelity in his dream, but that is not his only problem. He has lot of debts including his wife's travel fare. He tries to solve his problem with gambling, but that makes his situation worse.The debt collector often visits and questions his pride.

After his fierce attitude in the gambling bar, Goo-nam is noticed by a local Korean mob boss/dog seller Mr. Myeon(Kim Yoon-seok). Myeon has a plan to solve his problem. If he goes to Seoul and kills somebody, his debt problem will be solved. Giving his daughter in the safe hands(his mother)he agrees to work. Under the instructions from Myeon, he illegally entered South Korea with other Korean Chinese.

He arrives at some coastal area without much problem. He goes into Seoul while not being noticed by the law enforcement. He stays in a lousy motel room. He checks out the place where his target lives. He is clever enough to devise a good plan while spying on the daily pattern of the target during the night. He also goes around Seoul for getting any clues about the whereabouts of his wife. There is not much time left, but he still cannot find her. The time is short, and he must do the job as demanded. It's a now or never situation,the night at the freezing cold Goo-nam anxiously waits for his target to arrive at the building. And then, something unexpected happens in front of his eyes. With an unexpected twist ,He is now chased by both the police and the mobs for what he does not commits. The chasing starts, even we feel sorry for the unfortunate things happening to this inglorious bastard in the merciless world.

The plot shines lightly and it turns out a mob boss in Seoul, Tae- won(Cho Seong-ha), is involved with the incident. After the involvement of police and the media far more than he has ever thought, he becomes panic. He attempts to solve his problem even before knowing what's exactly going on. This is a real critical situation, especially when Myeon comes to South Korea after the problem between him and Tae-won. Now both want Goo-nam in their hand. Reminding the chaser the good guy plays a very bad guy role here. Can't see the rage of fight with the bones. That's really a new route of violence. Thanks to the director the car chasing scene is really a nail biting high tension scene, he makes very impressive actions sequences. The camera is a little too running. And the plot changes in to unexpected twists. Overall it is really a worth watching experience. Can't wait for another movie from Na Hong Jin.

I have nothing against unsteady camera work if this is used for chasing scenes or is taken as a crucial stylistic element (e. g. Black Witch Project). But what the heck ... over the whole movie you feel like sitting in a boat that pitches and yaws up and down on the sea. The camera work mirrors any gestures or motions even in no-action plots. Otherwise, this movie shows great acting and is surely an interesting thriller. I love the Korean no gun fights. Sometimes you have problems to recognize and relate the Korean actors (they looks very similar to me). Thus, the movie encounters difficulties to follow the plot easily. Nevertheless, i strongly recommend this movie - even if you have to watch it twice.

An absolutely spectacular Korean thriller that a) does everything perfectly and b) engages and involves the viewer like few other films. South Korea is currently one of the hottest places in the world for film-makers; it was only last year that I saw the excellent MAN FROM NOWHERE for the first time, a movie that soon became a favourite. THE YELLOW SEA follows suit. Although it's a two-and-a-half-hour movie, it grips you from the outset and never lets you go.

If only Western cinema would take as many risks and gambles as this film does. It's not an easy watch; pretty much the entire cast is populated by criminals and murderers, and even the protagonist is a man who thinks nothing of taking on a contract killing job. Yet he becomes a character you root for, purely because he's less evil than the others out to get him; he appears to be a man of his word, at least as far as we can tell, and that counts for something in a dog-eat-dog world.

The film reunites the director and two stars of the excellent serial killer flick THE CHASER but THE YELLOW SEA is a different beast entirely: a wronged man-style thriller if you will. It packs a great deal of thoroughly exciting chase and action sequences into the running time; inspired by THE BOURNE SUPREMACY, each of these employs the shaky-cam to excellent effect, where you never miss out on the action. This is also an exceptionally violent film packed with knife and hatchet fights and brutal slayings that sit alongside more Hollywoodised foot and car chases.

The actors are excellent in their parts; so believable that you never question them for a second. Ha Jung-woo is particularly good because he never does anything to make you sympathise with him for a moment, and yet you end up doing so anyway; he's just a small-time guy who gets out of his depth and has to use his ingenuity to survive. His journey is one of the most gritty and realistic I've ever seen in film; it doesn't get any more engrossing than this. Kim Yun-seok, in contrast, playing people-smuggler Myun, is larger than life and his character's ability to survive against overwhelming odds is similarly profound. Beautifully shot and expertly scripted, The Yellow Sea is an example of cinema as it should be; if only more films were like this!

The Yellow Sea directed by Hong-jin Na is a thriller full of blood thirsty and vicious villeins ,and done in a way only our Koreans friends know how to.The films starts with the main character (Jung-woo Ha) who is a taxi driver struggling to return the money he took to send his wife to work in Korea.Now his wife hasn't contacted him in months.He has no money to pay his debt as his wife's not sending him any money.He is gambling ,picking fights and enduring treats.Then he is introduced to a man (Yun-seok Kim) who can solve all his problems in return for a simple job.

The film is filled with trademark Korean type crude fights involving hacking, chopping, slashing and blood splattered on walls and floor.The movie looked in its element while dealing with violence but losses its edge when treading on other fields.Acting is great throughout but sadly its not enough to keep you hooked.The director's previous feature The Chaser kept you immersed in its tension but don't expect the same here.Similar shaky use of camera in The Bourne Ultimatum bothered some but not me.It did bothered me this time around.The overall background score and sound mixing seems choppy too.

The Yellow Sea is not a bad film but its not a good one either.It surely has its moments but promises something it never delivers.It might have been the absence of a moral thread to connect and bind the whole film together.At the end its a film that could have been so good but it's undone by its overlong affair with apathy.Disappointing.

The plot could have been more obvious and simply delivered, too many names and too many side stories have derailed from the central storyline.

The acting was good the action ok.

Directed by Hong-jin Na The story of a cab driver in Yanji City, a region between North Korea, China and Russia. His wife goes to Korea to earn money, but he doesn't hear from her since in 6 months. He plays mah-jong to make some extra cash, but this only makes hif life worse; but then he meets a hit-man who proposes to turn his life around by repaying his debt and reuniting with his wife, just for one hit (Plot).

Once again, the filmmakers and actors (the same as The Chaser 2008) from South Korea have hit a huge great film again, nothing bad here, just in one word when the film end you will say wow !, one of the best thrillers i saw in my life, the film combines many things such as crimes, suspense, betrayal, bloody fight, hunts, struggle, patience, pain, sacrifice,car chases and more! I love everything in this film, first the story of the film and how the director tells in three major characters in 4 chapters, secondly linking all the three characters in many scenes and goals (Money!), thirdly the great performance of the three characters especially the(Jung-woo Ha and Yun-seok Kim) and finally directing and Screenplay was remarkable !.

Director Na in his 156-minute film divided into four chapters ( Taxi driver, Killer, Joseon Clan and Yellow Sea) practically wrote about the history of the building of primal instincts, how they get awakened by chance, how they crash with other instincts and the ending to it all.

Had he given more commercial consideration he could have made the running time more compact. The latter half of the film drags on a bit due to the repeated pattern of killings and chase. Therefore dividing the film in chapters to show three people's perspectives from beginning to end is 100 percent director Na's own doing.

5/5

After the ending credit I puzzled with numbly heart. It was a huge mess and huge complication plot. I have to read a short summary again because I barely understand what's going on in the movie.

What I like the most is it shows an interesting story of Korean in China which is no one did it before.

First I have to admit that nowadays the more I watched Korean movies, the more I appreciate their good work with a stretch range of variance themes. For right now I am in a state that I will pick a recommended Korean movie over the mega budget Hollywood flick any day of the week. Since my first introductory of Korean movie more or less a decade ago with the like of 'My Sassy Girl', 'Sorum', 'Memories of Murder', 'Oldboy', etc, things only get better.

And with 'The Yellow Sea' I can't help but to once again utter my sincere compliment. The movie basically divided into four segments each related to the situation of our protagonist. The protagonist himself is a grey character between evil and good, which didn't come as surprise, as many Korean movies has done a lot deal with such a character, take 'Oldboy' or 'I am a Father'.

The first segment is meant to tell us about the dark and depressing background of the protagonist and the motive following his grim decision for the audience to tolerate. The second segment is what followed after and I assured you it will thrill and hold you at the edge of your chair. Very pacey and full of suspense that the second segment itself could stand as a suspenseful modern noir, of which Alfred Hitchcock and Billy Wilder will nod in full agreement.

But I think what followed after the second segment is where the movie slipped over. Director Na Hong Jin (from 'The Chaser') tried everything to provide a decent thriller, but maybe he just tried too hard. The way he prolonged the movie and transformed it into multi characters rather than kept focusing on the main character, the die hard character in bloody melee combat, the car flipping and car chasing scenes which was superb and not inferior to that Hollywood's made, those were all but just not add up to the movie's substantial but rather blurred the entire purpose of the movie.

If the movie is intended as a powerful thriller drama then it surely slipped in the latter half of the movie. A decent thriller drama can not be stuffed with too much action flick I guess. Nevertheless I still like the movie very much and would like to recommend it to all Asian(or Korean) movie enthusiast. Only that I really wish the director made the movie only three quarters as long, stayed focus on the protagonist's gloomy campaign and ended it up the way it was. It would be a dark and a too powerful movie instead.

Korean films are the go to when looking for grit, realism, blood without gore and gore without blood. Na Hong Jin turns the story of a cab driver turned contract killer into a tour de force of two characters that tear through a string of missteps, errors and double crossings like Iron Men, through the gauntlet of car crashes, knife fights, fire and all you can imagine in the vein of the Bourne dynasty, all to come out VERY harmed. That is the spirit of the movie: pain, collective suffering, bleeding, survival and grinding for a life perhaps not worth living; all of this framed in a decadent, sloppy area of China bordering Korea that is filled with deprivation and hardships, but in a way, beautifully shot.

The story, acting and locations are perhaps the strong points: at the other end, the action sequences get too convoluted, the characters take too long to get to their unavoidable outcomes and some scenes and plot points end up being redundant. It's a good movie, for it's Korean, and Korean films rarely miss..

featuring the same trio of director and leading men from the outstanding "The Chaser" Na Hong-Jin gives us a bleak slice of Korean life. All of the characters are unappealing and unsympathetic, but especially the violent loser Gu-Nam, who is sent on a murderous mission to Seoul by people trafficking gangster Myun-Ga. But despite Gu-Nams hopelessness you still root for him to survive and win despite the odds stacked against him. Na has crafted a flawed masterpiece from these broken elements, with plenty of his trademarks from The Chaser, like the outstanding cinematography (apart from some of the later chase scenes which seem to have been shot on a horrible video camera) and unrelenting violence. I would recommend it very highly.

I'll try to keep this review brief - you're encouraged to go see the film and judge for yourself;

The plot is simple - and in-debt man from a northern province of Korea travels to Seoul to assassinate someone to pay his debts; the result is utter chaos as he tries to escape back home.

Right, first off, if blood and gore scare you, this film is not for you - it's quite gruesome and relentless in the violence; The Yellow Sea does not compromise, does not glorify the hit-man (he's just a taxi driver), nor does it include any super-human feats of agility or other unlikelihoods in its plot. The roughness of the story and its characters is the real strength, and i have found myself watching intently (waiting for the usual ridiculous Hollywood stuff to happen) as i rarely do, but TYS continues to deliver without pause.

Unfortunately not all is well; good characters, good lead, good pacing but some truly horrid camera work spoils what would have been a great film in its genre. Why the Koreans must have learned the Blair Witch Shake because, while it's reasonable for the camera to shake during chase scenes, it's not acceptable that any movement on screen (be it a man's mouth opening as he eats, or a car passing by) must be mirrored by the camera making the same movement.

All in all, The Yellow Sea is gritty and dark like only the asians know how to make, but the camrashakey- end result is really bad, and makes this a film to recommend only to those who know what they are after.

My final vote: 7/10 and who knows .. if it had been made properly ...

Prob hands down one of the best movies i've ever seen. The writer/director blows away any sense of the "norm" along with even with multiple viewing continues to keep you wondering whats going to happen next. The combo of Jung-woo Ha and Yun-seok Kim in reversed roles from the Chaser is amazing as always. Another win for Korean filmmakers

Its because of raw, rough life hardships emphasized in the seriously gritty way we see here that makes me love the South Korean film industry. Whether it be a Gangster, Vampire, War, Crime or a Historical story/bio etc, they are so magnificently made and quite a few are just superb!

It may have been better to title this film as "THE RED SEA" considering the amount of blood that is spilled; and there is a lot. However the film is not just some over the top slashing and hacking thriller. It is a clever story that could happen to anyone (especially in places like South East Asia) and moves along at a quick pace.

There are twists and turns of a few events running alongside the main storyline but it does not get confusing. It draws your interest to it slowly at first but later you are dragged into the thrill of the kill - pun intended - and you are totally engrossed, whereby you reach the end of the film without being aware that 2hrs:20mins:09secs have just flown by...yet it hardly seems like its even been an hour.

The main character seriously has a major amount of woeful bad luck, going from plain old taxi driver to untrained assassin and, ending up as a man on the run from everybody...as he fights to stay alive.

Its entertaining cinema no matter what and its certainly something that films from the West seriously need to learn from. Not every film needs to be flooded with CGI etc!

This is a gritty super realistic film, where reality occurs as one wolfs down spare noodles as a ravenous dog.

It is paradoxically a fantasy in which one man survives insurmountable odds.

It is that which shows the rational madness of the human condition.

I am afraid it is a Love Story.

Although those who are young might think it glory of violence even though the end is null. However depending on your cut there are alternative Kaputs.

I highly recommend this film to gain brotherhood amongst the races, we are are pink slime oozed from the mold.

I guess I'm a minority of one but I don't get the praise. Overkill + Repetition + Incoherence = What, exactly? A good movie buried somewhere. The filmmakers seemed to take the approach that if they have one gang of gangsters running around incoherently then 3 (I think) gangs of gangsters running around incoherently is 3 times better. If we have one interminable car chase in the city then 20 interminable car chases in the city is 20 times better. If we have one bloody poorly lit incoherent knife-and-ax fight, then 20 bloody poorly lit incoherent knife-and-ax fights is 20 times better. (By the way, don't they have guns in Asia?) I will say, however, the ending is cool.