Intermission

First, I love it for the fine eulogy to Ladri di biciclette . It is one of splendid gifts of this short film - the title, the scenes, the last scene. And for that I can be just grateful to Anthony Lemaitre for this form of...rehabilitation of the masterpiece of Italian neorealism. Second, for the acting of Ilies Kadri. Not the last, for dialogue between Tamara and Yacine, dialogue reflecting, in admirable manner, contemporary clash between tastes, interests and delicate illusions. And, sure, for the end. But, maybe, more important, for the feelings after the final credits. It is a great film for what it suggest and remind. That does it very, very special.